Kôichi Imaizumi, “Berlin Drifters”

Kôichi Imaizumi, “Berlin Drifters”, Trailer, 2017, Habakari Cinema Research, Jurgen Bruning Filmproduction

Pinku eiga star and intense adult director Kôichi Imaizumi teamed with Japan’s prominent adult manga author for the film “Berlin Drifters”. A low-budget, all-hands-on-deck affair, “Berlin Drifters “ unites a who’s who of Asian and European eroticists, from Dutch porn star Michael Selvaggio and German self-described erotic photographer Claude Kolz to Chinese LGBT activist and dramatist Xiaogang Wei. Most notable, however, could be the participation of Japanese gay erotica artist Gengoroh Tagame, most easily described as Japan’s Tom of Finland.

Imaizumi is perhaps best known as a pinku eiga actor — the soft-core Japanese mini-features, celebrated in last year’s Nikkastu Roman Porno Series and which have given some of the country’s most prominent filmmakers their starts. As a director, Imaizumi dabbled with graphic sex in both “The Secret to My Silky Skin”, starring Majima, and the troubling sci-fi rape comedy “The Family Complete”.

Imaizumi’s hallmarks of sexuality and masculinity are present in “Berlin Drifters”, but also the insights regarding acceptance and the stigmas surrounding homosexuality in Japan. “Berlin Drifters” was shown at the Hong Kong Lesbian and Gay Film Festival. Sales of the film are through Habakari Cinema Research.

Calendar: November 30

A Year: Day to Day Men: 30th of November

The Sextant-Carrier

November 30 1937 was the birthdate of British film director and producer Ridley Scott.

Ridley Scott grew up in West Hartlepool, England, and attended the West Hartlepool College of Art and the Royal College of Art in London. He worked as a set designer and a director in British television. In 1967, Scott began to direct commercials, known for their visual stylization and their distinctive atmospheric lighting effects.

Scott brought these effects into his feature films which he began directing in 1977. His directorial debut was the 1977 film “The Duelists”, a period film set in Napoleonic France base on a short story by Joseph Conrad. This film won the best first-feature award at the Cannas Film Festival. Scott followed the success with three more films, now widely regarded as classics:

The first, the science fiction horror story “Alien” was released in 1979. It was met with critical acclaim and box office success. It won the Academy Award for Best Visual Effects, three Saturn Awards for Best Science Fiction Film, Best Direction for Scott and Best Supporting Actress for Veronica Cartwright. The second was the 1985 “Legend”, an allegorical fairy tale, was fleshed out with the help of American author William Hjortsberg, with the final screenplay going through fifteen revisions. The makeup effects were designed by special effects artist Rob Bottin, who had worked on “The Howling” and Carpenter’s “The Thing”. The third, a dystopian fable of a dark, grim and polluted future, “Blade Runner” was released in 1982 and was based on a Philip K Dick novel. This contemporary film noir heavily employed Scott’s use of set design to enhance the mood of the film. It later became an acclaimed cult classic, hailed for its retrofitted future.

Ridley Scott’s 1991 “Thelma and Louise was acclaimed for its visual style as well as the lead characters and the feminist theme. Scott received an Academy Award nomination for his work on the film. After a series of commercial failures, Scott directed the 2000 “The Gladiator”, starring Russell Crowe in the title role. the action drama set in ancient Rome was a critical and commercial success, winning the Academy Award for Best Picture. It also earned Scott his second nomination for best director.

Scott revisited the eerie world of “Alien” in the sci-fi Thriller “Prometheus” in 2012. He brought his spectacular sensibilities to bear on the biblical story of Moses in “Exodus:Gods and Kings” in 2014, following that with the taut space drama “The Martian”, released in 2015 and starring Matt Damon as the astronaut who must survive on Mars. Ridley Scott also served as producer for a number of films and television programs, including the series “Numb3rs” from 2005-2010 and “The Good Wife” form 2009 to 2016.

Calendar: November 29

A Year: Day to Day Men: 29th of November

Trade or Barter

November 29, 1895 was the birthdate of choreographer Busby Berkeley.

Born William Berkeley Enos in California, Busby Berkeley, enlisted for service in the military during World War I. He oversaw military drills for both the American and French forces, an experience which would give him inspiration in later years. Taking advantage of his mother’s theatrical connections, Berkeley became an entertainment officer, directing and producing plays for the American troops in postwar Germany.

Taking the name of Busby Berkeley, he turned to the stage after the war, finding his forte was directing musicals. In 1927, Berkeley choreographed the Rogers and Hart musical “A Connecticut Yankee”, which was a tremendous success, making him one of Broadway’s most-coveted choreographers. Following that success, he choreographed, directed, and produced the 1929 musical “The Street Singer”.

Success brought Busby Berkeley to the attention of Hollywood. Samuel Goldwyn had him work on comedian Eddie Cantor’s film “Whoopee”, previously a production on Broadway by Flo Ziegfeld. Berkeley choreographed and directed the dance numbers in the film. He late worked on the Bert Lahr musical “Flying High” and the 1932 “Night World” with its night club scenes.

Busby Berkeley decided to move to the Warner Brothers Studio; this is where his most famous work was done. In 1933, he staged the dances for three musicals now regarded as classics: “Gold Diggers of 1933”, “42nd Street”, and “Footlight Parade”. All three films were backstage stories, concerned with the production of a Broadway show. The musical numbers Berkeley created were a opulent fantasy universe, using camera angles and movements that produced views unable to be seen by a sitting audience. Placing his camera directly above the action, he often showed his ensemble of performers moving in precise geometric formations.

In 1935, Warner Brothers made Busby Berkeley a full-fledged director, He produced one of his best works, “Gold Diggers of 1935”, an account of the events at a summer resort showcasing the musical number “Lullaby of Broadway” sung by Wini Shaw. This song won an Academy Award in 1936 and Berkeley was nominated for an Oscar for best dance director. He won his second Oscar for his work of choreography in “Gold diggers of 1937”.

Beginning in the 1960s, Berkeley’s films enjoyed a nostalgic revival, with both critics and film lovers showing renewed interest in his work. He himself returned briefly to Broadway in 1970 to supervise a production of “No No Nanette” with Ruby Keeler, the star of his three great 1933 films.

Calendar: November 27

A Year: Day to Day Men: 27th of November

The Bare White Wall

November 27, 1920 marks the release of Douglas Fairbanks’s “The Mark of Zorro”.

“The Mark of Zorro” was a 1920 silent adventure romance film, starring Douglas Fairbanks and Noah Beery Senior’, based on Johnston McCulley’s 1919 “The Curse of Capistrano” which introduced the character of Zorro. The story was adapted into a screenplay by Fairbanks, under the name of Elton Thomas, and Eugene Miller. “The Mark of Zorro” was the first film released through United Artists, formed by Mary Pickford, Charlie Chaplin, D.W. Griffith, and Fairbanks.

Douglas Fairbanks played Don Diego Vega, the effete son of a wealthy ranch owner, who has the secret identity of a masked Robin Hood- like rogue, known as Zorro, or The Fox. He is the champion of the people who appears out of nowhere to protect and right wrongs. He has a love interest, Lolita played by Marguerite De La Motte, and is pursued by the authorities, including Sergeant Pedro Gonzales played by Noah Beery Senior.

“The Mark of Zorro” is a landmark in the career of Douglas Fairbanks and in the development of the action adventure film. This was Fairbanks’s thirtieth motion picture; and he used it to transition from comedies to costume adventure films, which is how most people remember him. The audiences responded with enthusiasm to Fairbanks’s new persona, which allowed him to flaunt his considerable athleticism to its fullest advantage. Fairbanks’s stunts have lost none of their impact; no later cinematic superhero has ever been half so convincing as his Zorro leaping from rooftop to rooftop, and over the heads of his enemies.

This film helped popularize one of Americas’s most prominent creations of fiction; the enduring character of the superhero. It established the pattern for future caped crusaders with dual identities. “The Mark of Zorro” was remade twice: in 1940 starring Tyrone Power and in 1974 starring Frank Langella. The United States Library of Congress selected it in 2015 for preservation in the National Film Registry.

In DC Comics, it is established that “The Mark of Zorro” was the film that young Bruce Wayne saw just before the death of his parents outside the movie theater. Zorro is often portrayed as Bruce Wayne’s childhood hero and an influence upon his Batman persona. Bill Finger, co-creator with Bob Kane of the character Batman, was inspired by the Zorro played by Fairbanks, leading to similarities in costumes, the secret caves, and the unexpected secret identities.

Calendar: November 25

A Year: Day to Day Men: 25th of November

The Jaguar Hunter

November 25, 1920 marks the birthdate of actor Ricardo Montalbán

Born in Mexico City, Mexico, to Spanish immigrants, Ricardo Montalbán made his New York stage debut in 1940 in a small role in “Her Cardboard Lover”, starring Tallulah Bankhead. In 1947 he landed his first major Hollywood film role in the musical “Fiesta”, playing twin siblings with Esther Williams. Montalbán had a memorable dance number in that film with Cyd Charisse.

The dark, handsome Montalbán with the Spanish accent would go on to play numerous Latin romantic-types. He teamed up again with Esther Williams in two more films, the musical romantic comedy “Neptune’s Daughter” and the 1948 romantic comedy “On an Island with You”. In 1949, Montalbán broke from his romantic typecast to play a border agent in the suspense drama film “Border Incident” directed by Anthony Mann.

During the 1950s and 1960s Montalbán was one of only a handful of actively working Hispanic actors in Hollywood, often playing characters of different ethnicities, such as the character Nakamura in the 1957 “Sayonara” and Tokura in a “Hawaii Five-O” episode. He also starred as a naive, penniless French duke in the romance comedy “Love is a Ball” released in 1963.

Ricardo Montalbán’s best known television role was that of the man in the white suit with the cultured demeanor, Mr. Roarke, on the television series “Fantasy Island” which ran from 1977 to 1984. The series was one of the most popular on television at that time, making him and his co-star Herve Villechaize, playing Tattoo, popular icons.

Montalbán’s most well-known film role was the character of Khan Noonien Singh in the 1982 “Star Trek II: The Wrath of khan”, in which he reprised the role he had originated in the 1967 episode of “Star Trek” titled “Space Seed”. Montalbán was already physically fit; so Khan’s costume was specifically designed to display his physique. He agreed to take the role at a significant pay cut because he relished reprising his original character. His only regret, Montalbán said, was that he and William Shatner never interacted in their roles; the scenes were all done through video communication, filming their scenes months apart to accommodate Montalbán’s schedule for “Fantasy Island”.

Montalbán reacted to the poor way Mexicans were being portrayed by establishing with other stars the Nosotros (We) Foundation in 1970 to advocate for Latinos in the movie and television industry. He served as its first president. The foundation created the Golden Eagle Awards, an annual awards show that highlights Latino actors. The awards are presented in conjunction with the Nosotros American Latino Film Festival, held at the now renamed Ricardo Montalbán Theater in Hollywood.

Derek Jarman and Paul Humfress, “Sebastiane”: Film History Series

“Sebastiane”, 1976, Directed by Derek Jarman and Paul Humfress

Sebastiane” is a 1976 Latin-language British historical thriller directed by Derek Jarman and Paul Humfress. The screenplay, written by Jarman, Humfress, and James Whaley, portrays events in the life of Saint Sebastian, including his martyrdom by arrows. The film, which was targeted to a gay audience, was controversial for the homoerotism portrayed and for being dialogued entirely in vulgar Latin. It was the only English-made film to have required English subtitles.

Intensely erotic, “Sebastiane” was filmed in Sardinia, near the town of Buggerru, and in locations in Italy. The film is an early film by the noted experimental and outspokenly gay director Jarman and features the debut of actor Leonardo Treviglio in his role of Sebastian. A bold film having the distinction of being the first non-porn film to show a male erection, “Sebastiane” now is probably only for the film aficionado who loves film- making and its history. A milestone in the history of non-porn gay films.

Calendar: November 22

A Year: Day to Day Men: 22nd of November

Red Knit Hat and Boots

November 22, 1932 was the birthdate of actor Robert Vaughn.

Born in New York City, Robert Vaughn studied at the Los Angeles State College of Applied Arts and Sciences, earning a Master’s Degree in theater. He received a Ph. D in communications from the University of Southern California in 1970. He published his dissertation as a book, “Only Victims: A Study of Show Business Blacklisting” in 1972.

Vaughn made his television debut in November of 1955 on the series “Medic”, the first of more than two hundred appearances on the show. He first film appearance was as an uncredited extra playing a golden calf idolater visible behind Yul Brynner in a scene from “The Ten Commandments”. Vaughn’s first credited movie role was playing Bob Ford, the killer of Jesse James, in the 1957 western “Hell’s Crossroads”.

Vaughn’s first film appearance of note was in “The Young Philadelphians”, for which he received an Academy Award nomination for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor. He next appeared as the gunman Lee in “ The Magnificent Seven” in 1960, the western adaption of Kuorsawa’s epic “ Seven Samurai”.

Robert Vaughn was offered his most memorable role in 1964, starring in his own series as secret agent Napoleon Solo in the television series “The Man from U.N.C.L.E.”. His co-star was Scottish actor David McCallum who played fellow agent Illya Kuryakin. This role would make Robert Vaughn a household name even behind the Iron Curtain. This series which ran from 1964 to 1968 created a spin-off show, large amounts of merchandising, overseas theatrical movies, and a sequel.

After the series ended, Vaughn was given the role of playing the ambitious California politician Chalmers, in the critical and box-office smash film “Bullitt” starring Steve McQueen. Vaughn was nominated for a BAFTA Award for Best Supporting Actor for this role. He won an Emmy for his portrayal of Frank Flaherty in ABC’s 1977 “Washington: Behind Closed Doors”. Vaughn did acting work in England also, appearing on the BBC drama “Hustle” and the British soap opera “Coronation Street”.

Robert Vaughn died from acute leukemia in Danbury, Connecticut on the 11th of November in 2016, eleven days before his eighty-fourth birthday. He was the first popular American actor to take a public stand against the Vietnam War and was an active member in the peace group Another Mother for Peace. Vaughn published his autobiography “A Fortunate Life” in 2008.

Calendar: November 20

A Year: Day to Day Men: 20th of November

Blue Sky and Two Ravens

November 20, 1890 was the birthdate of American film actor Robert Armstrong.

Robert Armstrong, born in Bay City, Michigan, attended the University of Washington, where he studied law. He gave up his studies to manage his uncle’s touring company. In his spare time, Armstrong wrote plays, appearing in one when it was produced. In 1926, he traveled to London and appeared on the British stage for one season.

Robert Armstrong’s film career began in 1927 when he appeared in Pathé’s romantic silent film drama ”The Main Event”, produced by Cecil DeMille. He had a very prolific film career in the late 1920s and early 1930s, making nine movies just in 1928. Armstrong is best know for his role as film director Carl Denham in the 1933 monster adventure film “King Kong”. He reprised his role as Denham in the sequel “Son of Kong”, released at the end of 1933.

Merian C. Cooper, the producer of “King Kong”, used Armstrong in several more movies. Armstrong and Fay Wray starred in “The Most Dangerous Game”, filmed at night on the same sets being used during the day for “King Kong”. He worked throughout the 1930s and 1940s for several film studios, starring in the 1937 musical comedy “The Girl Said No”, released by Grand National Films. In 1940, Armstrong co-starred in the Universal Pictures film “Enemy Agent”, a story about A Nazi spy ring in the country.

In 1942, Armstrong teamed up with actor Richard Cromwell in the notable gangster B-movie “Baby Face Nelson”, playing “Doc” Rogers, the boss of ‘Baby Face’ played by Cromwell. Later he played another leading character role, similar to Carl Denham, as Max O’Hara in “Mighty Joe Young” released in 1949. This film, produced by Merian C. Cooper and directed by Ernst B. Schoedsack, became a stop-motion animation classic, winning the Academy Award for Best Visual Effects in 1950.

Armstrong appeared in the 1950s as Sheriff Andy Anderson on the syndicated wester-themed television series “State Trooper”. He also made four guest appearances on the long-running television series “Perry Mason”, playing the both title character and murder victim on one show, a defendant on another, and the murderer in “The Case of the Accosted Accountant”. Robert Armstrong died of cancer in Santa Monica, California, within sixteen hours of the death of the co-producer of “King Kong”, Merian C. Cooper.

Bottom Insert Image: Robert Armstrong and Frank Reicher, “Song of Kong”, 1933, Director Ernest B. Schoedsack, Cinematography Edward Linden, J. O. Taylor and Vernon L. Walker, Film Clip Photo

Calendar: November 19

A Year: Day to Day Men: 19th of November

Superman

November 19, 1959 marks the release date for the television show “Rocky and His Friends”.

“Rocky and His Friends” was a serialized animation show, produce by Jay Ward Productions, that ran from November 1959 to June of 1964. During its history, it appeared under several broadcast titles, most notably “The Rocky and Bullwinkle Show”. The series was structured as a variety show, with the main feature being the adventures of Rocky the Flying Squirrel and the moose Bullwinkle. Their main adversaries were the two “Russian” spies Boris Badenov and Natasha Fatale. both who worked for the Fearless Leader.

The animation show included three other supporting segments: the old-time melodrama styled “Dudley Do-Right of the Mounties”; “Peabody’s Improbable History”, in which the dog Mr. Peabody takes his boy Sherman to different historical events in time; and “Fractured Fairy Tales”, a new look, albeit slightly askew, at the classic fairy tales.

The idea for “Rocky and His Friends” was from Jay Ward and Alex Anderson, who had both collaborated on “Crusader Rabbit”, the first animated series created specifically for television. Production began in February of 1958 with the hiring of the voice actors: June Foray who voiced Rocky, Natasha, and every female character on the show; Paul Frees who voiced Boris and Inspector Fenwick,; Bill Scott who voiced Bullwinkle, Dudley Do-Right and Mr. Peabody, and William Conrad who narrated the Rocky and Dudley Do-Right segments..

“Rocky and His Friends” was sponsored by the cereal-manufacturer General Mills, who insisted that the show have an late-afternoon time slot, targeting it toward children. The writers and designers were hired; however, no animators were hired. Instead in a move to save cost, the advertising agency for General Mills outsourced the animation to a Mexican company called Gamma Productions, which caused many productions problems because of its quality of animation and mistakes in the continuity of the animated characters and scenes.

“Rocky and His Friends” abounded with quality writing and wry humor, appealing to adults as well as children. Its segments mixed puns, self-humor, and satire on the existing culture and topics in life. The animation art has an unpolished look with limited action compared to the other animated series produced at that time. Despite this, the series is still held in high esteem by critics, with some viewing it as a well-written radio program with visual images. The series was influential to the development of other animated series and, to date, has aired in one hundred countries.

Calendar: November 18

A Year: Day to Day Men: 18th of November

The Cross

November 18, 1908 was the birthdate of American comic actress Imogene Coca.

Imogene Coca, born Imogene Fernandez de Coca in Philadelphia, Pennsylvania was the daughter of José Fernandez de Coca, a conductor, and his wife Sadie Brady, a dancer and magician’s assistant.

In her youth, Imogene Coca received piano, dance, and voice lessons. While still a teenager, she moved from Philadelphia to seek a living as a dancer, starting in the chorus of the 1925 Broadway musical “When You Smile” which ran forty-nine performances in New York City. Coca came to be featured as a headliner, appearing in Manhattan nightclubs, with music arranged by her first husband, Robert Burton. She came to prominence when she began to combine music with comedy. Coca’s first big critical success was in Broadway musical revue “New Faces of 1934”. A well-received part of her act was a comic striptease, during which Coca made sultry faces and gestures but would manage to remove only one glove.

Imogene Coca played opposite Sid Caesar on “The Admiral Broadway Revue” from January to June in 1949. In the early days of live television, she again played opposite Sid Caesar in a sketch comedy program, “Your Show of Shows”, which was immensely popular from 1950 to 1954. Coca won the second-ever Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series in 1951 and was nominated for four other Emmys for her work in the show. Her success in that program earned Coca her own series “The Imogen Coca Show which ran from 1954-1955.

Imogene Coca continued to appear on comedy and variety series from the 1950s to the 1980s. She appeared on “The Carol Burnett Show” and “The Hollywood Palace”, made guest appearances on “Bewitched” and “The Brady Bunch”, and occasionally appeared in films such as “Under the Yum Yum Tree” in 1963 and the 1963 “National Lampoon’s Vacation”, as Aunt Edna.

After having appeared in several Broadway musical-comedy revues and plays between the 1930s and the 1950s, Imogene Coca returned to Broadway at the age of 70 with a Tony Award-nominated performance as religious zealot Letitia Primrose in “On the Twentieth Century”, a 1978 stage musical adapted from the 1934 film. Her role, that of a religious fanatic who plasters decals onto every available surface, had been a male in both the film and the original stage production, and was rewritten specifically as a vehicle for Coca.

Bottom Insert Image: Sid Caesar and Imogene Coca, “Your Show of Shows”, 1950-1954, Publicity Shot, Shout Factory

Calendar: November 17

A Year: Day to Day Men: 17th of November

Alongside His Steed

November 17, 1933 was the released date of the Marx Brothers film “Duck Soup”.

Movies gave the Marx Brothers a mass audience, and the films were the instrument that translated what was once essentially a Jewish style of humor into the dominant note of American comedy. Although they were not taken as seriously, the Marx Brothers were as surrealist as Dali, and as verbally outrageous as Gertrude Stein. Because they worked the genres of slapstick and screwball comedy, the Marx Brothers did not get the same kind of attention. However, their effect on the mind of the population was very influential.

The Marx Brothers created a body of work in which individual films are like slices from the whole, but the 1933 “Duck Soup” is probably the best. It represents a turning point in their movie work; it was their last film for Paramount, and the last in which all of the scenes directly involved the brothers.

When “Duck Soup” became a box office disappointment for Paramount, the Marx Brothers moved over to MGM. Production chief Irving Thalberg ordered their plots pf new films to find room for roles of conventional romantic couples, breaking up the madcap routines and slowing the pace. Buster Keaton’s sound comedies for MGM suffered from the same interference, meddling and dilution by the studio.

To describe the plot of a Marx Brothers film would be an exercise in futility, since a Marx Brothers movie exists in moments, bits, sequences, and dialogue, not in comprehensible stories. The film “Duck Soup” stars Groucho as Rufus T. Firefly, who becomes dictator of Fredonia under the sponsorship of the rich Mrs. Teasdale, played wonderfully as Margaret Dumont. The neighboring nation of Sylvania and its Ambassador Trintino have designs on the country of Fredonia. So Ambassador Trintino hires Harpo and Chico as spies for information. This premise provides a basis for one inspired sequence after another, including sustained examples of Groucho’s puns and sneaky double entendres. It also supports a couple of wordless physical sequences that probably have their roots in the vaudeville acts the brothers performed and saw years earlier.

One comedy sequence in “Duck Soup” is one of the highlights of the first century of film. Harpo, who has disguised himself as Groucho, sneaks into Mrs. Teasdale’s room , tries to break into a safe and shatters a mirror. Groucho himself comes downstairs to investigate. Harpo is standing inside the frame of the broken mirror, and tries to avoid detection by pretending to be Groucho’s reflection. This leads to a sustained pantomime involving flawless timing, as Groucho tries to catch the reflection in an error, and Harpo matches every move. Finally, in a perfect escalation of zaniness, Chico blunders into the frame, also dressed as Groucho.

Calendar: November 14

A Year: Day to Day Men: 14th of November

Pale Skin and Leather

November 14, 1922 was the birthdate of American actress Veronica Lake.

Born Constance Frances Marie Ockelman in the Borough of Brooklynn, Veronica Lake moved to Miami, Florida with her family and attended Miami High School. In 1938 the family moved to Beverly Hills, California, where she was briefly under contract to MGM. Lake enrolled in MGM’s acting school, the Bliss-Hayden School of Acting, and soon went to an audition at RKO studio. She later appeared in the 1939 play “Thought for Food” and had a small role in “She Made Her Bed”.

Veronica Lake appeared as an extra in a number of movies. Her first appearance on screen was for RKO in the 1939 co-ed film “Sorority House”, which wound up being cut from the film. Lake was given similar roles in “All Women Have Secrets” “Forty Little Mothers” and “Dancing Co-Ed”. Producer Arthur Hornblow Jr. from Paramount Pictures decided to give her a chance in the role of a nightclub singer in a military drama entitled “I Wanted Wings”, released in 1940. This role made Veronica Lake, still in her teens, a star.

It was during the filming of “I Wanted Wings” that Veronica Lake developed her signature look. Lake’s long blonde hair accidentally fell over her right eye during a take and created a peek-a-boo effect. After the film was a big hit, the hairstyle became Lakes’s trademark and inspired women to copy it. Paramount next cast Lake in Preston Sturges’s “Sullivan’s Travels” with Joel McCrea. Next came the 1942 thriller “This Gun for Hire” with Robert Preston and Alan Ladd. She and Alan Ladd both had cameos in the all-star Paramount film “Star Spangled Rhythm” in 1942.

During World War II, Veronica Lake became popular as a pin-up girl for soldiers and traveled throughout the United States raising money for war bonds. Lake’s career began to falter after her portrayal as a Nazi spy in the 1944 “The Hour Before the Dawn”. Diagnosed early in her life with schizophrenia, Lake, after receiving scathing reviews, began drinking more heavily during this period, prompting many actors to refuse to work with her. After some time off, Lake was brought back in the 1945 “Bring On the Girls”, her first proper musical.

Veronica Lake made more movies between 1947 and 1951: a western “Ramrod” in 1947; the 1948 “Saigon” which reunited her with actor Alan Ladd; a romantic drama “Isn’t It Romantic” and a comedy “The Sainted Sisters”, both in 1948 and not well received by audiences. In 1948 Paramount decided not to renew Veronica Lake’s contract. After that, she performed in two more films in minor roles, was a television host for a brief stint and performed in summer stock theater.

In June of 1972, Veronica lake visited a doctor complaining of stomach pains. She was diagnosed with cirrhosis of the liver as a result of her years of drinking and was admitted on June 26 to the University of Vermont Medical Center in Burlington. She died there on July 7, 1973 of acute hepatitis and acute kidney injury. Veronica Lake was cremated and her ashes scattered off the coast of the Virgin Islands. For her contributions to the film industry, Lake has a star on the Hollywood Walk of Fame at 6918 Hollywood Boulevard.

Calendar: November 12

A Year: Day to Day Men: 12th of November

Bravery

November 12, 1920 was the birthdate of American B-western film star Sunset Carson.

Born Winifred Maurice Harrison, Sunset Carson became an accomplished rodeo rider in his youth, working for a time in a western show owned by early cowboy actor Tom Mix. In 1940, Carson traveled to South America, where he competed in rodeos for two years. After he returned to the States, he appeared in a small role in the 1943 “Stage Coast Canteen”, a film featuring many celebrities of that time. In the next year, Carson had a role in the 1944 film “Janie”, under the name of Michael Harrison.

Carson caught the attention of Lou Grey, an executive of Republic Pictures, who signed him to a contract, giving him his own series of B-westerns and the stage name of Sunset Carson. He was given a horse named “Cactus” and had a succession of popular western genre films. Carson was in the 1944 “Bordertown Trail”, followed in the same year by “Code of the Prarie” and “Firebrands of Arizona”, playing opposite comic western actor Smiley Burnette.

Sunset Carson’s peak year was in 1945, appearing in seven western films. He appeared in his own name in “Sheriff of Cimarron”, “Bandits of the Badlands”. “The Cherokee Flash”, and four other hour-long films. Carson began the year of 1946 strong, starring in five films including “The El Paso Kid” and “The Red River Renegades”. By the end of 1946, however, Republic Pictures and Carson were having disputes. Carson claimed it was over his contract; the studio claimed that Carson was fired after attending a studio function while intoxicated and accompanied by an underage girl. At the end of the year, he and the studio parted company.

In 1948, Sunset Carson starred in “Sunset Carson Rides Again” produced by Oliver Drake. In 1949 he starred in “Rio Grande” and in 1950 the film “Battling Marshal”, his last role as the main character. For the next several years, Carson just obtained small bit parts. He played the lead once again in the B-movie “The Marshall of Windy Hollow”, a 1972 that costarred many old-time western actors. Then Carson had bit parts in two movies during the next thirteen years: “Buckstone County Prison” in 1978 and the 1985 sci-fi “Alien Outlaw”, his final movie role.

Sunset Carson retired to Reno, Nevada and died in a Reno hospital on May 1, 1990 of an apparent heart attack. He died one day after winning a settlement in a three-year old lawsuit over money earned from some of his old films.

Note: The image above is reblogged with many thanks to a great instagram site that I follow, having a “green thumb” and an inclination towards hot guys. The site is https://www.instagram.com/explore/tags/boyswithplants.

Alfred Hitchcock, “The Lodger”: Film History Series

Alfred Hitchcock,“The Lodger”, 1927, Cinematography Gaetano di Ventimiglia, Woolf & Freedman Film Service

The Lodger, the silent film that Hitchcock directed in 1927, is generally acknowledged to be the one where he properly found his “voice”: that distinctive combination of death and fetishism, trick shots and music-hall humour, intense menace and elegant camerawork that assured his place among cinema’s giants.

The material, drawn from a novel by Marie Belloc Lowndes, is rather obviously inspired by the Jack the Ripper murders; they were still within living memory. Hitchcock himself claimed later that producing studio Gainsborough, including Michael Balcon, ordered him to remove any ambiguity that the central character, the mysterious room-renter of the title, might be guilty of the crimes himself, instead of simply the innocent victim of false suspicion.

Calendar: November 10

A Year: Day to Day Men: 10th of November

The Homestead Fire

November 10, 1889 was the birthdate of British actor Claude Rains.

William Claude Rains was a British film and stage actor known for his smooth, distinguished voice; polished, ironic style; and intelligent portrayal of a variety of roles, ranging from villains to sympathetic gentlemen. He began his acting career at the age of eleven working backstage jobs before making his adult stage debut. He enjoyed a successful stage career in London and taught at the Royal Academy of Dramatic Arts; two of his students were John Gielgud and Charles Laughton.

Claude Rains toured the United States in the 1926 play “The Constant Nymph” and made a name for himself on Broadway. He came relatively late in his career to film acting and, while working for the Theater Guild in New York City, was given a screen test for a role in the 1932 “A Bill of Divorcement” by RKO. Rains did not get that role but was cast in the title role, partly because of his voice, in James Whale’s 1933 “The Invisible Man”. Although Rains’s face is hidden behind bandages throughout most of the film, his ominous voice effectively reflects the heightening madness of the megalomaniacal scientist he portrays.

Claude Rains went on to play a variety of leading and supporting roles, including criminals, aristocrats, politicians, spies, learned professionals, and family men, all with equal charm and finesse. He displayed great chemistry with Bette Davis as her sympathetic psychiatrist in the 1942 “Now, Voyager” and as her patient, loving husband in the 1944 “Mr. Skeffington”, for which he received an Academy Award nomination for Best Supporting Actor.

Rains was also nominated for Oscars as best supporting actor for his work in three much-loved American film classics: as the corrupt senator in the 1939 “Mr. Smith Goes to Washington” by Frank Capra; as the charming, opportunistic police chief in the 1942 “Casablanca”, one of his most famous roles; and as the likable, sensitive Nazi agent in love with costar Ingrid Bergman in Alfred Hitchcock’s 1946 “Notorious”.

In 1951 Claude Rains won a Tony Award for his lead role in the play “Darkness at Noon”. He was nominated for four Academy Awards for Best Supporting Actor in his career: “Mr Smith Goes to Washington”, “Casablanca”, “Mr. Skeffington”, and “Notorious”. He was awarded a star on the Hollywood Walk of Fame on February 8, 1960.

Top Insert Image: Photographer Unknown, “Claude Rains in Costume as Kees Popings”, 1952, “The Man Who Watched Trains Go By”, Vintage Photo, 20 x 25 cm, Private Collection

Bottom Insert Image: Arthur Edeson, “Claude Rains as Captain Louis Renault”, 1942, “Casablanca”, Film Shot, Director Michael Curtiz