Carlos Cancio

The Paintings of Carlos Cancio

Born in 1961 in the city of San Juan, Puerto Rico, Carlos Cancio graduated with a Bachelor of Fine Arts from the University of Boston. He moved to Strait of Gibraltar on the coast of Spain, setting up his first studio and began to show his work professionally beginning in 1981. Cancio lived in San Francisco from 1991 until 2003, at which time he returned to Puerto Rico where he currently resides and paints. 

The Ponce Art Museum in Puerto Rico acquired Carlos Cancio’s first large scale work in 1986- a nine-foot square painting entitled “Ballets Comteporains”. He had his first one-man show at the Institute of Puerto Rican Culture in 1987 and, in the following year, had a solo exhibition at the San Juan Museum of Art and History. Cancio also has shown at the Museo de Arte de Puerto Rico in 2001, the 2005 Art International Congesshaus in Zurich, Switzerland, Art Shanghai in China, and the 2012 “Afrolatinos Exhibition” at the Museo de Arte de Caguas in Puerto Rico. 

Carlos Cancio’s art is in the painting genre of Magical Realism, where magical elements are a natural part of an otherwise mundane, realistic environment. His oil and acrylic media paintings contain figures, elements of dream sequences, and visual narratives which break the rules of our perceptions.

Calendar: March 9

Year: Day to Day Men: March 9

The Cross Bearer

The ninth of March in 1940 marks the birth date of actor Raúl Rafael Carlos Juliá y Arcelay known for his intense and varied roles on stage and screen. For each of his film roles, Raúl Julia did extensive character research to familiarize himself with their experiences and ideologies. During his life, he did charitable work mostly focused on at-risk youth, the Latin-American community and the arts.

Born in a suburb of San Juan, Puerto Rico, Raúl Julia attended a private Catholic school in Hato Rey. He later attended Colegio San Ignacio de Loyola where. interested in the works of Shakespeare, he organized and performed in plays of “Julius Caesar”, “Hamlet’, “King Lear”, and “The Tempest’. Julia studied for a year at New York City’s Fordham University before attending the University of Puerto Rico where he earned his Bachelor of Arts degree. Although his parents wanted him to have a career in law, Julie chose acting as full-time career.

In Puerto Rico, Julia performed in several Shakespearean plays including “Macbeth” and “Othello” at San Juan’s theaters. He was subsequently recruited by actress and comedian Lillian Hurst to perform alongside her. During one of their performances, Julia was noticed by actor Orson Bean who suggested he continue his acting career in New York City. After working a variety of odd jobs in Manhattan, he sought work in both Broadway and off-Broadway productions. 

After receiving his Actors Equity card, Raúl Julia was able to get a role in the production of “Bye Bye Birdie”. In September of 1968 after four auditions, he debuted in his first Broadway production as the character Chan in “The Cuban Thing”. In the following two years, Julia appeared in playwright Arthur Kopit’s 1969 production “Indians” and Mel Arrighi’s 1970 “The Castro Complex”. Julia also worked in the medium of television in the early 1970s as Rafael the Fix-It Man, a recurring role in the third season of “Sesame Street”. 

Julia performed in several major theatrical productions during the 1970s. For his role of Proteus in the 1971 rock musical “Two Gentlemen of Verona”. he was nominated for a Tony Award and won the 1972 Drama Desk Award for Outstanding Performance. In 1974, Julia received his second Tony Award nomination for his role of Charley Wykeham in the 1974 Broadway revival of “Where’s Charley”. In 1976, he was nominated a third time for his role of Mack the Knife in “The Threepenny Opera”. From late October of 1978 to June of 1979, Julia played the role of Count Dracula in the Broadway revival of “Dracula” with Edward Gorey’s stage sets.

 Raúl Julia’s film career began with roles in three films during the early 1970s: the crime thriller “The Organization”; the drama  “The Panic in Needle Park”, his first feature film; and the film adaption of Richard Fariña’s novel “Been Down So Long It Looks Like Up to Me”. The most notable of Julia’s film work at this time was his role of prison inmate Valentin Arregui, played opposite William Hurt as Luis Molina, in the 1985 drama “Kiss of the Spider Woman”. To understand his role, Julia traveled to South America where he interviewed rebels and ex-prisoners to familiarize himself with their experiences. He was nominated for the Golden Globe Award and won, along with William Hurt, the National Board of Review of Motion Pictures Award for Best Actor.

In addition to being a distinguished actor in numerous film, television and theater productions, Julia continued the charitable work that had been done by his parents. Concerned about the rising levels of violence among teenagers, he sponsored screenwriting programs and supported young actors. Julia was constantly involved with the Latin American community and served as the chairman of the Joseph Papp Celebrity Coalition for Racial Harmony. As part of his work for The Hunger Project, he made monthly donations, promoted the program through advertisements and narrated its bilingual videos. Julia was given the Global Citizen Award for his work with The Hunger Project and, in 1992, received the Courage of Conscience Award. 

Unknown to the public, Raúl Julia suffered from stomach cancer for three years prior to his death. During those years, he played the title role in the 1992 Broadway revival of “Man of La Mancha”, with performances eight times a week. Julia also reprised his role as Gomez Addams in the 1993 “Addams Family Values” and took a supporting role in the 1994 television series “Down Came a Blackbird”. In early 1994 during the filming of “The Burning Season” in Mexico, Julia was airlifted to a hospital in Los Angeles for medical attention. Upon his recovery, he finished the film.

On the sixteenth of October in 1994 after attending New York’s Metropolitan Opera, Julia was rushed by ambulance to the North Shore University Hospital in Long Island due to intense abdominal pains; his situation gradually worsened. On the night of the twentieth, Julia suffered a stroke, fell into a coma and was put on life support. Raúl Julia died on the twenty-fourth of October at the age of fifty-four from complications of a stroke, never having gained consciousness. His body was flown to Puerto Rico where a state funeral attended by thousands was held in San Juan. 

Ron Del Barrilito

Ron Del Barrilito

In 1871, Mr. Pedro F. Fernández, upon finishing his professional engineering studies in France, returned to the Hacienda Santa Ana in Bayamón, Puerto Rico and developed a formula for a rum similar to the style of the French brandies and cognacs. Originally, as per European tradition, this rum was made only for the consumption of family and guests. At the time, this rum was served directly from the barrel and thus his guests had affectionately named the rum “Ron del Barrilito” (Rum from the Barrel). ​Since 1880, the Fernández Family has used the same secret formula and aging process which creates a uniquely smooth and mellow rum that connoisseurs have come to love over generations.

Ron del Barrilito 2 Stars is aged 3 years in oak barrels and is ideal for mixed drinks. Ron del Barrilito 3 Stars is a blend of rums aged 6 to 10 years in oak barrels. These are aged artisanal rums recognized by many to be among the best rums in the world.

Karlo Andrei Ibarra

Karlo Andrei Ibarra, “Remanentes (Remnants)”, Performance with Green Plantains, Tattoo Machine, Wooden Table, Dimensions Variable

Karl Andrei Ibarra received his BFA from the Puerto Rico Escuela de Artes Plásticas in 2005. Through installations, sculpture, video, and photography, he comments on Puerto Rico’s geopolitical situation and other social, economic, and political problems. Ibarra has taken part in the 3rd Bucharest Biennial (2008), the last two editions of the San Juan Poly/Graphic Triennial (2009, 2012), the 2nd International Biennial of Young Artists in Moscow (2010), and Biennial of the Americas (Denver, 2010).

Ibarra took first prize at the 6th edition of the Digital Art Competition of Central America and the Caribbean at the Museum of Art and Design in San José, Costa Rica, and the People’s Choice Award at the video festival Optic Nerve, organized by the Contemporary Art Museum of North Miami in 2011.