A Gay-Oriented Collection of Art Works, Literary Quotes, Songs, Films, Cubs, Otters, and Other Guys. Please be aware thet there is mature content on this blog. Information and links to sources will be provided unless unknown. Enjoy your visit.
Born in the Ardennes region between France and Belgium in 1968, Benoit Prévot is a French illustrator and comic artist. A graduate of EMSAT, he has worked at various design and advertising studios. Prévot received formal training at the CFT Gobelins, a Paris school for visual communication and the arts,after which he worked on several animated television series. Throughout his career, he has created artwork for comic books and fanzines, as well as illustrated book covers and promotional posters.
Prévot’s more current and personal work, reminiscent of illustrations produced in the 1920s, often displays a stylish homoerotic atmosphere. Although his favorite medium is ink and graphite on paper, Prévot has also produced works with watercolors and oil paints.
Benoit Prévot is the writer and illustrator for Class Comics’s “Angelface”, a graphic novel series set in the 1920’s era of prohibition, which was epitomized by that era’s illicit liquor bars, swing music, and loose morals. The illustrated series combines the elegance of that era with Prévot’s stylish homoeroticism. The story of Alan, known as Angelface, and his lover Red conjures up the glamour of upper-class wealth and Trans-Atlantic ocean liner travel as well as the grime of the working class world which Alan and Red want to escape.
Prévot’s work has been shown at the Leslie-Lohman Museum of Gay and Lesbian Art in New York City and has been shown regularly at the Tom of Finland Art and Culture Festivals. Issues of the graphic novel “Angelface” were donated in 2011 to the Tom of Finland Foundation. Benoit Prévot currently lives and works in Paris.
Bottom Insert Image: Benoit Prévot, “Décolleté”, Date Unknown
Born in Gijón, Spain, in 1976, Ego Rodriguez is a self-taught, freelance graphic designer who has been based in the East End of London for the last twenty years. Born into an artistic family and initially trained by his parents in the arts, he began drawing in sketchbooks at an early age. Rodriguez’s work is currently focused on digital media; but he also creates work in acrylics, inks, mixed media, and watercolor.
Inspired by the fashion illustrations of Antonio López and Stefano Canulli, Rodriguez’s illustrative work is predominatelyportraiture, done with well-defined aesthetics, clean edges, bold strokes, and contrasting colors, similar in style to the fashion illustrations of René Gruau, one of the best known artists of the haute couture world during the 1940s and 1950s. The central part of Rodriguez’s work has formed around his homoerotic images of male figures and his film world images due to their popularity.
In the beginning of Rodriguez’s art career, commissioned portraits for friends formed the basis of his art. Since then, his current body of work has included postcards, editorial work, logos, websites, wall paintings, and illustrative work for magazines, both online and published. Some of his clients have been Attitude, QX Magazine, Gay Times, and The Advocate. Rodriguez has also contributed work for The Pigeon Hole, an online global book club, and Swide, an online luxury magazine.
Ego Rodriguez’s exhibition entitled “Macho” was featured in 2012 and 2014 in London, and also has been shown at Pride events worldwide.
More images, information on commissions, and contact can be found at the artist’s site: https://www.egorodriguez.com
Salem Beiruti, “Cernunnos”, 2020, Digiatal Art Print with Watercolor and Gold Gouache
Born in Lebanon, Salem Beiruti is a conceptual artist and illustrator residing in Madrid. Working after graduation as an art director in the fields of advertising, graphics, and fashion design, he has more than seventeen years of client and freelance work. Upon his move to Madrid, Beiruti became a full=time illustrator and artist.
Beiruti’s skillful digital illustrations are unique and inspired by such artists and photographers as Patrick Fillion, Paul Freeman, Issauro Cairo, and Francisco Prato. His projectof mixed-media works “Morphosis” is a result of his personal journey as a man of an Arabic mid-eastern culture and its traditions to the man he is today. The art book was published in June of 2017 by German publisher Bruno Gmnuender.
Salem Beiruti’s “Cernunnos” is based on model Francesc Gascó.
For those interested in purchasing a print, Art of Salem is offering all prints at a 40% discount for Easter 2021. Please reference Ultrawolves when ordering. Thank you. https://www.instagram.com/artistsalem/
Leo Maximus is a French graphic artist based in Paris and Montreuil, Ile-de-France. He studied graphic design and illustration in Paris.
In his initial illustrations, Maximus used a rectangular format with strong shadowing and bold calligraphy which combined the feel of vintage advertisement with eroticism . For his current “Purgatoire” Series, Leo Maximus used a circular formatin his compositions called a tondo. This format, popular during the Renaissance, was used traditionally for religious scenes in paintings and reliefs. In this new series, Leo Maximus has softened his colors and tones to produce a more classical effect.
Born in 1902 in Stanley Virginia, located in the Blue Ridge Mountains, George Quaintance was a gay American artist, famous for his idealized, strongly homoerotic depictions of men in mid-twentieth century magazines. Growing up in a farm family, George Quaintance, showing an artistic potential, was encouraged by his parents to pursue art rather than forcing him into the family business of farming. At the age of eighteen, he enrolled at the Art Students League in New York City, studying painting, drawing, and dance. Quaintance’s first art assignments were producing anonymous graphic work for several advertising firms.
By 1934, Quaintance began to sell freelance cover illustrations to a variety of pulp magazines, such as Movie Humor, Snappy Detective Stories, Gay French Life, Ginger, and Tempting Tales. Using historical settings to justify the nudity or distance the subjects from modern society, his artwork featured idealized muscular, semi-nude or nude male figures; A common motif of his work was the theme of the Wild West, complete with cowboys on the ranch or camping out.
Quaintance later moved to Los Angeles, where his artwork began to gather recognition and establish, in an illustrative form, the stereotype of the gay macho, sexually active man. He used young, attractive athletes as nude models; but he personally often posed nude as a model for his paintings. An influence on many upcoming homoerotic artists, Quaintance was in 1937 the highest-paid illustrator for Gay French Magazine, earning more than fifty thousand dollars for his illustrative work.
In 1938, Quaintance returned to Stanley, Virginia, with his companion Victor Garcia, a handsome, young man from Puerto Rico who became a prominent model for his 1940s photographs, his business associate, and life-long partner until Quaintance’s untimely death. Although Garcia was with Quaintance through the rest of his life, Quaintance also had a series of other lovers, many of whom became models for his paintings.
Quaintance’s paintings and illustrations appeared on the covers and inside most of the seminal physique and body-building magazines of the 1940s and 1950s, such as Physique Pictorial, Body Beautiful and Demi-Gods. In the early 1950s, Quaintance and Garcia moved to Rancho Siesta near Phoenix, Arizona, which became the home of Studio Quaintance, a successful business venture based around Quaintance’s artworks.
In Rancho Siesta, Quaintance articulated a vision that was unique, and that spawned dozens of imitators. He offered idealized male images to a hungry international audience; and he offered them in a context that was rugged, masculine, and romantic, as well as erotic. Quaintance presented Levi jeans as a garment that was sexy and serviceable. He also embraced Mexican, Native American, and Latino cultures and people in a way that avoided caricature and stereotyping. Quaintance realized America’s fascination with the West and gave all those fans a different cowboy role mode. He created a world where queer boys grew up to be queer men without the specter of homophobic intrusion.
George Quaintance died in a Los Angeles hospital of a heart-attack on his 55th birthday. His life-long partner Victor Garcia and long-time friend Tom Syphers inherited his estate. Quaintance’s works can be found in many private collections and museums.
Note: An excellent read on the life of George Quaintance is “Quaintance: The Short Life of an American Pioneer” by Ken Furtado and John Waybright
Guadalajara-born artist Felix d’Eon is influenced by multiple historical art styles, including vintage American comics, Edwardian fashion, illustrations from children’s books, and the prints of Edo period Japan. Doing careful research in costumes, settings, and the style of a period, he gives his work, done on antique paper, the illusion of antiquity, D’Eon’s thoroughness and accuracy allows his illustration to appear taken from the pages of an art history textbook.
D’Eon uses the vintage illustrative style, with its delicate romance and aesthetics, as a tool for narratives of both marginalized and historically oppressed gay communities. He employs this technique in his illustrations, both erotic and provocative, to challenge the modern-day stigmas, still present, around same-sex relationships.
Ultimately, D’Eon’s illustrations read as an alternative history for the queer people he draws. None of his characters suffer from tragic endings or acts of injustice like they perhaps might have in the past or even present day. Instead, D’Eon recreates the world not as it was or is, but imagines the world as it can be.
Felix d’Eon has produced a series of tarot card illustrations and is currently working on a series of astrological signs painted with queer subjects. Many of his illustrations can be found for purchase at the artist’s site at Society6:https://society6.com/felixdeon
Rodrigo Muñoz Ballester, “Manuel” Series, 1983-1985, La Luna de Madrid, Madrid, Spain
Born in Tangier in 1950, Rodrigo Muñoz Ballester was a draftsman, illustrator and a sculptor. He was considered one of the most representative draftsmen of Madrid’s “La Movida”, a countercultural movement that took place during Spain’s transition after Francisco Franco’s death in 1975. One of Rodrigo’s few works in the comic genre was “Manuel”, an experimental and unconventional work, telling the tale of an nonreciprocal gay love story through an autobiographical character. The “Manuel” series was published in the oversize pages of the monthly magazine “La Luna de Madrid” between 1983 and 1985.
Rodrigo’s technical perfection and his mastery of perspective are evidence of his training as an architect and his study of Fine Art. In his illustrative work, he shows his fondness for realism and the classical paintings in the Prado Museum; he also recognizes the influence of the painters he admires, such as Edward Hopper and fashion illustrator Antonio López.
In 2005, a compilation of Rodrigo Muñoz Ballester’s work, containing “Manuel” and seven other works not published in La Luna de Madrid, was published, entitled “Manuel No Está Solo”, by Sins Entido, a Spanish publisher committed to graphic novels. Unfortunately, this compilation book is currently out-of-print.
Buckhead 1111, “Colaboration with Paul Cadmus”, Digital Art Photography
Buckhead1111, born Steve Douglas, is an artist and designer living on Maui, Hawaii. He is a multi-media artist who has produced work in a wide range of media including theater set design, jewelry, sculpture and painting. He is currently working in digital art using multiple apps on his iPad. Buckhead1111 weaves textures that he digitally creates into photographs that he has processed, frequently collaborating with other artists on their work.
Alireza Shojaian, “Hamed Sinno et un de ses Frères (Hamed Sinno and One of His Brothers)”, 2018, Detail, Acrylic and Color Pencil on Wood Board, 150 x 120 cm, Private Collection
Alireza Shojaian is an Iranian gay artist, born in 1988 in Tehran. He studied at Islamic Azad University In the Faculty of Art and Architecture center located in Tehran, and obtained his Masters degree in Fine Arts. He now spends time living and working between his birthplace of Tehran and Beirut, Lebanon, a more tolerant country in the Middle East in terms of protection and acceptance for sexually and gender diverse people..
Shojaian’s artwork tries to highlight subjects which society tries to hide from view. His paintings often deal with the intimacy of his characters, sometimes confronting the viewer with a sense of suffering or embarrassment. Shojaian’s Pentagon and Hexagon series deals deeply with the issue of being a gay man in Iran. The two series depicts the final moments in the life of a gay friend, who was brutally murdered in his own home during the final year at the university.
For further information on the life of Alireza Shojaian and his experience within the Iranian culture as a gay artist, I suggest the following article: https://wearequeerhere.com/queerart
Born in the Tōkai region of Japan, Sadao Hasegawa was a Japanese graphic artist known for creating homoerotic fetish art. His first solo exhibition, “Sadao Hasegawa’s Alchemism: Meditation for 1973” was held in Tokyo, Japan, and featured collages, sculptures, and oil paintings. In 1978 Hasegawa’s art was published for the first time in “Barazoku”, a monthly magazine for gay men. Later he would be published inthe magazines “Sabu”, “Samson” and Adon”.
Sadao Hasegawa cited japanese homoerotic artist Go Mishima and artist Tom of Finland as major influences on his work. Hasegawa’s early works reflected European styles,;but after regular trips to Bali and Thailand, his work put greater focus on Asian iconography and mythology. On November 20, 1999, Hasegawa died from suicide by hanging in aBangkok, Thailand, hotel. Ownership of his work was eventually granted to Gallery Naruyama in Tokyo, which holds the majority of Hasegawa’s colledted works.
Hasegawa’s artworks are noted for their extensive detail, elaborate fantasy settings, and for elements of Japanese, Thai, Tibetan Buddhist, African and Indian art. While Hasegawa focused primarily on depictios of muscular male physique, he oftren incorporated extreme sexual themes and subject matter into his works.
Sadao Hasegawa is regarded as one of the most influential creators of homoerotic art in Japan. Very little of his work was publihed in Japan and only one work “Sadao Hasegawa: Paintings and Drawings”, a collection of his magazine work, was published internationally by the British publisher Gay Men’s Press in 1990.
Kent Neffendorf, Title Unknown, (The Park Rangers)
Born in Texas in 1959, Kent Neffendorf is an American gay painter and illustrator living and working in Los Angeles. His art, depicting nude and partially clothed figures as icons of masculinity and sexuality, is done in oil and acrylic paints, pencils, and ink.
Neffendorf has been published in over 100 issues of popular gay entertainment publications, including: Men, Mandate, Playguy, Freshmen, Torso, Honcho, Inches, In Touch, Indulge, and The Advocate. He was included in the 2014 exhibition at the Leslie- Lohman Museum in New York City which showed the rich history of the male pinup in the golden age of gay men’s magazines.
Mel Odom majored in illustration at Virginia commonwealth University and then attended Leeds Polytechnic Institute of Art and Design in England, He moved to New York City in 1975.
His artwork with its Art Deco style established him as a commercial artist initially with erotic illustrations for magazines such as “Blueboy, “Viva”, and Pllayboy”. During the 1980s, Odom’s work covered a wide range of commercial media: record and book covers, Illustrations for the sci-fi magazine “Omni”, and a front cover for one of the 1989 “Time Magazine”.
Note: More Images of Mel Odom’s work, both drawings and paintings, can be found at the artist’s Instagram site located at: https://www.instagram.com/mel.odom/
“How language is webbed in the senses. Out of sand-blazed brilliance into quirky minds such as his, into touch, taste and fragrance. He thought he’d linger just a bit longer, let the bath take total hold, ease and alleviate, before he put on clothes and entered the complex boxes where people do their living.
Nothing fits the body so well as water.”
― Don De Lillo
Alfonso Casas Moreno was born in Zaragoza, Spain in 1981 and studied teaching and later fine arr, specializing in illustration. For the last seven years, he has lived and worked in Barcelona.
Alfonso Casas has worked as an illustrator for several companies including Vodafone, Reebok, ING and others. He is the author of several books, including “Amores Minúsculos”. He is also the illustrator of “No Without My Beard” , written by Carles Suñé and published by Lunwerg Publishers in 2015. Alfonso Casas’ illustrative work has appeared on the poster for the Teatro Lara Theater in Madrid.
worked at various design and advertising studios. Prévot received formal training at the CFT Gobelins, a Paris school for visual communication and the arts, after which he worked on several animated television series. Throughout his career, he has created artwork for comic books and fanzines, as well as illustrated book covers and promotional posters. 
novel series set in the 1920’s era of prohibition, which was epitomized by that era’s illicit liquor bars, swing music, and loose morals. The illustrated series combines the elegance of that era with Prévot’s stylish homoeroticism. The story of Alan, known as Angelface, and his lover Red conjures up the glamour of upper-class wealth and Trans-Atlantic ocean liner travel as well as the grime of the working class world which Alan and Red want to escape. 
