Tag: graphics

Peter Diamond

The Illustrations of Peter Diamond

Peter Diamond is a Canadian illustrator based in Vienna, Austria. born in Oxford, England, He received his BFA in Fine Arts at NSCAD University located in Halifax, Nova Scotia. In addition to his freelance work, Diamond teaches drawing at Illuskills and works with the international illustration community through the European Illustrators Forum. He is represented internationally by The Loud Cloud.

Peter Diamond’s work owes much of its character to the album covers and self-published comics that were his special focus in art school and the early years after graduation, as well as the punk gig posters of his teenage years.

Pierre Soulages

Pierre Soulages, “Lithograph Number 3″, 1957, 25 x 19 Inches, Museum of Modern Art, New York

As a child, Pierre Soulages was fascinated by the Celtic carvings in the local museum and the architecture of the abbey of Sainte-Foy in nearby Conques, and these early impressions would continue to surface throughout his career. In 1938, inspired by the works of Cezanne and Picasso, he enrolled in the École Nationale Supérieure des Beaux-Arts, Paris, but he was disappointed by the traditional instruction and soon moved back to his childhood home of Rodez.

In 1946, Soulages returned to Paris and set up a small studio in Courbevoie. He began to paint in a wholly abstract style, producing canvases with overlapping black, barlike strokes on a glowing white or colored, ground, which he exhibited at the Salon des Indépendants in 1947.

Though his rejection of bright color in favor of black set him in opposition to the major trends in French abstract painting of the time, Pierre Soulages was nevertheless a prominent exemplar of the Jeune École de Paris (Young School of Paris), an umbrella term for the gestural or post-Cubist abstraction. in contrast to the gestural approach of his American counterparts, Soulages deliberately constructed his compositions to create a formal balance.

Dracula Journal

Special Edition Leather Journal, Dracula Edition, 2014

This special edition leather journal was designed in 2014 by aLexLibris. The journal is size is 10.5 x 8 inches with a thickness around 3.3 inches. Bte book block has around 350 pages; 700 sides of cream toned paper with hand-torn and particularly gilded edges.

The leather book covers are rich embossed with a lot of skulls, carefully hand-toned and bordered with gilded frames. The top side has full decoration and a stylized skull.

Reblogged with thanks to http://www.alexlibris-bookart.com

Carl Burton

Carl Burton, Unknown Title, (Light Pulse)

Digital artist and animator Carl Burton creates subtly animated monochromatic gifs that blend surreal elements inspired by science fiction and occasionally real life into one hypnotic and perfectly looped animation. Burton works primarily on the 3D editing software Cinema 4D as well as Photoshop and After Effects to produce his gifs.

Alfonso Casas Moreno

illustrations by Alfonso Casas Moreno

Alfonso Casas Moreno was born in Zaragoza, Spain in 1981 and studied teaching and later fine arr, specializing in illustration. For the last seven years, he has lived and worked in Barcelona.

Alfonso Casas has worked as an illustrator for several companies including Vodafone, Reebok, ING and others. He is the author of several books, including “Amores Minúsculos”. He is also the illustrator of “No Without My Beard” , written by Carles Suñé and published by Lunwerg Publishers in 2015. Alfonso Casas’ illustrative work has appeared on the poster for the Teatro Lara Theater  in Madrid.

Enki Bilal

The Artwork of Enki Bilal

Enik Bilal is a French comic book creator, comics artist and film director. At the age of fourteen, he met Rene Goscinny, a French comics editor and writer known for the comic book “Asterix”. With Goscinny’s encouragement Bilal applied his talent to the field of comics. He produced work for Goscinny’s comics magazine “Pilote” in the 1970s.

Enik Bilal is best know for the “Nikopol” trilogy which took more than a decade to complete. He wrote the script and id the artwork. The final chapter “Froid Equateur” was chosen Book of the Year by the magazine “Lire”. The third chapter of his “Quatre?” trilogy, entitled “Rendezvous a Paris” was the fifth best selling comic of 2006.

Calendar: August 16

A Year: Day to Day Men: 16th of August

Builder of Dams

August 16, 1892, was the birthdate of Canadian-American cartoonist, Harold Foster.

Harold Foster, as a youth, captained a sloop through the Atlantic, and learned to hunt and fish in the wilds surrounding Halifax from his stepfather, cultivating a love for nature that is readily apparent in his art. He left school at an early age. Foster’s career as a professional artist began when he was about eighteen, producing catalog art for the Hudson Bay Company, but before and after that he made his living in the Canadian wilderness as a fur trapper, hunting guide, and gold prospector.

Foster studied at the Chicago Art Institute and other schools and eventually landed a job at an advertising firm that allowed him to move his wife and two sons to the city. But when the Great Depression hit, work slowed to a crawl. Despite his reservations about entering the field of comic strips, when Foster  was given the chance to adapt Edgar Rice Burroughs’s “Tarzan of the Apes”, he took it.

Debuting in 1929, the “Tarzan of the Apes” daily heralded a new age for comic strips. A fine artist to his bones, Foster introduced dynamic action, perfect anatomy and fluid body movement to the comics page. Through his hands, the titular character was imbued with a balance of nobility and visceral barbarity, and Hal Foster’s dramatically-lit chiaroscuro panels, accurate nature drawing, and raucous action ensured that “Tarzan of the Apes” was a hit.

Hal Foster produced hundreds of pages, and continuing to adapt his illustrative approach to cartooning, but he grew tired of the material. If he was going to continue working in a medium he didn’t care for, at minimum he wanted creative control over his output. So Foster began working on a story set in Arthurian England that he intended to span decades. After months of research and planning, he pitched his new story to United Features Syndicate, distributor of “Tarzan”, and they turned him down. He made the same pitch to William Randolph Hearst and was offered an unprecedented portion of ownership.

“Prince Valiant”, debuted in 1937 and quickly became the gold standard of the Sunday cartoons. The story begins with Val as the five-year-old son of a deposed king and follows him to manhood, through battles with ancient monsters and beasts, knighthood with King Arthur in Camelot, fatherhood, and adventures all across myth, history, and the globe. It is epic, swashbuckling, painterly, ornate, endlessly clever, and brilliantly plotted story, and without the intrusion of word balloons to muck up the panels. Every frame of Prince Valiant is like a story unto itself: beautifully designed, and rendered with a precision. In the golden age of the newspaper strip it was considered by many to be the pinnacle of achievement in the medium.

Cigarette Cards: The Parisian

The “Parisian”, 1888, Commercial Color  Lithograph,  Issued by Allen and Ginter Cigarettes, Metropolitan Museum of Art, New York

This trade card was from the “World’s Smokers” series (N33) issued in 1888 in a set of fifty cards to promote the Allen and Ginter brand cigarettes; the company was located in Richmond, Virgian. Printer’s samples were included in the set, as well. The printer’s sample cards are on a thinner card stock without printed text.

Each card in the series measures 2.75 x 1.5 inches. One card was packed in each box of ten cigarettes.

Claude Buck

 

Claude Buck, “Self Portrait”, 1917, Charcoal and Crayon on Paper Mounted on Paper-Board Sheet, 20 x 12.7 cm, Smithsonian American Art Museum, Washington DC

Claude Buck started to paint when he was very young; at the age of eight he applied to be a copyist at the Metropolitan Museum of Art. The museum rejected him because of his age, but Buck kept asking and three years later was finally granted permission to copy the old master paintings. Buck was the youngest artist ever to study at the National Academy of Design, where he spent eight years creating works inspired by romantic literature.

In 1917, Claude Buck founded the ‘Introspectives’, a group of four painters who created surreal images and believed that the ‘poetry’ of a picture meant more than the imitation or even the representation of nature. Later in his career, however, Buck completely rejected these strange, dreamlike themes and joined the Society for Sanity in Art, which celebrated straightforward, representational painting. He was also a leading member of the avant-garde Symbolism artist movement in Chicago.

Claude Buck was known for his fantastic, sometimes disturbing images with allegorical and literary themes drawn from writings of Edgar Allen Poe, operas by Richard Wagner, classical mythology and New Testament writings from the Bible. Some of his early paintings had Luminist movement elements achieved with light-toned paints worked with transparent glazes.

Julia Lillard

Julia Lillard, “Spirit Animal”, Date Unknown, Collage

Julia Lillard is a self-taught Oklahoma artist who, for the most part, creates surreal digital and paper collage. Her first love was art photography, but in her 50s, that developed into a love for collage and abstract paintings. She has a range of styles that are somewhat eclectic, and her imagination is triggered by any image, color or situation that catches her attention. Julia lets something outside of herself take over and she usually has no idea what the end result will be.

Reblogged with many thanks to the artist’s site: http://julialillard.tumblr.com

Tishk Barzanji

Illustrations by Tishk Barzanji

Tishk Barzanji is a visual artist who moved to London in 1997 and is based there. He studied Fine Art at Richmond upon Thames College, and Physics at Loughborough University. Barzanji’s work touches on the modernist movement and surrealism and is inspired by his childhood in Kurdistan. His process is about understanding the living space in a fast moving world and the human interactions within these spaces.