Ben Kimura

The Art of Ben Kimura

Born in 1947, Ben Kimura (木村べん) was a Japanese artist known for his gay erotic artwork. As noted by historian and artist Gengoroh Tagame, he and Sadeo Hasogawa were among the central figures in Japan’s resurgence of gay artwork in the 1970s.  

Ben Kimura began his career in 1978 as an illustrator and cover artist for “Barazoku”, Japan’s first commercially circulated gay men’s magazine. The monthly magazine, edited by Bungaku Itō, began publication in July of 1971 and published four-hundred issues, the last being in 2008. Kimura was a regular art contributor until his departure in 1989. During this time, he was also a major contributor for cover and story illustrations for “Sabu”magazine. 

Kimura also contributed illustrations to the early yaoi magazines “June” and “Allan”, both male to male romance-fiction magazines for a female audience. His work for these magazines placed him among the first gay artists to achieve crossover success with a female audience. 

Ben Kimura’s artwork was highly sought after by the Japanese gay publications throughout the 1970s and 1980s. Unique among contemporary Japanese homoerotic artists, his work typically depicted masculine, handsome men rendered in a style that was romantic and sensual rather than explicitly pornographic. Kimura’s fit and stylish young men evoked both familiarity and a sense of nostalgia for life’s past encounters . 

In addition to work done for periodicals, Kimura self-published two collections of his homoerotic illustrations. The first collection was the 1997  “Tan-Pan Body (画集)” which was primarily a collection of cover art done for Sabu magazine prior to 1997. Kimura’s second collection “Go-One Boy (作品集)” was published in 1998. 

Ben Kimura died from a pulmonary embolism at the age of fifty-six on the eighteenth of February in 2003. As a tribute, a second printing of his “Tan-Pan Body” was reissued shortly after his death. Kimura’s collected works are managed by his partner and artistic executor Kihira Kai. 

Rodrigo Muñoz Ballester

Rodrigo Muñoz Ballester, “Manuel” Series, 1983-1985, La Luna de Madrid, Madrid, Spain

Born in Tangier in 1950, Rodrigo Muñoz Ballester was a draftsman, illustrator and a sculptor. He was considered one of the most representative draftsmen of Madrid’s “La Movida”, a countercultural movement that took place during Spain’s transition after Francisco Franco’s death in 1975. One of Rodrigo’s few works in the comic genre was “Manuel”, an experimental and unconventional work, telling the tale of an nonreciprocal gay love story through an autobiographical character. The “Manuel” series was published in the oversize pages of the monthly magazine “La Luna de Madrid” between 1983 and 1985.

Rodrigo’s technical perfection and his mastery of perspective are evidence of his training as an architect and his study of Fine Art. In his illustrative work, he shows his fondness for realism and the classical paintings in the Prado Museum; he also recognizes the influence of the painters he admires, such as Edward Hopper and fashion illustrator Antonio López.

In 2005, a compilation of Rodrigo Muñoz Ballester’s work, containing “Manuel” and seven other works not published in La Luna de Madrid, was published, entitled “Manuel No Está Solo”, by Sins Entido, a Spanish publisher committed to graphic novels. Unfortunately, this compilation book is currently out-of-print.

Franze and Andarie

Black Wade: The Wild Side of Love by Franze and Andarie

Dreaded pirate Black Wade has a cruel mind and an explosive sexuality. His mercilessness is legendary, but it wavers when he encounters the young and warmhearted English officer Jack Wilkins. These two absolutely different men are prisoners to their fate. Overwhelmed by their passion, they unite in a fight for freedom and love.

Great gay comic: not quite like Disney’s Aladdin