A fine art, film, history and literature site oriented to, but not exclusively for, the gay community. Please be aware that there is mature content on this blog. Information on images and links to sources will be provided if known. Enjoy your visit and please subscribe.
Author: ultrawolvesunderthefullmoon
https://www.instagram.com/wolvesofgray
This blog is a refugee and a survivor of the Great Tumblr Inquisition of December 17th, 2018. I am gay artist, who received training at the Rhode Island School of Design, and now, a retired high-end fine art framer living in Maryland, USA. My interests and studies in life run a wide gamut from art to history and from the scientific to the esoteric. I have been building this blog of images and texts for the last eight years. My wish is that my posts pique the interest of viewers and encourage them to experience more.
On December 7th in 1995, the unmanned Galileo spacecraft arrived at the planet Jupiter on its mission to study the planet and its moons. It had been launched six years earlier by the Space Shuttle Atlantis on October 18th of 1989.
The Galileo was an American robotic space probe which consisted of an orbiter and an entry probe. It was named after the Italian astronomer Galileo Galilei. Called the father of observational astronomy, Galilei studied speed, velocity, gravity and free fall, inertia, projectile motion and the principle of relativity. He also improved military compasses and the telescope that he used to observe the four largest satellites of Jupiter.
The U. S. Jet Propulsion Laboratory built the Galileo spacecraft and managed the Galileo program for the National Aeronautics and Space Administration, NASA. Its propulsion unit was supplied by West Germany’s aerospace manufacturer Messerschmitt-Bölkow-Blohm. The Ames Research Center of NASA managed the atmospheric probe that was built by the Hughes Aircraft company. The combined mass of the orbiter and probe was 2,562 kilograms and had a height of 6.15 meters.
The nuclear powered Galileo orbited Jupiter from 1995 to 2003. After ten months of operating and sending information to Earth, the Galileo was intentionally destroyed in Jupiter’s atmosphere on the 21st of September in 2003. Its successor, Juno, part of the New Frontiers program, entered the polar orbit of Jupiter on the 5th of July in 2016. The Juno is powered by three solar panels, the largest ever deployed on a planetary probe at the time of its launching.
Takahiro Kimura, Titles Unknown, 2000, Paint and Collage on Canvas
Born in the Fukuoka Prefecture of Tokyo in 1965, Takahiro Kimura is a Japanese animator, illustrator, and character designer. He studied painting and graphic design at Salesian Polytechnic. Kimura later studied drawing, landscape painting and fashion design at Setsu Mode Seminar. While experimenting with collages and combining paint and photographs, he produced illustrations for books and advertisements.
Kimura’s work focuses on the human face. His collages are formed by arranging different segments of facial photographs and applying overlays of paint. With this distortion process,Kimura attempts to expose the human spirit in his figurative work. He has also produced several collage animations, a short film, and an art book entitled “Risky Dolls
Photographer Unknown, Title Unknown, (The Red Wall)
“We are fascinated, all of us, by the implacable otherness of others. And we wish to penetrate by hypothesis, by daydream, by scientific investigation those leaden walls that encase the human spirit, that define it and guard it and hold it forever inaccessible.”
― Tim O’Brien, In the Lake of the Woods
On December 6, 1421, Henry VI was born. The only child of Henry V, he succeeded to the English throne at the age of nine months upon his father’s death, and succeeded to the French throne on the death of his maternal grandfather Charles VI shortly afterwards.
Completely unlike his aggressive father, Henry had a timid, shy, and passive personality, seemed mostly well-intentioned, and disliked warfare and violence; he was also at times mentally unstable. This resulted in various nobles (who often had diverging interests among themselves) attempting to establish control over him, throughout his reign. He proved an indecisive and ineffective ruler, overall incapable of leading his country in times of adversity.
As the situation involving the contesting of the claims to the throne in France worsened, political instability in England also increased. General misrule brought in waves of civil unrest and a breakdown in law and order. Parts of the English nobility began to resent the king’s favouritism, his inability to defend their lands in France, and some of his overall policy decisions.
Partially in the hope of achieving peace, in 1445 Henry married Charles VII’s niece, Margaret of Anjou, an ambitious and strong-willed woman who would come to influence much of the King’s decisions and become an effective power behind the throne and whose scheming would widen the rift among the English aristocracy. The peace policy failed, leading to the murder of William de la Pole, one of Henry’s key advisors. By 1453, Calais was Henry’s only remaining territory on the continent.
Henry VI was deposed from the throne on March 29, 1461 by Richard of York’s son who took the throne as Edward IV and imprisoned Henry in the Tower of London in 1465. Henry was restored to the throne in 1470 only to be imprisoned again in the Tower in 1471 where he died on May 21, 1471, possibly killed on the orders of Edward IV.
Photographers Unknown, Our Species is the Only Creative Species
“Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.”
Hugh Steers was born in Washington, D.C. in 1962, and trained in painting at Yale University and Parsons School of Art and Design. He was celebrated for his allegorical paintings that captured the emotional and political tenor of New York in the late 1980s and early 1990s, particularly the impact of Queer identity and the AIDS crisis.
Steers, who was openly gay, maintained a commitment to figurative work throughout his career, which was cut dramatically short by AIDS at the age of 32. Influenced by historical figures of American art, including Thomas Eakins, Edward Hopper, and Paul Cadmus, Steers embraced representational painting and figuration at a time when such approaches were especially unfashionable.
Steers painted in a style that mixed allegory with Expressionist realism, incorporating many art history references. His work increasingly dealt with AIDs, depicting pairs of men bathing, dressing each other, and embracing. Hugh Steers’s work is featured in the Whitney Museum of American Art, the Denver Art Museum and the Walker Art Center in Minneapolis. A catalogue of his work was published by Visual AIDS in 2015.
“I think I’m in the tradition of a certain kind of American artist—artists whose work embodies a certain gorgeous bleakness. Edward Hopper, Jackson Pollock, Franz Kline—they all had this austere beauty to them. They found beauty in the most brutal forms. I think that’s what characterizes America, the atmosphere, its culture, its cities and landscape. They all have that soft glow of brutality.”- Hugh Steers, 1992
The fifth of December in 1901 marks the birthdate of Walter Elias Disney. He was an American animator, film producer and entrepreneur who was a pioneer of the American animation industry. Interested in drawing from an early age, Disney was employed as a commercial illustrator at the age of eighteen. In the early 1920s, he relocated to California and co-founded with his brother Roy the Disney Brothers Studio, now the Walt Disney Company.
Disney developed, with the design work of American animator Ubbe Ert Iwerks, the character of Mickey Mouse in 1928. In the early years, he provided the voice for this highly popular character. As the studio grew, Disney introduced synchronized sound, full-color three-strip Technicolor, technical developments for cameras, and the introduction of full-length cartoons. The results of these additions can be seen in the Disney Studio’s many popular animated films.
The first full-length traditionally animated feature film was the 1937 musical fantasy “Snow White and the Seven Dwarfs”, which was based on the Brothers Grimm 1812 German fairy tale. “Pinocchio” and the animated musical anthology film “Fantasia” followed in 1940.“Dumbo”, released in 1941, was based on a storyline about a young elephant with big ears by Helen Aberson and Harold Pearl. This film is one of the shortest animated features for the studio; it was also one of the few features to use wateroolor paint to render the backgrounds.
In 1942, the Disney Studio released “Bambi”, based on the 1923 novel by Austrian author Felix Salten. Great lengths were taken to animate the deer more realistically; reference studies were made at the Los Angeles Zoo as well as in the Vermont and Maine forests. The film received three Academy Award nominations and was inducted into the National Film Registry. Following World War II, Disney produced both new animated and live-action films, among which were “Cinderella” and the 1964 “Mary Poppins”.
In the 1950s, Walt Disney expanded into the amusement park industry and opened Disneyland in Anaheim, California in July of 1955. To fund the large project, he diversified into television with “The Mickey Mouse Club” and “Walt Disney’s Disneyland”. Disney was also involved in planning for the 1959 Moscow Fair, the 1960 Winter Olympics, and the 1964 New York World’s Fair. Another theme park, Disney World, started development in 1965; the center of the park was to be a new type of city, the Experimental Prototype Community of Tomorrow, or EPCOT.
A shy, self-depreciating man with an outgoing public image, Walt Disney died of lung cancer in December of 1966, five years before the opening of Disney World.
On the fourth day of December in 1872, the American-registered merchant brigantine, Mary Celeste, was discovered adrift and deserted in the Atlantic Ocean off the Azores Islands.
The Mary Celeste was built in Spencer’s Island, Nova Scotia, and launched in 1861 under British registration as the “Amazon”. Seven years later, she was transferred to American ownership and renamed the “Mary Celeste”. She was a brigantine, a two-masted sailing vessel with a fully square-rigged foremast and at least two sails on her main mast: a square topsail and a gaff sail behind the mast. The Mary Celeste had a single deck, tonnage of 198.42 gross tons and a length of 30.3 meters. After her salvage in 1872, the Mary Celeste was rebuilt with a second deck andadditional depth; her tonnage was increased to 282.28 gross tons.
In October of 1867, the “Amazon” was driven ashore during a storm and was so badly damaged that her owners abandoned her as a wreck. She was eventually acquired by a New York mariner Richard Haines who restored her and registered with the Collector of the Port of New York as an American vessel named “Mary Celeste”. The ship was seized by Haines’s creditors and sold to a consortium headed by James H. Winchester. Early in 1872, the Mary Celeste underwent a major refit which enlarged her considerably.
In October of 1872, Captain Benjamin Spooner Briggs took command of the Mary Celeste for her first voyage following her extensive refit. As the voyage was to Genoa, Italy, Briggs arranged for his wife and infant daughter to accompany him, but left his school-aged son in the care of his grandmother. Satisfied with his ship and crew, the Mary Celeste was loaded on the twentieth of October with a cargo of seventeen-hundred barrels of alcohol. On November 5th, the ship left the pier with Briggs, his wife and daughter and seven crew members.
On November 15th in 1872, the Canadian brigantine “Dei Gratia” left New York harbor with a cargo destined for Genoa, Italy. She followed the same general route as the Mary Celeste, only eight days behind. On December 4th at a point midway between the Azores and the coast of Portugal, the helmsman of the Dei Gratia reported a vessel with an odd set to her sails heading erratically towards their ship. Seeing no one on deck and receiving no replies to their signals, Captain Morehouse sent the first and second mates to investigate. The ship was deserted, the sails poorly set with some missing, and much of the rigging was damaged.
While the main hatch was secure, the other hatches of the Mary Celeste were open with the covers on deck. The ship’s single lifeboat was gone and the glass cover of the ship’s compass was shattered. There was a meter of water in the hold but that was not an alarming amount for the size of the vessel. The last entry in the daily log was November 25th, nine days earlier. While personal items in Captain Brigg’s cabin was scattered, gallery equipment was neatly stowed and there were ample provisions in the stores. With no signs of fire or violence, the missing lifeboat indicated an orderly departure from the ship.
Captain Morehouse divided his crew of eight men to sail the Mary Celeste and the Dei Gratia to Gibraltar. The weather was calm but the progress, being under-crewed, was slow. A series of hearings were held at the Salvage Court in Gibraltar beginning in the middle of December. Various theories, based on testimonies from the Dei Gratia crew, were presented from mutiny and murder to conspiracy of fraud, due to the fact that the Mary Celeste was heavily over-insured. Fact and fiction became entwined over the decades with no determination as to the cause of the missing crew. At Spenser’s Island, the site of Mary Celeste’s original construction, a commemorative monument for her lost crew was erected as well as a memorial outdoor cinema theater.
December 3, 1857 was the birthdate of Polish-British writer Joseph Conrad.
Joseph Conrad, born Jozef Teodor Konrad Korzenlowski, was a member of the second generation of the intelligentsia, a social class that was at that time starting to play an important role in Central and Easter Europe. He had absorbed enough of the history, culture and literature of his native Poland to develop a distinctive world view and make unique contributions to his adoptive country of Britain. it was the tensions that originated in his childhood in Poland and grew in his adulthood abroad that gave rise to Conrad’s literary achievements.
Joseph Conrad started a merchant-marine career in 1874, serving for four years on French ships before joining the British merchant-marines. He spent a total of nineteen years working in ships, including long periods in ports, for over ten years and just over eight years at sea. Most of Conrad’s stories and novels. as well as his characters, were drawn from his seafaring career.
In 1894, aged 36, Joseph Conrad reluctantly gave up the sea, partly because of poor health, partly due to unavailability of ships, and partly because he had become so fascinated with writing that he had decided on a literary career. His first novel “Almayer’s Folly”, set on the east coast of Borneo, was published in 1895, marking the first use of his pen name “Joseph Conrad”. While Conrad had only limited personal acquaintance with the inhabitants of Maritime Southeast Asia, the area figures prominently in his early works. he was intrigued by the struggles of its people aimed at preserving their national independence.
The literary critic Edward Garnett urged Conrad to begin a second novel, and so “Almayer’s Folly” was followed in 1896 by “An Outcast of the Islands”, which repeats the theme of a foolish and blindly superficial character meeting the tragic consequences of his own failings in a tropical region far from the company of his fellow Europeans. Conrad was interested in writing about the feelings of mankind: its feelings of guilt, responsibility, and insecurity.
It was this purpose, rather than a taste for the outlandish or exotic locations, that distinguishes Conrad’s work from that of many novelists of the 19th and early 20th century. Conrad’s work was aimed at the isolation and concentration of tragedy. Conrad’s view of life is indeed deeply pessimistic. In every idealism are the seeds of corruption, and the most honorable men find their unquestioned standards totally inadequate to defend themselves against the assaults of evil. This despairing vision gains much of its force from the feeling that Conrad accepted it reluctantly, rather than with morbid enjoyment.
Joseph Conrad’s life as an author was plagued with poor health developed from his travels abroad, near poverty, and difficulties of temperament. It was not until 1910, after he had written what are now considered his finest novels that his financial situation became relatively secure. These novels were: “Lord Jim” published in 1900; “Nostromo” published in 1904; the 1907 “Secret agent”; and “Under Western Eyes” published in 1911; the last three were novels of political intrigue and romance.
John Murray Anderson, “King of Jazz”, 1930, Computer Graphics, Film Gifs
“King of Jazz” is a 1930 American pre-Code color film starring Paul Whiteman and his orchestra. The film title was taken from Whiteman’s self-conferred appellation. At the time the film was made, “jazz”, to the general public, meant the jazz-influenced syncopated dance music which was being heard everywhere on phonograph records and through radio broadcasts. In the 1920s Whiteman signed and featured white jazz musicians including Joe Venuti and Eddie Lang, both are seen and heard in the film, Bix Beiderbecker, who left before the filming began, Frank Trumbauer, and others.
“King of Jazz” was filmed entirely in the early two-color Technicolor process and was produced by Carl Laemmie, Junior for Universal Pictures. The movie featured several songs sung on camera by the Rhythm Boys, which included Bing Crosby, Al Rinker and harry Barris. Bing Crosby performed several off-camera solo vocals during the opening credits and sang very briefly during a cartoon sequence. The film still survives in a near-complete color print and is not a lost film, unlike many contemporary musicals that now exist only either in incomplete form or as black-and-white reduction copies.
Joel-Peter Witkin, “Cupid and Centaur in the Museum of Love, Maseillesr”, 1992, Vintage Toned Gelatin Silver Print, 30 ½ × 27 in, Private Collection
Joel-Peter Witkin has pursued his interest in spirituality and how it impacts the physical world. The artist creates surreal tableaux with which he seeks to dismantle our preconceived notions about sexuality and physical beauty. Finding desire within the repugnant and sacred within the profane, Witkin approaches these complex issues by working with the people most often cast aside by society in an unapologetic presentation of deformity.
Witkin begins each image by sketching his ideas on paper and perfecting every detail before he picks up his camera. Once the scene is photographed, he spends hours in the darkroom, scratching and piercing his negatives, transforming them into pictures that look made rather than taken. From their conception to their completion as ornate constructions, his references to traditional art historical iconography serve as a backdrop to his subjects and as a foundation for his ideas.
Joseph Conrad started a merchant-marine career in 1874, serving for four years on French ships before joining the British merchant-marines. He spent a total of nineteen years working in ships, including long periods in ports, for over ten years and just over eight years at sea. Most of Conrad’s stories and novels. as well as his characters, were drawn from his seafaring career.
failings in a tropical region far from the company of his fellow Europeans. Conrad was interested in writing about the feelings of mankind: its feelings of guilt, responsibility, and insecurity.
