Category: gay illustration

Felix d’Eon

Nautical Art by Felix d’Eon

Felix d’Eon was born in Guadalajara, Mexico, to a French father and a Mexican mother. At a very young age, he and his family moved to Southern California, where he spent most of his childhood and adolescence. He attended college at the Academy of Art University, in San Francisco. He lived in San Francisco until 2010 when he returned to his native Mexico. He now lives in Mexico City with his mini schnauzer, Caperucita Satori.

He is enraptured by various art-historical styles, such as Edwardian fashion and children’s book illustration, Golden-Era American comics, and Japanese Edo printmaking. In his work, he attempts to make the illusion of antiquity complete, using antique papers and careful research as to costume, set, and style. His goal is perfect verisimilitude.

Felix d’Eon subverts their “wholesome” image and harnesses their style to a vision of gay love and sensibility. D’Eon treats vintage illustrative styles as a rhetorical strategy, using their language of romance, economic power, and aesthetic sensibility as a tool with which to tell stories of historically oppressed and marginalized queer communities.

Danny Galieote

Six Paintings by Danny Galieote

Galieote’s unique style takes cues from the drama and technical prowess of Italian Renaissance masters and the New-World optimism of American painters like Paul Cadmus, George Bellows, Thomas Hart Benton and Grant Wood – wrapping it all up with a sinister twist of Rockwellesque humor. His work, though frequently featuring fashion and scenes from by-gone eras, does not concern itself with nostalgia; but rather with the pursuit of the universal, timeless theme of human nature. His paintings draw on elements all along this spectrum – suffusing them with an atmosphere at once dark and yet strangely sweet.

David Wojnarowicz

David Wojnarowicz was a painter, photographer, writer, filmmaker, performance artist, and activist who was prominent in the New York City art world of the 1980s.

Wojnarowicz was born in Red Bank, New Jersey in 1954. The product of an extremely difficult childhood brought on by an abusive family life and an emerging sense of his own homosexuality, Wojnarowicz dropped out of high school and was living on the streets by the age of sixteen. He turned to hustling in Times Square. After hitchhiking many times across the U.S. and living for several months in San Francisco and Paris, he settled in New York’s East Village in 1978.

Many of Wojnarowicz’ works incorporate outsider experiences drawn from his personal history and from stories he heard from the people he met in bus stations and truck stops while hitchhiking. By the late 1970s he had, in his own words, “started developing ideas of making and preserving an authentic version of history in the form of images/writings/objects that would contest state-supported forms of ‘history.'” In such diverse works as the 1982 “Sounds in the Distance”“, a collection of monologues from “people who lived and worked in the streets” and “The Weight of the Earth, Part I and II” in 1988, an arrangement of black-and-white photographs taken during his travels and life in New York, Wojnarowicz continually returned to the personal voices of individuals stigmatized by society.

A member of the first wave of East Village artists, Wojnarowicz began showing his work during the early 1980s in such now-legendary spaces as Civilian Warfare, Club 57, Gracie Mansion, Fashion Moda, and the Limbo Lounge. He gained prominence through his inclusion in the 1985 Whitney Biennial, and was soon showing in numerous museum and gallery exhibitions throughout the United States, Europe and Latin America.

In the late 1980s, after he was diagnosed with AIDS, Wojnarowicz’ art took on a sharply political edge, and soon he was entangled in highly public debates about medical research and funding, morality and censorship in the arts, and the legal rights of artists. Wojnarowicz challenged the nature of pubic arts funding at the National Endowment for the Arts, and initiated litigation against the American Family Association of Tupelo, Mississippi, an anti-pornography political action group that Wojnarowicz accused of misrepresenting his art and damaging his reputation. He won the lawsuit.

Wojnarowicz died of AIDS-related illness in New York City in 1992, at the age of 37. He is the author of five books. His artwork is in numerous private and public collections including the Museum of Modern Art, New York, and the Whitney Museum of American Art.