Paintings by Servando Cabrera Moreno
Some 32 years after his death, artist Servando Cabrera Moreno, born in 1923, continues to stir up controversy. Provocative, transgressive, Cabrera Moreno dared to portray the nude male body in postures too daring for the Cuba of 1960-1980, where homosexuality was more than frowned upon. It’s no secret that their sexual orientation prompted the ostracism and exclusion of many Cuban artists, and Servando was no exception.
“In the late 1960s, as a step towards his erotic phase, which was the climax of his artistic development, Cabrera Moreno made works in which the representations were intended to parallel the plant and animal worlds. In the decade of the 1970s—which in his case lasted for more than 10 years, culminating in his death in 1981—Servando preferred to sensually represent the human body,” says Rosemary Rodríguez, curator of the exhibition Epifanía del cuerpo, entitled “Epiphany of the Body”, presented at the museum as part of the celebration of his 90th anniversary.
Gerardo Mosquera commented that Servando and Umberto Peña were the first, from the 1960s, to make homoerotic art in Cuba. They were the precursors of this trend, which spread at an international level beginning in the 1970s, starting in the U.S.
The erotic theme in Cuba was approached by various artists, including ones like Carlos Enríquez, who date from the first half of the last century. In the 1960s, along with Peña and Cabrera Moreno, artists like Manuel Mendive, Raul Martínez, and Osneldo García welcomed eroticism among their themes. But Umberto Peña and Servando are recognized for daring to approach homosexuality during those difficult years.