Francois Xavier Fabre

Francois Xavier Fabre, “Academic Studies of the Male Torso”, 1787, Oil on Canvas

Born in Montpellier, French Neo-Classical painter Francois Xavier Fabre was a pupil of Jacques Louis David, and made his fame by winning in 1787 the Prix de Rome, a scholarship initially estabished by Louis XIV in 1663. Fabre left France during the Revolution and lived in Florence, Italy, becoming a member of the Florentine Academy where he taught. He gained popularity in Florence; the city’s artistocrats and tourists were drawn to his elegance, realism, and percisision of his paintings.

During his stay in Florence, Fabre met dramatist, Vittorio Alfieri, whose widow, Princess Loouise of Stolberg-Gerdern, he married. After Louise’s death in 1824, Fabre used the inherited fortune to found an art school in Montpellier. During his time in Italy, he built up a collection of 16th and 17th century Italian paintings and drawings, and paintings by his French contemporaries. On his own death, he bequeathed this extensive art collection to the town of Montpellier, forming the basis of the Musee Fabre.

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Calendar: October 14

A Year: Day to Day Men: 14th of October

The Maroon Leather Armchair

October 14, 1893 was the birthdate of silent film and stage actress Lillian Gish.

After appearing for thirteen years with her sister Dorothy on the vaudeville stage, Lillian Gish eventually found her way onto the big screen. In 1912, she met famed director D. W. Griffith, who immediately cast her in what was to be her first film, the 1912 “An Unseen Enemy”. This was followed the same year by two more films: “The One She Loved”,  and “My Baby”. Gish would make a total of twelve films for Griffith in 1912.

After performing in twenty five films in the next two years, Lillian Gish’s exposure to the public was so great that she fast became one of the top stars in the industry, alongside “America’s Sweetheart” Mary Pickford.. In 1915, Lillian Gish starred as Elsie Stoneman in Griffith’s most ambitious project to date, the 1915 “The Birth of a Nation”. Although the number of films that she now appeared in were not as frequent as her first years, she was popular and successful enough to be able to pick and choose the right films. In 1916, Gish appeared in another Griffith classic, “Intolerance: Love’s Struggle Throughout the Ages”.

By the early 1920s, Gish’s career was slowing down; new actors and actresses appeared on the scene, replacing former stars. Lillian Gish did not appear at all on the screen again until the year of 1926. She appeared in “La Boheme” as Mimi and “The Scarlet Letter” in the lead role as Hester Prynne. As the 1920s ended, silent films were being replaced with the new sound films. At this time, Lillian Gish returned to stage productions which were acclaimed by the public and critics alike.

In 1933, Gish filmed “His Double Life” with Roland Young, and then didn’t make another film for ten years. When Gish did return in 1943, she played in two big-budget pictures, the 1942 “Commandos Strike at Dawn” and “Top Man” released in 1943. Although these roles did not bring her the attention she had in her early career, Gish still proved she could hold her own with the best of them. She later earned an Oscar nomination as Best Supporting Actress for her role of Laura Belle McCanles in the 1946 “Duel in the Sun”, but lost to Anne Baxter for her performance in “The Razor’s Edge”.

One of the most critically acclaimed roles of Lillian Gish’s career came in the 1955 thriller “The Night of the Hunter”, also notable as the only film directed by actor Charles Laughton. Lillian Gish made in 1987 what was to be her last motion picture, “The Whales of August”, a box-office success that exposed her to a new generation of fans. After a seventy-five year career in film, on February 27, 1993, Lillian Gish died at age 99 peacefully in her sleep in New York City.

Japanese Tsuba

Japanese Tsuba, Edo Period

The Tsuba is usually a round, or occasionally squarei, guard at the end of the grip of bladed Japanese weapons, like the katana and its various variations, the tachi, wakizachi, tanto, and others. They contribute to the balance of the weapon and to the protection of the hand. The tsuba was mostly meant to be used to prevent the hand from sliding onto the blade during thrusts as opposed to protecting from an opponent’s blade.

During the Muromachi period, 1333-1573, and the Momoyama period, 1573-1603, the tsuba were more for functionality than for decoration, being made of stronger metals and designs. With the peace in Japan during the Edo period, 1603- 1868, the tsuba became more ornamental and made of less practical metals.

Tsuba are usually finely decorated. Whole dynasties of craftsmen arose whose only craft was making the tsuba. These decorated fittings were often used as heirlooms, passed from one generation to another. Many Japanese families with samurai roots would have their family crests crafted onto a tsuba.

Calendar: October 13

A Year: Day to Day Men: 13th of October

Jeans and Treble Cleft

October 13, 1950 was the release date of the American drama film “All About Eve”.

“All About Eve’ was written and directed by Joseph Mankiewicz and produced by Darryl F. Zanuck. Based on the 1946 short story “The Wisdom of Eve” by Mary Orr, the film starred Bette Davis and Anne Baxter. In the film, Davis’ character Margo Channing, a well regarded but aging Broadway star, has her career and personal relationships threatened by a ambitious fan, ;played by Baxter, who maneuvers herself into Margo Channing’s life.

In 1949, Joseph Mankiewicz was considering a story about an aging actress and, after reading Orr’s book, felt that the added element of a conniving girl would be a good addition to his story. He presented a film treatment of the combined stories, changing some characters’ names, removing the husband of the actress in the book story, and replacing him with a love-interest character for the actress to add tension when the ambitious fan arrived. Producer Zanuck reduced the screenplay by about fifty pages and chose the title “All About Eve” from the opening scenes when the theater critic says he will tell us “more about Eve…All about Eve, in fact.”

There was much discussion about who would play the lead character Margo Channing. Barbara Stanwyck, Tallulah Bankhead, and Joan Crawford were all considered. After discussion it was decided to give the role to Claudette Colbert, who withdrew after an injury just before filming. The role eventually went to Bette Davis, who thought the role was very good for her career. The character of Margo Channing was changed with the casting of Davis, from a genteel, humorous actress to a more abrasive one.

Anne Baxter had spent ten years in supporting roles, winning the 1946 Academy Award for Best Supporting Actress for her role in “The Razor’s Edge”. She was cast in the role of Eve Harrington, the ambitious fan, after the first choice, Jeanne Crain, became pregnant. The remaining supporting actors were all well known in film: George Sanders, Hugh Marlowe, Celeste Holm, Gary Merrill, and Thelma Ritter; however, there was one young and as yet unknown actress in this film, but about to become a star: Marilyn Monroe.

“All About Eve” received overwhelmingly positive reviews from critics upon it release on October 13, 1950 at a New York City premiere. The film received fourteen Academy Award nominations, winning six, including Best Picture. “All About Eve” is the only film in Oscar history to receive four female acting nominations: Davis and Baxter for Best Actress, and Celeste Holm and Thelma Ritter for Best Supporting Actress. When the American Film Institute named Bette Davis as number two on its list of Greatest Female American Screen Legends, it cited “All About Eve” to highlight Davis’ legendary career.

Madame Blanchard

Artist Unknown, “Mort de Madame Blanchard”, 1819, Newsprint Illustration

While not the first female hot air balloonist, Madame Blanchard was the most well-known: King Louis XVIII, after seeing her performance, named her the “Official Aeronaut of the Restoration”. She was the first female to pilot her own hot air balloon, and the first to make ballooning her career.

Unfortunately, several years after her husband, also a balloonist,  died in a ballooning accident, Madame Blanchard was also killed. During a demonstration for a large crowd in Tivoli Gardens, she lit several fireworks, which ignited the gasses within her craft, causing her to fall to the ground and sustain fatal injuries.

Calendar: October 12

A Year: Day to Day Men: 12th of October

Ole! Ole!

October 12, 1932 marks the birthdate of comedian an civil rights activist Dick Gregory.

Born in Saint Louis, Missouri, Richard Claxton Gregory, while at Summer High School, earned a track scholarship to Southern Illinois University, where he set records as a half-miler and miler. In 1954 his education was interrupted for two years when he was drafted into the United States Army, It was in the army that Gregory got his start in comedy, entering and winning several talent shows.

Dick Gregory, after his military discharge in 1956, moved to Chicago with the hope of becoming a professional comedian. He opened at the Apex Club nightclub in 1958; however, the club failed. The next year Gregory landed a job as Master of Ceremonies at the Roberts Show Club, becoming one of the first black comedians to gain widespread acclaim while performing for white audiences. In 1961 he was spotted by Hugh Hefner, who hired Gregory to work at the Chicago Playboy Club.

Early in his career, Dick Gregory was offered an engagement on the Tonight Show Starring Jack Parr. Parr’s show was well known for helping entertainers achieve their goals in their careers. Dick Gregory declined several invitations to perform on the show, until producers agreed to allow him to stay after his performance to sit and do an interview with Parr on the air. This was the first time in the show’s history that black comedians were to do that, spurring conversations across America.

Dick Gregory became part of a new generation of black comedians In America that included Nipsey Russell, Bill Cosby and Godfrey Cambridge, all of whom broke with the traditional black minstrel characters. Gregory’s no-hold-barred comedy sets, mocking bigotry and racism created controversy in some circles. In one instance, he was barred from performing at the University of Tennessee until students sued and won the case in court. This led to the university adopting and open-speaker system, and Gregory performed there in April of 1970.

Dick Gregory was at the forefront of political activism in the 1960s, protesting racial injustice, social inequalities, and the Vietnam War. He was arrested multiple times and went on many hunger strikes. Gregory later became a speaker and an author, primarily promoting spirituality and healthy living. A week prior to his death, Dick Gregory was hospitalized in Washington DC with a bacterial infection. He died at the hospital of heart failure on August 19,2017 at the age of 84.