Portishead, “Mysterons” from the Album “Dummy”
Still one of my favorite songs. Haunting, great vocals.
A fine art, film, history and literature site oriented to, but not exclusively for, the gay community. Please be aware that there is mature content on this blog. Information on images and links to sources will be provided if known. Enjoy your visit and please subscribe.
Portishead, “Mysterons” from the Album “Dummy”
Still one of my favorite songs. Haunting, great vocals.
Hauser, “Adagio” by Albinoni, 2017, Zagreb, Croatia
Hauser performing Adagio by Albinoni with the Zagreb Philharmonic Orchestra at his classical solo concert at the Lisinski Concert Hall in Zagreb, October 2017.
Elisabeth Fuchs, conductor: Pavao Mašić, organ
Arrangement by Hauser and Filip Sljivac
Nigel Stanford, “Roberts vs Music”
Cinematographer: Timur Civan; Collaborator: Roman Bilichenko; Director: Shahir Daud
Album and 4K Video; https://www.youtube.com/watch?v=bAdqazixuRY
Forest Swords, “The Weight of Gold” featuring dancer Billy Barry
Acclaimed French choreographer and filmmaker Benjamin Millipied directs American dancer Billy Barry in Forest Sword’s haunting track “The Weight of Gold”.
“I first saw Billy Barry perform at Juilliard four years ago, I thought, ‘Who is this creature?’ Billy’s quality as a dancer is so otherworldly, I immediately knew I wanted to create a portrait of him. The sense of solitude depicted in the film reflects just how different he is as an artist.” – Benjamin Millipied
The chance to direct today’s music video for British artist Forest Swords’ haunting track “The Weight of Gold” presented an intriguing opportunity for Millepied, who was seduced after being inspired by Israel’s Dead Sea area’s landscape, including the Judean desert and Nebi Musa site that is dedicated to Moses.
“We arrived at a beautiful location and I just let the music and the desert move me instead of forcing it, I listened to the music a lot before the shoot and on the day we just went with what happened naturally.” – Billy Barry, a dancer with Tel Aviv’s prestigious Batsheva Ensemble
Klaus Nomi, “The Cold Song”, 1982, Eberhard Schoener’s Classic Rock Night, Munich
Klaus Nomi sings Henry Purcell’s stange aria “The Cold Song” from the English 1691 Baroque opera “King Arthur”, Act Three, Third Scene
The opera’s composer Purcell died in 1695 from incurable tuberculosis at the age of thirty six. Klaus Nomi died in 1983, shortly after performing this final concert under painful, disease-induced conditions, succumbing alone to complications due to AIDS at the age of thirty nine. Both talented men who died so young.
In 1944 Klaus Sperber was born in the town of Immenstadt, Bavaria, Germany. As a teenager, he discovered his love for opera and also pop music. In the early 1970s, he moved to New York and soon found many friends among the East Village artists there. Around this time, he started using the pseudonym Klaus Nomi, an allusion to the American SciFi magazine “Omni” and an anagram of the Latin word omni(s) meaning “all” or “many”.
Klaus Nomi and his friend, theater actor Joey Arias, climbed the New York art scene; their big break came in 1979 when David Bowie saw their performance at the Mudd Club in New York City’s TriBeCa area. The impressed Bowie hired them as his back-up singers for his December 15, 1979 appearance on the “Saturday Night Live” show. Nomi himself drew influence from Bowie’s plastic fashion that night, commissioning for himself the stiff, plastic tuxedo that would become his hallmark in future performances.
Soon after that appearance, Klaus Nomi shot towards pop stardom. While he was celebrated in art circles in New York, Nomi obtained gold-record status in France and started to appear on pop charts throughout Europe in the early 1980s. His music was a mix of operatic arias and pop tracks. Some of Nomi’s well known songs were works by eclectic musician Kristian Hoffman, while others were bizarre covers of songs such as Chubby Checker’s “Twist,” Lesley Gore’s “You Don’t Own Me” and “Ding Dong the Witch is Dead” from the movie “The Wizard of Oz”.
At the height of his musical success, Klaus Nomi’s career was cut short when he was diagnosed with AIDS, an illness virtually unheard of in those days. He died, alone at Manhattan’s Sloan-Kettering Cancer Center in New York on August 6th of 1983, two years before public awareness of the spreading of AIDS. One of the first celebrities to die from the then-unknown disease AIDS, Klaus Nomi’s ashes were scattered over New York City.
“What power art thou, who from below / Hast made me rise unwillingly and slow / From beds of everlasting snow? / See’est thou not how stiff and wondrous old, / Far unfit to bear the bitter cold, / I can scarecly move or draw my breath? / Let me, let me freeze again to death.” –
Armand Amar, Jean-Paul Minali Bella, “Poem of the Atoms” Featuring Heroun Teboul, 2005, From the Album “Bab’ Aziz”
Rumi, whose poem is being sung, is a thirteenth century Persian poet and is considered a Sufi Saint by many. While Rumi was an Islamic poet, his poetry has a transcendent appeal among various cultures world wide. His poems contain a deep theme of creative love and the urge to rejoin the spirit to the divine. He believed that this was the goal of every living thing that moved, human, animal or mineral.
O’ day, arise!
Shine your light, the atoms are dancing.
Thanks to Him the universe is dancing.
overcome with ecstasy,
Free from body and mind
I’ll whisper in your ear where their dance is leading them.
All the atoms in the air and in the desert are dancing,
puzzled and drunken to the ray of light,
they seem insane.
All these atoms are not so different than we are,
happy or miserable,
perplexed and bewildered,
we are all beings in the ray of light from the beloved,
nothing can be said.
Peter Gundry, “Goëtia”, From the Album “Don’tWake Me Just Yet”
This song is from the composer Peter Gundry’s ninth album consisting of twelve songs. It is available at the iTunes store. Enjoy. Get the album.
.
Marlene Dietrich, “Sag Mir Wo die Blumen Sind”, 1963
Marlene Dietrich performed the song in English, French, and German. The song was first performed in French as “Qui Peut Dire où Vont les Fleurs?” by Marlene in 1962 at a UNICEF concert. She also recorded the song in English and in German, the latter titled “Sag’ Mir Wo die Blumen Sind”, with lyrics translated by Max Colpet. She performed the German version on a tour of Israel, where she was warmly received; she was the first person to break the taboo of using German publicly in Israel since WWII. Her version peaked #32 in German charts.
J Hus, “Did You See”, 2017, From the Album “Common Sense”
Momodou Jallow, known by his stage name J Hus, is an English rapper and singer signed to Black Butter records. He is best known for his 2017 single entitled “Did You See” which charted at number 9 on the UK Singles Chart. He released his debut album “Common Sense” which went straight to number 3 on the iTunes chart, peaking at number 6 on the UK Albums Chart.
Gypsy Hill, “Balkan Beast”
Gypsy Hill, the beast from nearby the middle east, play an intoxicating mix of balkan brass, mediterranean surf rock, ska & swing. Featuring guitars, horns, tuba, a scratch DJ and a mix of live and electronic beats, Gypsy Hill effortlessly mix the traditional with a uniquely modern sound.
Producers DJ Kobayashi and Herbert Newbert have taken the project from studio to stage, gradually growing the band and honing their high-energy live hows.
Their burgeoning CV includes remixes for the likes of Balkan Beat Box and Al Jawala and a special feature on Ninja Tune’s impressive new Ninja Jamm app, appearing alongside electronic music royalty such as Coldcut, Mr Scruff, Bonobo and many more of the Ninja Tunes roster.
Georg Fasswald, Video for Bean’s “Loner”
Viennese record label Ashida Park assigned Georg Fasswald to create a music video for the release “Loner” by Berlin-based artist Bean. The song is characterized by a dark atmosphere, profound bassline, and inciting beat. The music video and cover artwork visually reflect the musical style and emphasize the track’s atmosphere. The outcome is a fully 3D-animated conjunction of occultism and contemporary club culture.
Afghan Whigs, “I Am Fire” from the Album “Do the Beast”, 2014
Afghan Whigs: consistently a great band through all their albums.
Year: Day to Day Men: January 13
Armand: Old English
The thirteenth of January in 1886 marks the birth date of Russian-born American entertainer Sophie Tucker who was known for her forceful delivery of comical and risqué songs. She received billing as ‘The Last of the Red-Hot Mammas’ due to the frequent sexual subject of her songs, an unusual topic for female performers after vaudeville’s decline. Tucker became one of the most popular entertainers in the United States during the first half of the twentieth-century.
Born Sofiya Sonya Kalish to a Jewish family in Tulchyn of the Russian Empire, Tucker immigrated to the United States with her family in September of 1887. The family settled in Boston for eight years and then relocated to Hartford, Connecticut where they opened a restaurant. In 1903 at the age of seventeen, Sofiya eloped with Louis Tuck and two years later gave birth to her son Albert. The couple separated after the birth and later divorced in 1913. After leaving her son with her parents, Tucker found work in New York City’s cafés and beer gardens where she sang for food and received tips from customers; most of her earnings were sent to her family for her son’s support.
Sophie Tucker made her first theatrical appearance at a vaudeville venue’s amateur night. A heavy-weight person, she added weight-related humor and songs to her acts. In 1909, Tucker performed in the Ziegfeld Follies and was noticed by William Morris, a theater owner and the future founder of Hollywood’s William Morris Talent Agency. Two years later, she released her first recording of Shelton Brooks’s “Some of These Days” which soon became her signature song; her 1926 version sold a million copies and stayed number one for five weeks. In 1921, Tucker hired songwriter and pianist Ted Shapiro as her musical director and accompanist. He would remain with Tucker for her entire career and often exchanged jokes with her between musical numbers.
Tucker became friends with Mamie Smith, the first African-American woman to make a blues recording, and Ethel Walters, who became the highest paid African-American recording artist at that time. It was Walters who introduced Tucker to jazz, a music form Tucker later introduced to her white vaudeville audiences. In 1925, lyricist Jack Selig Yellen wrote “My Yiddishe Momme” which became another of Tucker’s signature songs. Now a successful singer, Tucker’s fame spread to Europe and she began a tour of England which culminated in a performance at the London Palladium for King George V and Queen Mary.
In 1926 Sophie Tucker re-released her hit song “Some of These Days”. It sold over one million copies and was awarded a gold disc by the Recording Industry Association of America. Tucker made her film debut in 1929 with a lead role in Lloyd Bacon’s Pre-Code musical film “Honky Tonk” which featured a number of her famous songs. This early feature sound film is now considered lost, only the Vitaphone soundtrack and its trailer still exist. When vaudeville was becoming passe in the early 1930s, Tucker turned to nightclubs where she could continue to perform for live audiences.
During 1938 to 1939, Tucker had her own radio show on CBS, “The Roi Tan Program with Sophie Tucker” and made numerous appearances on such programs as “The Radio Hall of Fame” and “The Andrews Sisters’ Show”. In 1945, she created the Sophie Tucker Foundation, which supported various actors’ guilds, hospitals, synagogues, and Israeli youth villages. Tucker appeared on many popular talk and variety shows in the 1950s and 1960s among which were “The Tonight Show” and “The Ed Sullivan Show”.
Sophie Tucker served from 1938 to 1939 as president of the American Federation of Actors, an early trade union originally for vaudeville and circus performers that expanded to include nightclub performers. She continued to perform for the rest of her life with several tours to England; her singing at the Royal Variety Performance aired on the BBC. Tucker’s last television appearance was the color broadcast of the October 3, 1965 “Ed Sullivan Show” in which she sang “Give My Regards to Broadway” and her signature song “Some of These Days”.
Tucker died of lung cancer and kidney failure in February of 1966, at the age of eighty, in her New York, Park Avenue apartment. She had played shows at New York’s Latin Quarter just weeks before her death and had two years of engagements planned. Tucker is buried in Emanuel Cemetery in Wethersfield, Connecticut.
Note: Sophie Tucker’s 1926 version of “Some of These Days”, which featured Ted Lewis and His Band, can be found by entering the title in the search box.