Author: ultrawolvesunderthefullmoon

https://www.instagram.com/wolvesofgray This blog is a refugee and a survivor of the Great Tumblr Inquisition of December 17th, 2018. I am gay artist, who received training at the Rhode Island School of Design, and now, a retired high-end fine art framer living in Maryland, USA. My interests and studies in life run a wide gamut from art to history and from the scientific to the esoteric. I have been building this blog of images and texts for the last eight years. My wish is that my posts pique the interest of viewers and encourage them to experience more.

Nigel Cooke

Nigel Cooke, “In Da Club- Volume One”, 2018, Oil on Linen Backed with Sailcloth, 220 x 195 cm, Private Collection

Nigel Cooke is an English painter, born in Manchester, who currently lives and works in Kent. He received his BA in Fine Art from Nottingham Trent University and an MA in Painting from the Royal College of Art. Cooke went on to receive a PHD in Fine Art from Goldsmith’s College located in London.

Cooke is known for his unique and complex paintings which thematically explore the meeting point between creative labour, individual consciousness, art history, consumer culture and the natural world.

Reblogged with thanks to http://thunderstruck9.tumblr.com

Calendar: December 2

A Year: Day to Day Men: 2nd of December

The Craving of Human Touch in Form

December 2, 1933 was the release date of Fred Astaire’s first film, “Dancing Lady”.

“Dancing lady” is a 1933 pre-Code musical film directed by Robert Z. Leonard and produced by David O Selznick and John W Considine, Jr. It starred Joan Crawford and Clark Gable, and featured Franchot Tone, Fred Astaire, Robert Benchley, and Ted Healy and His Stooges, who later became the Three Stooges. It was also one of Eve Arden’s first uncredited appearances on film.

The film featured the film debut of extraordinary dancer Fred Astaire, who appears as himself, as well as the first credited appearance of actor and singer Nelson Eddy, a classically trained baritone who became the highest paid singer at that time in the world. The film was a box office hit upon its release, receiving many positive reviews from critics.

After appearing in “Dancing Lady” for MGM Studios, Fred Astaire returned to RKO Radio Pictures and received fifth billing In the 1933 Dolores del Rio film “Flying Down to Rio”. It was in this film that Astaire first danced with Ginger Rogers.Astaire was reluctant to become part of a dance team; however, the obvious public appeal of the pairing persuaded him. The Astaire-Rogers partnership, and the choreography of Astaire and collaborator Hermes Pan, helped make dancing an important element of the Hollywood film musical.

Fred Astaire and Ginger Rogers made nine films together at RKO, including the 1934 “Gay Divorcee”, “Top hat” in 1935, the 1936 “ Swing Time, and “Carefree” released in 1938. Six films of the nine became the biggest moneymakers for the RKO studio, bringing the studio the prestige and artistry it coveted. The Astaire-Rogers partnership elevated them both to stardom.

Fred Astaire was given complete autonomy over the dance production. He is credited with two important innovations in early film musicals: Astaire insisted that a closely tracking dolly camera film a dance routine in as few shots as possible, typically with just four to eight cuts,  while holding the dancers in full view at all times. This gave the illusion of an almost stationary camera filming an entire dance in a single shot.

Astaire’s second innovation involved the context of the dance. Astaire was adamant that all song and dance routines be seamlessly integrated into the plot lines of the film. Instead of using the dance as a spectacle such as a Busby Berkeley routine, the dance was used to move the plot along. A typical Astaire film would include three dance routines in the plot: a solo by Astaire, a partnered comedy dance, and a partnered romantic dance routine.

Kôichi Imaizumi, “Berlin Drifters”

Kôichi Imaizumi, “Berlin Drifters”, Trailer, 2017, Habakari Cinema Research, Jurgen Bruning Filmproduction

Pinku eiga star and intense adult director Kôichi Imaizumi teamed with Japan’s prominent adult manga author for the film “Berlin Drifters”. A low-budget, all-hands-on-deck affair, “Berlin Drifters “ unites a who’s who of Asian and European eroticists, from Dutch porn star Michael Selvaggio and German self-described erotic photographer Claude Kolz to Chinese LGBT activist and dramatist Xiaogang Wei. Most notable, however, could be the participation of Japanese gay erotica artist Gengoroh Tagame, most easily described as Japan’s Tom of Finland.

Imaizumi is perhaps best known as a pinku eiga actor — the soft-core Japanese mini-features, celebrated in last year’s Nikkastu Roman Porno Series and which have given some of the country’s most prominent filmmakers their starts. As a director, Imaizumi dabbled with graphic sex in both “The Secret to My Silky Skin”, starring Majima, and the troubling sci-fi rape comedy “The Family Complete”.

Imaizumi’s hallmarks of sexuality and masculinity are present in “Berlin Drifters”,  but also the insights regarding acceptance and the stigmas surrounding homosexuality in Japan. “Berlin Drifters” was shown at the Hong Kong Lesbian and Gay Film Festival. Sales of the film are through Habakari Cinema Research.

Alekos Fassianos

Alekos Fassianos, “Hard to Get”, 1983, Oil on Canvas, 100 x 70 cm, Private Collection

The Greek painter Alekos Fassianos was born in Athens in 1935. He graduated from the Athens Academy of Fine Arts, then moved to Paris in 1960 to study lithography at the Paris National School of Arts. In his early career he designed stage decoratins for both modern and classic productions. He currently lives and paints in Athens, Greece.

Reblogged with many thanks to http://thunderstruck9.tumblr.com

Minor White

 

Minor White, “Tom Murphy (San Francisco)”, 1948, Gelatin Silver Print from the Series “The temptation of Saint Anthony is Mirrors”

Minor Martin White was an photographer, theoretician, critic and educator. He combined an intense interest in how people viewed and understood photographs with a personal vision that was guided by a variety of spiritual and intellectual philosophies.

Starting in Oregon in 1937 and continuing until he died in 1976, Minor White made thousands of black-and-white and color photographs of landscapes, people and abstract subject matter, created with both technical mastery and a strong visual sense of light and shadow.

Minor White taught many classes, workshops and retreats on photography at the Rochester Institute of Technology, California School of Fine Arts, the Massachusetts Institute of Technology, and in his own home. He lived much of his life as a closeted gay man, afraid to express himself publicly for fear of loss of his teaching jobs. Some of White’s most compelling images are figure studies of men whom he taught or with whom he had relationships.

Calendar: December 1

A Year: Day to Day Men: 1st of December

The Painted Wall

December 1, 1887 marks the first appearance of Sherlock Holmes in print.

The first appearance of Sherlock Holmes was in the detective novel “A Study in Scarlet” written by British author Sir Arthur Conan Doyle. It appeared in the magazine “Beeton’s Christmas Annual” on December 1st of 1887, published by Ward Lock and Company of London. Although Sir Conan Doyle wrote fifty-six short stories featuring Holmes, “A Study in Scarlet” is one of only four full-length novels in the original canon.

Sir Conan Doyle, a general practice doctor,  wrote “A Study in Scarlet” at the age of twenty-seven in less than three weeks. The novel was originally entitled “A Tangled Skein” but changed for publication in the Christmas Annual. Doyle received twenty-five pounds for the novel, but no royalties.

“A Study in Scarlet” begins with a heading which establishes the role of Dr. John Watson as narrator, setting up the point that the work to follow is not fiction but fact, being a reminiscence of Dr. Watson. The novel introduces Holmes to Watson, establishes their friendship, and brings in the character of Inspector Lestrade. It is also the first work of detective fiction to incorporate the magnifying glass as an investigative tool.

There are only eleven complete copies of the 1887 “Beeton’s Christmas Annual” known to exist; each now having considerable value. Ward Lock and Company published “A Study in Scarlet in a book form in July of 1888 with featured illustrations by Charles Doyle, Conan’s father. A second edition was published in the following year, this time illustrated by George Hutchinson. In 1890 the first American version was published by Philadelphia-based J.B. Lippincott and Company.

As the first Sherlock Holmes story published, “A Study in Scarlet” was among the first to be adapted to the screen. In 1914, Conan Doyle authorized a silent film to be produced by G. B. Samuelson. Holmes was played by James Bragington, an accountant who worked as an actor for the only time of his life. He was hired for his resemblance to Holmes, as presented in the sketches originally published with the story. Due to the nature of film at that time and the rarity of archiving, it is now a lost film. The success of the film allowed for a second version to be produced that same year by Francis Ford, which has also been lost.

The novel “A Study in Scarlet” has rarely been adapted in full: the 1933 film entitled “A Study in Scarlet” with Reginald Owen actually bears no plot relation to the novel. The most notable instance closest to the novel is the episode in the second season of the BBC television series “Sherlock Holmes” with Peter Cushing as Holmes and Nigel Stock as Dr. Watson, which put more detail into the screenplay.

Bottom Insert Image: Sidney Paget, “Holmes Gives Me a Sketch of the Events”, 1892, Illustration for “Silver Blaze”, Strand Magazine, December, 1892, Private Collection

Kay Sage

Kay Sage, “Festa”, 1947, Oil on Canvas, 46 x 36 cm, Private Collection

Kay Sage was an American surrealist and poet. A member of the Golden Age and Post-War periods of Surrealism, Sage is mostly recognized for her artistic works, which typically contain themes of an architectural nature. She received her formal training in art at the Corcoran Art School in Washington DC in 1919 to 1920. She later studied art in Rome for several years, learning conventional techniques and styles.

Kay Sage’s exposure to surrealism at the International Surrealist Exhibit at Galerie Beaux-Arts in 1938 inspired Sage to begin painting in earnest. She exhibited six of her new oils in the Salon des Surindépendants show at the Porte de Versailles in the fall of 1938. These semiabstract paintings, including “Afterwards” and “The World is Blue”, borrowed motifs and styles from de Chirico and the Surrealists, but showed hints of Sage’s own future work as well.

Source: thunderstruck9