Joseph Campbell: “The Love of Your Fate”

Photographer Unknown, (The Love of Your Fate)

“Nietzsche was the one who did the job for me. At a certain moment in his life, the idea came to him of what he called ‘the love of your fate.’ Whatever your fate is, whatever the hell happens, you say, ‘This is what I need.’ It may look like a wreck, but go at it as though it were an opportunity, a challenge. If you bring love to that moment–not discouragement–you will find the strength is there. Any disaster you can survive is an improvement in your character, your stature, and your life. What a privilege! This is when the spontaneity of your own nature will have a chance to flow.

Then, when looking back at your life, you will see that the moments which seemed to be great failures followed by wreckage were the incidents that shaped the life you have now. You’ll see that this is really true. Nothing can happen to you that is not positive. Even though it looks and feels at the moment like a negative crisis, it is not. The crisis throws you back, and when you are required to exhibit strength, it comes.”

—-Joseph Campbell, A Joseph Campbell Companion: Reflections on the Art of Living

Joseph Campbell: “The Mystery Again Comes Through”

Photographer Unknown, (The Mystery Again Comes Through), Photo Shoot

“Myth basically serves four functions. The first is the mystical function,… realizing what a wonder the universe is, and what a wonder you are, and experiencing awe before this mystery….The second is a cosmological dimension, the dimension with which science is concerned – showing you what shape the universe is, but showing it in such a way that the mystery again comes through…. The third function is the sociological one – supporting and validating a certain social order…. It is the sociological function of myth that has taken over in our world – and it is out of date…. But there is a fourth function of myth, and this is the one that I think everyone must try today to relate to – and that is the pedagogical function, of how to live a human lifetime under any circumstances.”

—Joseph Campbell, The Power of Myth

Joseph Campbell: “One’s Infatuations”

Parva Scaena (Brief Scenes): Set Sixteen

“To become—in Jung’s terms—individuated, to live as a released individual, one has to know how and when to put on and to put off the masks of one’s various life roles. ‘When in Rome, do as the Romans do,’ and when at home, do not keep on the mask of the role you play in the Senate chamber. But this, finally, is not easy, since some of the masks cut deep. They include judgment and moral values. They include one’s pride, ambition, and achievement. They include one’s infatuations. It is a common thing to be overly impressed by and attached to masks, either some mask of one’s own or the mana-masks of others. The work of individuation, however, demands that one should not be compulsively affected in this way. The aim of individuation requires that one should find and then learn to live out of one’s own center, in control of one’s for and against. And this cannot be achieved by enacting and responding to any general masquerade of fixed roles.”

-Joseph Campbell, Myths to Live By

Joseph Campbell: ” Your Dreams Are Composed by an Aspect of Yourself”

The Parts and Pieces Making a Whole: Set Seven

“Schopenhauer, in his splendid essay called “On an Apparent Intention in the Fate of the Individual”, points out when you reach an advanced age and look back over your lifetime, it can seem to have had a consistent order and plan, as though composed by some novelist. Events that when they occurred had seemed accidental and of little moment turn out to have been indispensable factors in the composition of a consistent plot. So who composed that plot? Schopenhauer suggest that just as your dreams are composed by an aspect of yourself of which your consciousness is unaware, so, too, your whole life is composed by the will within you. And just as people whom you have met apparently by mere chance became leading agents in the structuring of your life, so, too, you will have served unknowingly as an agent, giving meaning to the lives of others. The whole thing gears together as one big symphony, with everything unconsciously structuring everything else. And Schopenhauer concludes that it is as though our lives were the features of the one great dream of a single dreamer in which all the dream characters dream, too; so that everything links to everything else, moved by the one will to life which is the universal will in nature.”

—Joseph Campbell, The Power of Myth

Joseph Campbell, “Forms and Conceptions . . .”

Photographers Unknown, Forms and Conceptions

“The function of ritual and myth is to make possible, and then to facilitate, the jump—by analogy. Forms and conceptions that the mind and its senses can comprehend are presented and arranged in such a way as to suggest a truth or openness beyond. And then, the conditions for meditation having been provided, the individual is left alone. Myth is but the penultimate; the ultimate is openness—that void, or being, beyond the categories —into which the mind must plunge alone and be dissolved. Therefore, God and the gods are only convenient means—themselves of the nature of the world of names and forms, though eloquent of, and ultimately conducive to, the ineffable. They are mere symbols to move and awaken the mind, and to call it past themselves.”
― Joseph Campbell, The Hero with a Thousand Faces

Joseph Campbell” “To Live as a Released Individual”

A Collection of Blacks and Whites

The work of individuation, however, demands that one should not be compulsively affected in this way. The aim of individuation requires that one should find and then learn to live out of one’s own center, in control of one’s for and against. And this cannot be achieved by enacting and responding to any general masquerade of fixed roles.”

― Joseph Campbell, Myths to Live By

Phyllis Stapler

Phyllis Stapler, “The Moon Hare”

“Dream is the personalized myth, myth the depersonalized dream; both myth and dream are symbolic in the same general way of the dynamic of the psyche. But in the dream the forms are quirked by the peculiar troubles of the dreamer, whereas in myth the problems and solutions sown are directly valid for all mankind.”

Joseph Campbell, The Hero With a Thousand Faces

The Fisherman with the Red Hat

Photographer Unknown, (The Fisherman with the Red Hat)

“The dreamer is a distinguished operatic artist, and, like all who have elected to follow, not the safely marked general highways of the day, but the adventure of the special, dimly audible
call that comes to those whose ears are open within as well as without.”

–Joseph Campbell, The Hero With a Thousand Faces

The Thinker in the Tub

Photographer Unknown, (The Thinker in the Tub)

“People say that what we’re all seeking is a meaning for life. I don’t think that’s what we’re really seeking. I think that what we’re seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances with our own innermost being and reality, so that we actually feel the rapture of being alive.”
― Joseph Campbell, The Power of Myth

The Myth and the Man

Artist Unknown, (The Myth and the Man)

“Mythology is not a lie, mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth–penultimate because the ultimate cannot be put into words. It is beyond words. Beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told.”
― Joseph Campbell, The Power of Myth

Joseph Campbell: “Everybody Has His Own Possibility of Rapture”

Photographer Unknown, (The Modern Myth: Narcissus)

“I don’t think there is any such thing as an ordinary mortal. Everybody has his own possibility of rapture in the experience of life. All he has to do is recognize it and then cultivate it and get going with it. I always feel uncomfortable when people speak about ordinary mortals because I’ve never met an ordinary man, woman, or child.”

― Joseph Campbell, The Power of Myth