Trevor Leat

Trevor Leat, “Calgary Stag”, Willow Wicker Sculpture

Trevor Leat  is one of the foremost creators of willow sculptures in the UK. Using traditional techniques combining beauty with functionality, Trevor Leat has been weaving willow to great effect for over 30 years. Although he creates baskets, garden furniture and even willow coffins, it is for his willow sculpture he is best known.

His work ranges from lifesize animals and figures, through to giant willow sculptures spectacularly burned at festivals and events such as The Wickerman Festival, The Edinburgh Hogmanay Celebrations and The Burns Light Festival in Dumfries. Based in coastal Galloway, Southern Scotland, Leat’s work is exhibited widely in galleries, and seen by tens of thousands at festivals and events around the UK and beyond.

Raoul Dufy

Raoul Dufy, “Le Marché aux Poissons à Marseille”, 1905, Oil on Canvas, Museo Thyssen-Bornemisza, Madrid, Spain

Raoul Dufy was a French fauvist painter, who developed a colorful, decorative style that became fashionable for the designs of ceramics and textiles. He is also noted for scenes of open-air social events. Dufy was also a printmaker, book illustrator, designer of stage scenery and furniture, and a planner of public spaces.

Calendar: October 16

A Year: Day to Day Men: 16th of October

Three Yellow Boards

October 16, 1758, was the birthdate of lexicographer Noah Webster.

Noah Webster enrolled in Yale just before his 16th birthday and graduated in 1778 with a liberal degree. After a break in his studies, Webster returned to college, studied law, and passed his bar examination in 1781. Turning to literary work to channel his ambitions, Webster wrote a series of well-received articles justifying the American Revolution and arguing for permanent separation from Britain. He then founded a private school in Goshen, New York, and, by 1785 had written his speller, a grammar book and a reader for elementary schools.

In December of 1793 Noah Webster founded New York’s first daily newspaper “American Minerva”, later known as the ‘Commercial Advertiser”, which he edited for four years and wrote the equivalent of twenty volumes of articles and editorials. As a Federalist spokesman, he defended the administrations of Washington and Adams, especially their neutral policy to Britain and France, and criticized the terror of the French Revolution.

Moving in 1798 to New Haven, Connecticut, Noah Webster was elected as a Federalist to the Connecticut House of Representatives in 1800 and again in 1802-1807. The Copyright Act of 1831 was the first major statutory revision of copyright law in the United States, a result of lobbying by Webster and his agents in Congress. He also had an important role in lobbying individual states to pass American copyright laws.

Noah Webster thought that Americans should learn from American books; so he began writing the three volume compendium “A Grammatical Institute of the English Language”: a speller published in 1783; a grammar book published in 1784; and a reader published in 1785. He believed that the people-at-large must control the language, and popular sovereignty in government must by accompanied by popular usage in language. These books were arranged so that the subjects could be easily taught to students, and each section progressed by the age of the students.

In 1806, Noah Webster published his first dictionary. In 1807 he began compiling an expanded and fully comprehensive dictionary, “An American Dictionary of the English Language”, a feat that took twenty-six years to complete. To evaluate the etymology of words, Webster learned twenty-eight languages, hoping to standardize the American speech throughout the country.

Noah Webster’s dictionary contained seventy thousand words, of which twelve thousand had never before appeared in a dictionary. Though it now has an honored place in the history of the American Language, it only sold 2,500 copies. By mortgaging his house, Webster found the funds to publish a second edition in two volumes, however as a result, his remaining life was plagued with debt. On May 28, 1843, a few days after revising an appendix to his work, Noah Webster died.

Kilroy J. Oldster: “I Shall Listen to the Teaching My Blood Whispers”

Photographers Unknown, Parva Scaena (Brief Scenes): Set Nine

“I must cease living the false life of an imposter, and stop worrying about the future or risk sacrificing the joy of living in the moment. I am a seeker. I shall listen to the teaching my blood whispers and ecstatically accept life unfolding in whatever manner my innate material demands.”
― Kilroy J. Oldster, Dead Toad Scrolls

Calendar: October 15

 

A Year: Day to Day Men: 15th of October

Four Small Portraits

October 15, 1674 was the opening day of the witch trials held in Torsåker, a parish in Sweden.

The great wave of witch hysteria reached the parish of Torsåker, after the sensational trial of the alleged witch Märet Jonsdotter in central Sweden in 1668. Sweden’s Lutheran priests, at this time, were state-employed, causing them to follow the government’s instructions. These priests were ordered to use their sermons to inform their congregations of alleged crimes committed; rumors of witchcraft spread over the country. The priest of Torsåker parish, Laurnetius Christophori Hornæus, who was a man with a terrifying reputation, was ordered by a special commission of the government to perform an investigation.

The witnesses at the trial were mostly children, as the main accusations against the alleged witches was that they had abducted children on the sabbath of Satan. Hornæus had several methods to get the right testimonies from the children. He whipped them, bathed them in the ice cold water of hole in the lake’s winter ice, and put them in an oven, threatening to light the fire below and burn them. These acts were confirmed later in 1735 by Hornæus’ own wife, whose grandson added that these children, sixty years later, were still fearful of the priest, his grandfather.

On October 15, 1674, the witch trial of Torsåker began. About one hundred people of both sexes were accused by the children, making it the biggest witch trial in the country. The prisoners were kept in several different locations in the village, were given almost no food, but were allowed to receive food from their relatives. There is little existing records of the actual trial itself; however, it is known that seventy-one people were found guilty of witchcraft, sixty-five women and six men.

After the last sermon in the church of Torsåker, those found guilty were led to the place of execution, crying and protesting their innocence. Many fainted out of weakness and had to be carried to the middle of the parish, about half a mile from the parish churches, to a mountain area. There the prisoners were decapitated, shed of their clothes, and their bodies lifted on stakes. The stakes and additional wood were set on fire and the bodies burned.

Neither the commission or any local courts had the rights to conduct any execution. They were expected to report their sentences in any case to a higher court for confirmation before sentences could be carried out; the high court normally would confirm only a minority of the death sentences. In this case at Torsåker, no reporting was done and the prisoners were executed without any confirmation. No actions were taken against the commission which was defended by the town’s authorities.  In 1677, all the priests were ordered to tell their congregations that all witches had been expelled from the country forever in order to avoid further witch trials.

Matthew Stover: “The Brightest Light Cast the Darkest Shadow”

Photographers Unknown, The Brightest Light Cast the Darkest Shadow

“The dark is generous, and it is patient, and it always wins. 

It always wins because it is everywhere. 

It is in the wood that burns in your hearth, and in the kettle on the fire; it is under your chair and under your table and under the sheets on your bed. Walk in the midday sun, and the dark is with you, attached to the soles of your feet. 

The brightest light casts the darkest shadow.” 

–Matthew Stover

Volodymyr Tsisaryk

Volodymyr Tsisaryk, “Jason and the Golden Fleece”, 2016, Bronze, 58 x 24 x 16 centimeters, Boccara Art Gallery, New York

Volodymyr Tsisaryk is a sculptor from Lviv, Ukraine,  who received his Bachelor Degree in Fine Arts at the Lviv State College of Decorative Art in 1999 and his Masters in Fine Art from the Lviv Academy of Arts in 2001.

Franz von Stillfried-Ratenicz

Franz von Stillfried-Ratenicz, “Japanese Samurai Warrior”, 1881, Hand-Colored

Baron Raimund Anton Alois Maria von Stillfried-Ratenicz was born in Austria in 1839 and spent his childhood in military outposts on the fringes of the Austro-Hungarian Empire. In 1864, aged 24, he chose life as a cabin boy in a ship headed for Peru instead of an aristocratic military career.

By 1868, after a couple of years adventuring in Mexico, fighting a doomed campaign for the Habsburg Emperor, Stillfried-Ratenicz had set up a photography studio in Yokohama, Japan. A 19th-century pioneer of photography in Yokohama, he was the first in Japan to recognize the new medium’s potential as a global marketing tool. Adept at producing theatrical souvenir photos, Stillfried also took the first ever photograph of Emperor Meiji.