Kris Knight

Paintings by Kris Knight

Born in 1980 in Windsor, Kris Knight is a Canadian painter who has been interested in art since a young age. He moved to Toronto at the age of nineteen and studied at the Ontario College of Art and Design, where he majored in Painting and Drawing, with minors in Curating and Criticism.

The majority of Knight’s work, often painted in series, has been portraits based on real people, mostly close friends and family members. He has also produced self-portraits, collaged images taken from mass media, and works on the themes of loss, bonding and secrets. The subjects of Knight’s work have mostly been either young or androgynous-appearing men, who are portrayed in mute color tones effecting a powdered or translucent appearance. His pastels and tonal oil paintings, set in both theatrical and ordinary settings, combine nostalgia and romanticism in their exploration of life’s experiences.

Inspired by an eighteenth-century style of painting, Knight’s work draws from the movements of Romanticism, Symbolism and artwork of the Rococo period. Having had an interest in the era of the French Revolution since a child, he was also inspired by the portraiture work of French painters Louise Élisabeth Vigée Le Brun and Baron Joseph Ducreux. Additional influences came from the works of portrait painter Thomas Lawrence, Baroque painter Nicolas Poussin, and John Singer Sargent, considered the leading portrait painter of his day.

Kris Knight painted his “Lost and Found” series in 2012. This series of portraits dealt with disenchanted youths who subtly play the roles of hunter and the hunted. Often shown wearing furs and masks, the paintings explored the emotional state of being lost and the process of recovery. His 2013 series “Secrets Are Things We Grow” explored secrets that people keep and the bond that forms once a secret is revealed to those held close. The use of patterns and symbols of nature are used to represent the growth of secrets over time.

In 2014, Knight painted his “Smell the Magic” series, which had its premiere, sponsored by Gucci, at the Spinello Project’s pop-up gallery in Wynwood, Florida. The paintings in this series were done with brighter color tones; an influence of surrealism can be seen in the use of Ouija board pointers for eyes and overlaid flower blossoms on faces. In 2017, Knight had a solo exhibition at Art Toronto which contained work in a smaller scale with a more theatrical approach. These works focused on the subject of performance in everyday life and the roles portrayed to others.

Kris Knight began involved in the fashion industry early in his career. His paintings were used for four 2012 covers for Fashion for Men magazine and, in 2014, his paintings’ pastel color palette was credited for Gucci’s men’s ready-to-wear fall and winter collection. Collaborating with Gucci, Knight created several botanical floral prints, based on a previous work in 1966, which were incorporated into creative director Frida Giannini’s designs for Gucci’s Cruise 2015 seasonal wear. Knight’s work was later shown at the group exhibition, “Carte Blanche a Christin Lacroix”, at Paris’s Musée Cognacq-Jay in November of 2014.

Kris Knight’s work is represented by the Spinello Gallery in Miami, Florida, and at Paris’s Galerie Alain Gutharc. His website, which includes upcoming exhibitions, can be found at: https://krisknight.com/home.html .

Middle Insert Image: Kris Knight, “Let’s Not Speak So Heavy”, 2020, Oil on Canvas, 35.6 x 27.9 cm

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