Georges Desvallieres, ”Ball Players”, Pastel, 1894
A native of Paris, Desvallières was a great-grandson of academician Gabriel-Marie Legouvé, and received a religious upbringing. He studied at the Académie Julian with Tony Robert-Fleury and with Jules Valadon at the École des Beaux-Arts. He painted portraits at first, but a relationship with Gustave Moreau turned him towards an interest in mythology and religion.
Desvallières became acquainted with ancient art during a trip to Italy in 1890, and upon his return began working in the style with which he was most associated, combining dark subjects and violent color with a dramatic conception of religion. He took as his subjects numerous symbolist characters, such as Narcissus (1901), Orpheus (1902), and The Marche Towards the Ideal (1903). He also served as one of the founders of the Salon d’Automne.