Remedios Varo, “Creating with Astral Rays”, 1955, Oil on Canvas
The visionary lone painter, Remedios Varo, typically portrays herself sitting at a desk engaged in magical work, embarking on a journey to unlock true meaning, or dissolving completely into the environment that surrounds her. As a well-studied alchemist, seeker, and naturalist, however dreamlike her imagery may appear, it is in fact reality observed more clearly; Varo painted deep, intuitive, and multi-sensory pictures in hope to inspire learning and promote better individual balance in an interconnected universe.
Interestingly, and understandably, it was not until the last 13 years of the artist’s life, having fled war-torn Europe, found home in Mexico (amongst a community of other displaced Surrealists) and finally become free of ongoing financial constraints, that Varo was able to paint prolifically. Every work completed by Varo demonstrates profound technical skill and an extraordinary insight into human nature.
Although an avid believer in the inter-relatedness of all things and people, including the inter-weave of sound, light and image, her paintings are not typically populated by multiple figures. Instead we are usually introduced to an isolated creaturely hybrid thinker/artist character, reminiscent of St. Jerome in his study or a wise crone wandering in search of new discoveries.Varo repeatedly situates mystical machines in her pictures.
While in most cases such industrial looking devices function to make products that can be touched, held, and made use of, Varo’s structures are here to process that which we cannot see. As our emotions and psychological lives are intangible and invisible, it is useful to investigate them within some kind of known parameters, i.e. within a previously encountered system. Therefore, such apparatus, however made strange, help us to communicate what would be otherwise unspeakable ideas.