Calendar: March 22

A Year: Day to Day Men: 22nd of March

The Fire Fighter

The Emerald Buddha was moved with great ceremony on March 22, 1784 to His current place in Wat Phra Kaew, Thailand.

Phra Kaeo Morakot, the Emerald Buddha, is considered the palladium of the Kingdom of Thailand; an figure of great antiquity on which the safety of Thailand is said to depend. The figure of the meditating Buddha seated in a yogic posture is made of semi-precious jade, clothed in gold and 26 inches tall in His seated position. Historical sources indicate the the figure of the Buddha surfaced in northern Thailand in the Lanna kingdom in 1434.

In 1779, the Thai General Chao Phraya Chakri put down an insurrection, captured Vientiane, the capital of Laos where the Buddha had resided for 214 years, and took the Emerald Buddha to Siam. It was installed in a shrine close to Wat Arun in Thonburi, Siam’s new capital. Chao Phraya Chakri took control of the country and founded the Chakri Dynasty of Rattanakosin Kingdom. He adopted the title ‘Rama I’ and shifted his capital across the Menam Chao Phra River to its present location in Bangkok.

There Rama I constructed the new Grand Palace including Wat Phra Kaew within its compound. Wat Phra Kaew was consecrated in 1784, and the Emerald Buddha was moved with great pomp and pageantry to its current home in the Ubosoth, the holiest prayer room, of the Wat Phra Kaew temple complex on 22 March 1784.

The Emerald Buddha is adorned with three different sets of gold seasonal costume; two were made by King Rama I, one for the summer and one for the rainy season, and a third made by King Rama III for the winter or cool season. The clothes are changed by the King of Thailand, or another member of the royal family in his stead, in a ceremony at the changing of the seasons – in the first waning of lunar months around March, August and November.

King Rama I initiated this ritual for the hot season and the rainy season, Rama III introduced the ritual for the winter season. The robes, which adorn the figure of Buddha, represent those of monks and the King, depending on the season, a clear indication of highlighting its symbolic role “as Buddha and the King”, which role is also enjoined on the Thai King who formally dresses the Emerald Buddha image. The costume change ritual is performed by the Thai king who is the highest master of ceremonies for all Buddhist rituals.

Calendar: March 21

Year: Day to Day Men: March 21

Cool and Refreshed

The twenty-first of March in 1867 marks the birth date of Florenz Edward Ziegfeld Jr. who was an American Broadway impresario.

Born in the Illinois city of Chicago, Florenz Ziegfeld Jr. was the son of Roselie de Hez, the Belgian grandniece to General Count Étienne Maurice Gérard, and German-born Florenz Ziegfeld, son of the mayor of Jever, the capital city of the Friesland district, Germany. The father founded Roosevelt University’s Chicago Academy of Music 1n 1867 and later opened the Trocadero nightclub to profit from the 1893 World’s Fair.

During a trip to London in 1896, Florence Ziegfeld Jr. met the Polish-French singer Anna Held and brought her to the United States as his common-law wife. Held enjoyed several successes on Broadway including the 1901 “Little Duchess” and 1906 “A Parisian Model”. One of Broadway’s celebrated leading ladies, she became both a well-known and wealthy woman. It was Held who presented the idea of an American version of the Parisian Folies Bergère to Ziegfeld.

Ziegfeld’s stage spectaculars, which became known as the Ziegfeld Follies, began with ‘Follies of 1907’ which opened in July of that year and continued annually until 1931. These productions with their elaborate costumes and sets featured beautiful women, the Ziegfeld Girls, chosen personally by Ziegfeld. The extravaganzas were choreographed to the works of such popular composers as George Gershwin, Irving Berlin and Jerome Kern. The Follies featured many well-known theatrical performers including Fanny Brice, W. C. Fields, Eddie Cantor, Will Rogers, Bert Williams and Ann Pennington.

In 1927, the sixteen-hundred seat Ziegfeld Theater opened on the west side of Manhattan’s Sixth Avenue between 54th and 55th Streets. Designed by architects Joseph Urban and Thomas W. Lamb, the Art Deco theater’s auditorium was egg-shaped with the stage at the narrow end. A large medieval-styled mural by Lillian Gaertner, “The Joy of Life”, covered the walls and ceiling. To finance the construction cost of of 2.5 million dollars, Ziegfeld borrowed money from newspaper publisher William Randolph Hearst, who took control of the theater after Ziegfeld’s death.

The Ziegfeld Theater’s opening production in February was Ziegfeld’s “Rio Rita” which ran for almost five hundred performances. The second production, “Show Boat” with stage sets by Urban and a score by Jerome Kern, was a success with a run of five hundred seventy-two performances. This musical continues to be revived on Broadway and has won multiple Tony Awards. In May of 1932 during the Depression, Ziegfeld staged a revival of “Show Boat” that ran for six months. In the same year, a production with the Follies’ theatrical stars entitled “The Ziegfeld Follies of the Air” was broadcast on CBS Radio.

Anna Held divorced Florenz Ziegfeld in January of 1913. In April of 1914, he married stage and screen actress Billie Burke; they had one child, Patricia Burke Ziegfeld. The Ziegfeld family lived at their New York estate in Hastings-on-Hudson and their residence in Palm Beach, Florida. In 1932 after spending a period in a New Mexico sanitarium, Florenz Ziegfeld traveled to Los Angeles, California. A few days later, he died in Hollywood from an existing lung infection, pleurisy, on the twenty-second of July in 1932.

Ziegfeld’s death left Billie Burke with substantial debts, one of the reasons that she steered her career toward film acting. She moved to Beverly Hills and returned to a successful career as an actress with such films as George Cukor’s “Dinner at Eight”, Norman Z. McLeod’s 1937 “Topper”, Victor Fleming’s 1939 “The Wizard of Oz”, and William Keighley’s 1942 “The Man Who Came to Dinner”. In the late 1950s, failing memory led to Burke’s retirement from show business; she died of natural causes at the age of eighty-five in May of 1970. Burke is interred beside Ziegfeld at Kensico Cemetery in Valhall, New York.

Calendar: March 20

A Year: Day to Day Men: 20th of March

Hot Water with Bubbles

On March 20, 1852, Harriet Beecher Stowe’s “Uncle Tom’s Cabin; or, Life Among the Lowly” is published as a book.

Harriet Beecher Stowe was a Connecticut-born teacher at the Hartford Female Seminary and an active abolitionist. Her book featured the character of Uncle Tom, a long-suffering black slave around whom the stories of other characters revolve. Stowe was inspired to write this anti-slavery book by the narrative story of Josiah Henson, a formerly enslaved black man who escaped slavery in Maryland by fleeing to Ontario, Canada. There he helped other fugitive slaves settle and become self-sufficient; and there he wrote his memoirs. In 1853 Stowe acknowledged that Henson’s writings inspired “Uncle Tom’s Cabin”.

Because of the story’s popularity when it appeared as a serial in ‘The National Era”, an abolitionist periodical, the publisher John P. Jewett contacted Stowe about turning the serial into a book. Published in book form on March 20, 1852, the novel sold 3000 copies on that day alone, and sold out its complete print run. A number of other editions were soon printed including a deluxe edition in 1853 with illustrations by the artist Hammatt Billings. In the first year of publication, 300,000 copies of “Uncle Tom’s Cabin” were sold.

The book was translated into all major languages, and in the United States it became the second best-selling book after the Bible. A number of the early editions carried an introduction by Reverend James Sherman, a Congregational minister in London noted for his abolitionist views. “Uncle Tom’s Cabin” sold equally well in Britain, with the first London edition appearing in May 1852 and selling 200,000 copies. In a few years over 1.5 million copies of the book were in circulation in Britain.

In recent years, the negative associations with “Uncle Tom’s Cabin” have, to an extent, overshadowed the historical impact of the book as a vital anti-slavery tool. “Uncle Tom’s Cabin”, the first widely-read political novel in the United States, was dominated by a single theme: the evil and immorality of slavery. While Stowe weaves other sub-themes throughout her text, such as the moral authority of motherhood and the redeeming possibilities offered by Christianity, she emphasizes the connections between these and the horrors of slavery.

In 1853, Stowe went further in her fight against slavery by publishing “A Key to Uncle Tom’s Cabin” in which she criticized how the legal system supported slavery and licensed owners’ mistreatment of slaves. Thus, she put more than slavery on trial; she put the law on trial. This continued an important theme of “Uncle Tom’s Cabin”- that the shadow of law brooded over the institution of slavery and allowed owners to mistreat slaves and then avoid punishment for their mistreatment.

Calendar: March 19

A Year: Day to Day Men: 19th of March

White Anchors on Black

March 19, 1928 was the birthdate of Patrick Joseph McGoohan, an American-born Irish actor, writer and director.

In 1959, ITC Entertainment production executive Lew Grade approached Patrick McGoohan about a television series in which he would play a spy named John Drake. Having learned from bad contract experiences in the past, McGoohan insisted on several conditions in the contract before agreeing to appear in the program: all the fistfights should be different, the character would always use his brain before using a gun, and, much to the horror of the executives, no kissing. The series debuted in 1960 as “Danger Man”, a half-hour program geared toward an American audience. Production lasted a year and 39 episodes.

Patrick McGoohan was one of several actors considered for the role of James Bond in the movie “Doctor No” and later for the James Bond role in “Live and Let Die”, but turned both of them down. After he had also turned down the role of Simon Templar in “The Saint”, Lew Grade asked him if he would like to give John Drake another try. The show was resurrected in 1964 as a one-hour program, now known by the name “Secret Agent”. The scripts now allowed McGoohan more range in his acting. The popularity of the series led to McGoohan becoming the highest-paid actor in the UK, and the show lasted almost three more years.

Knowing of McGoohan’s intentions of leaving “Secret Agent”, Grade asked if he would at least work on something for him. McGoohan gave him a run-down of what would later be called a miniseries, about a secret agent who resigns suddenly and wakes up to find himself in a prison disguised as a holiday resort. Grade asked for a budget, McGoohan had one ready, and they made a deal over a handshake early on a Saturday morning to produce “The Prisoner”. Apart from being the star of “The Prisoner” in his role as Number Six, McGoohan was the executive producer, forming Everyman Films with series producer David Tomblin, and also wrote and directed several episodes, in some cases using pseudonyms.

Patrick McGoohan appeared in many films and television series: “Ice Station Zebra” in 1968, “Silver Streak” in 1976, “The Man in the Iron Mask” in 1977, “Escape from Alcatraz” in 1979, and received two Emmy Awards for his performances on the show “Columbo”. His last film role was as the voice of Billy Bones in the animated film, “Treasure Planet”, released in 2002. That same year, he received the Prometheus Hall of Fame Award for his show “The Prisoner”.

Calendar: March 18

Year: Day to Day Men: March 18

A Reflection on Life

The eighteenth of March in 1899 marks the birth date of Majorie Abbatt, an English toy maker and businesswoman. Abbatt Toys was founded on the philosophy that children’s toys should be functional in design and educational in play.

Born Norah Majorie Cobb to a wealthy and educated family in Surbiton, a neighborhood of South West London, Majorie Abbat received her initial education at Roedean School, an independent boarding and day school on the outskirts of Brighton, East Sussex. She continued her studies at Oxford’s Somerville College and earned her Bachelor of Arts in 1923. Majorie gave up her postgraduate work in psychoanalysis at London’s University College with her marriage to Cyril Paul Abbatt in December of 1930.

Paul Abbatt, born into a Quaker family in 1899, was a graduate of Trinity Hall, Cambridge, and a teacher at the private Quaker-owned boarding and day Sidcot School near Winscombe, Somerset. Influenced by Woodcraft Chivalry, a scouting and woodcraft movement in the United Kingdom, Paul Abbat and Majorie Cobb met at a 1926 gathering of the organization at Godshill, Hampshire. With the intent to establish a progressive kindergarten, they travelled to Vienna for research on its educational facilities.

Majorie and Paul Abbatt met painter and art education reformer Franz Cižek at the Vienna School of Arts and Crafts. Cižek had founded Vienna’s Child Art Movement and was the director of the Vienna School’s Department of Experimentation and Research. The Abbatts attended his classes as well as classes at the city’s Montessori kindergartens. They also became acquainted with psychoanalyst Milan Morgenster and developmental educator Helena Löw-Beer, both of whom were working in the field of special education for severely handicapped children.

In 1932, Majorie and Paul Abbatt founded Abbatt Toys, a manufacturer for functional and educational toys. Part of a pioneering generation, they designed toys to stimulate the imagination of children as well as their physical skills. Working within their Bloomsbury, London apartment, they made a small exhibition space and developed a mail-order business from an illustrated catalogue created by painter and designer John Skeaping. By 1934, Abbatt Toys was progressing well and a new catalogue was published with photographs by Bauhaus-trained Edith Tudor-Hart who had previously been a Montessori teacher.

In 1934, Hungarian-born architect and designer Ernö Goldfinger moved to London and met Majorie and Paul Abbatt; this meeting led to a collaboration with Abbatt Toys throughout the company’s early years. In 1934, Goldfinger designed Abbatt Toys’s first showroom on central London’s Endsleigh Street, a place that encouraged children to touch and play with the displayed toys. In 1935, Goldfinger created a logo for Abbatt Toys as well as a children’s alphabet. The next year, he designed a second store on Wimpole Street and redesigned the couple’s apartment. In 1937, the now established Abbatt Toys had an exhibition space, designed by Goldfinger and the Abbatts, at the International Exposition of Arts and Technology in Modern Life held at Paris.

In 1951, Majorie and Paul Abbatt founded Children’s Play Activities Limited, a research organization with the aim of understanding play as an element of mental and social education. A report that criticized the practices of the British industry’s toy manufacturing sector was produced by the CPA, Limited in 1957. The Abbatts founded the International Play Association in 1961 to protect and advance the role of play in children’s lives.

Majorie Abbatt was a member from an early age of the West London Ethical Society, one of the founding groups of the Union of Ethical Societies, now the Humanists UK. After the death of Paul Abbatt in 1971, she sold Abbatt Toys and remained active in all the organizations she had supported. Honored in 1981 by a Master of Arts from University of Nottingham, Majorie Abbatt died at her home at Oxford ten years later in November of 1991 at the age of ninety-two.

Calendar: March 17

Year: Day to Day Men: March 17

Morning’s Red Splendor

The seventeenth of March in 1916 marks the birth date of Ray Ellington, an English singer, drummer and bandleader. He specialized in jazz but experimented with many other genres. Ellington’s musical style was heavily influenced by songwriter and saxophonist Louis Jordan’s up-tempo hybrid of jazz, blues, and boogie-woogie.

Born Henry Pitts Brown in Kennington, London, Ray Ellington was the youngest of four children to Eva Stenkell Rosenthal and Harry Pitts Brown, an African-American music hall comedian. After his fathe’s death in 1920, he was raised as an Orthodox Jew and, beginning in 1924, attended the South London Jewish School until 1930. Ellington entered show business at the age of twelve with his first acting appearance on a London stage.

In 1937, Ellington joined Harry Roy and His Orchestra as the band’s drummer. At his first session with the band, he did vocals along with his drumming for the 1937 song “Swing for Sale”. In May of 1940, Ellington was called for military service. He joined the Royal Air Force and became a physical training instructor for the course of the war. Ellington also played in service bands including the RAF’s Blue Eagles in 1945.

After demobilization, Ray Ellington resumed his music career with a group of his own musicians that played at London’s The Bag O’Nails club. After rejoining Harry Roy’s orchestra for a couple of months, he formed the Ray Ellington Quartet in 1947. Ellington’s band was one of the first in the United Kingdom to feature the simple guitar, bass, drums and piano format that became the basis of rock and roll. The band was also one of the first jazz bands in the United Kingdom to feature an amplified guitar.

The guitarist in the Ray Ellington Quartet was Trinidadian Lauderic Rex Caton, an autodidact on guitar who played professionally from the age of seventeen. He was also proficient on saxophone, double bass and banjo. Jazz pianist Dick Katz studied at the Peabody Institute, the Manhattan School of Music and the Juilliard School. He became the favorite pianist of Benny Carter, Coleman Hawkins and vocalists Carmen McRae and Helen Merrill. Jamaican-born George Coleridge Goode was the bassist and had recorded with Django Reinhardt the year before the quartet was formed. He had a long collaboration with alto saxophonist Joe Harriott and became involved with Harriott’s pioneering blend of jazz and Indian music, the Indo-Jazz Fusions.

From 1951 to 1960, the Ray Ellington Quartet had a regular music segment on “The Goon Show”, a radio comedy program broadcast by the BBC Home Service and occasionally the BBC Light Program. Musical performances alternated with scripted comedy segments. Occasionally Ellington would have small speaking roles in many of the episodes; no attempt was made to change his normal accent regardless the role.

Ray Ellington was married to British actress Anita West, who also co-hosted the BBC children’s program “Blue Peter”. They had two children, Nina and Lance. Lance Ellington became a singer who recorded several jazz-oriented albums. After a prolific forty-year recording career, Ray Ellington died of cancer on the twenty-seventh of February in 1985.

Notes: The online “The Seagoon Memoirs” has a short May 2022 article on Ray Ellington by Nick Reeves. The article includes photos, newspaper reviews and several videos including the Ray Ellington Quartet performing “Pink Champagne”. The article is located at: https://www.theseagoonmemoirs.com/post/ray-ellington

Jasmine Records issued a thirty-song collection in 2019 entitled “Ray Ellington: That Rock’n’Rollin’ Man” which contains several songs from his early to mid 1950s Columbia 78 rpm records.

Calendar: March 16

Year: Day to Day Men; March 16

The Darkness of the Night

The sixteenth of March in 1621 marks the day Samoset, an Abenaki sagamore, made contact with the Pilgrims of the recently established Plymouth Colony, the first permanent English colony in New England.

Samoset was a sagamore, or subordinate chief, of an Eastern Abenaki tribe that resided in Maine. The Abenaki, ‘People of the Dawn Land’, are indigenous people of the Northeastern Woodlands of Canada and the United States. The are an Algonquian-speaking people and part of the Wabanaki Confederacy of the five principal Eastern Algonquian Nations.

Samoset had learned some English from visiting an earlier settled fishing camp in the Gulf of Maine; English fishermen would fish cod off the coast of Mohegan Island. In March of 1621, Samoset was visiting Massasoit, the sachem or leader of the Wampanoag Confederacy. Massasoit’s people had been seriously weakened by a series of epidemics and were vulnerable to attacks by the Narragansetts, the most powerful tribe in the region when the English colonists arrived in 1620. Massasoit Sachem sought an alliance with the Plymouth colonists as a way to protect his people.

On Friday, the sixteenth of March in 1621, Samoset entered the settlement at Plymouth alone and greeted the colonists in English. He was the first indigenous person with whom the colonists could converse. Samoset told the colonists about the land, the sagamores, and his people’s strength and numbers. He was also acquainted with many of the captains and fishermen who visited the colony. Samoset and the colonists communicated and, in the evening, lodged at colonist Stephen Hopkin’s house.

The next morning, the Plymouth colonists gave Samoset a knife, bracelet and a ring before he left with a promise to return. On the twenty-second of March, Samoset returned with Tisquantum, commonly known as Squanto, the last known member of the Wampanoag Patuxet tribe. Squanto, who spoke a greater degree of English, arranged a meeting between the leaders of the colonists and Massasoit.

Massasoit forged critical personal and political ties with colonial leaders William Bradford, Stephen Hopkins, Edward Winslow, John Carver and Myles Standish, which grew from the peace treaty negotiated on the twenty-second of March in 1621. The alliance assured the neutrality of the Wampanoag Confederacy during the 1636 Pequot War.

Notes: In the fall of 1621, the Narragansetts sent a sheaf of arrows wrapped in a snakeskin to Plymouth Colony as a threatening challenge. Plymouth governor William Bradford sent the snakeskin back filled with gunpowder and bullets. The Narragansetts understood the message and did not attack them.

English Sea Captain Christopher Levett entertained Samoset and other tribal leaders in 1624 onboard his ship at harbor in Portland, Maine. Samoset is believed to have died circa 1653 in Pemaquid, Maine.

Calendar: March 15

A Year: Day to Day Men: 15th of March

Flesh Against Teal

On March 15, 1972, the film “The Godfather” has its New York City premiere.

“The Godfather” is a 1972 American crime film directed by Francis Ford Coppola based on Mario Puzo’s best selling novel of the same name. Published in 1969, it became the best selling published work in history for several years. Paramount Pictures originally found out about Puzo’s novel in 1967 when a literary scout for the company contacted then Paramount Vice President of Production Peter Bart about Puzo’s sixty-page unfinished manuscript. Bart believed the work was “much beyond a Mafia story” and offered Puzo a $12,500 option for the work, with an option for $80,000 if the finished work were made into a film. Despite Puzo’s agent telling him to turn down the offer, Puzo was desperate for money and accepted the deal.

Paramount Pictures wanted the film to be directed by an Italian American to make the film “ethnic to the core”. Sergio Leone was Paramount’s first choice to direct: but Leone turned down the option to work on his own gangster film. Paramount had offered twelve other directors the job with “The Godfather” before Coppola agreed. Coppola agreed to receive $125,000 and six percent of the gross rentals.

Coppola’s request to film on location was observed; approximately 90 percent was shot in New York City and its surrounding suburbs, using over 120 unique locations. Several scenes were filmed at the Filmways Studio in East Harlem. The remaining portions were filmed in California, or on-site in Sicily, except for the scenes set in Las Vegas because there were insufficient funds to travel there. Savoca and Forza d’Argro were the Sicilian towns featured in the film. The opening wedding scene was shot in a Staten Island neighborhood using almost 750 locals as extras.

The world premiere for “The Godfather” took place in New York City on March 15, 1972, almost three months after the planned release date of Christmas Day in 1971, with profits from the premiere donated to The Boys Club of New York. Before the film premiered, the film had already made $15 million from rentals from over 400 theaters. The following day, the film opened in New York at five theaters.

Calendar: March 14

Year: Day to Day Men: March 14

Aries the Ram

The fourteenth of March in 1878 marks the birth date of Louis Nikola, a British magician, actor, director and author. Born Walter James Obree Smith in Southampton, he performed under the stage name of Louis Nikola, a persona he found in Australian novelist Guy Newell Boothby’s series of occultist criminal mastermind Dr. Nikola, an early Victorian forerunner to Fu Manchu.

Louis Nikola began his career as a professional magician in 1901. Known for his painstaking perfection and inventive illusions, he performed throughout the world. Nikola’s “Card Castle” was one of the many highlights in his performances. After spreading a deck of cards on a tray, he would cover it with a silk scarf and slowly raise the scarf. At its height, the scarf would be removed to reveal a standing castle built from the cards. He would deliberately jog the tray and the castle would collapse due to its delicate construction.

Nikola published some of his magic through a series entitled “The B.O.P. Magician” that appeared in the 1898-1899 Volume XXI of “The Boy’s Own Paper”, a British story-paper run by the Religious Tract Society to provide young male readers with a positive moral influence. In 1927, Nikola published “The Nikola Card System: A New Power for Magicians”, a card system for magic tricks more advanced than the previous “Si Stebbins” or “Eight Kings” stack systems. Even on close examination, the pre-arrangement of cards was seemingly impossible to detect.

In 1934, Louis Nikola published a compendium of articles on fifty magic illusions entitled “Magical Masterpieces” in a collaboration with magic historian Will Goldston. Among the illusions in the volume were “The Incorrigible Cigars”, “A Message from Mars”, and “The Topsy Turvy Tea Table”. Nikola is credited with the invention of two major magic illusions: the “Magic Melding” in the early 1930s and, in collaboration with magician Roy Enoc, the “Milk Pitcher” circa 1917.

In addition to his magic illusions, Louis Nikola was also an entertainer proficient in the art of hand shadows. Using a light source and his two hands, he would create shadow representations of animals as well as historic and fictional characters. In 1913, Nikola published a small volume entitled “Hand Shadows: The Complete Art of Shadowgraphy” that contained, along with the illustrations of fifty hand shadows, instructions on lighting and hand exercises. A second edition was printed in 1921.

Beginning in 1913, Nikola was discovered by the British film industry who cast him in several films as a magician and a spiritualist. He was an actor in director Charles Raymond’s short 1913 “The Seer of Bond Street”, a six character story of a fake medium attempting to steal money from an heiress. Nikola was screenwriter, director and actor for the 1914 “Magic Squares”, an animation of paper squares and hand shadows.

Walter James Obree Smith died at the age of fifty-eight in South Harrow, London on the eleventh of November in 1936.

Calendar: March 13

Year: Day to Day Men: March 13

Perched

The thirteenth of March in 1930 marks the discovery of Pluto, the ninth largest and tenth most massive known object to directly orbit the sun of this system. Like other objects in the Kulper belt, the circumstellar disc in the outer solar system, Pluto primarily consists of rock and frozen volatiles such as methane, ammonia and water.

In the 1840s, French astronomer and mathematician Urbain Le Verrier used Newtonian mechanics to predict the position of the, as yet, undiscovered planet Neptune after analyzing deviations in the orbit of Uranus. Subsequent observations of Neptune in the late 1800s led astronomers to speculate that Uranus’s orbit was being affected by another planet beside Neptune.

In 1906, wealthy astronomer and mathematician Percival Lowell began an extensive project at the Lowell Observatory to search for a possible ninth planet, that he termed Planet X. Lowell and astronomer William H. Pickering had by 1909 suggested several possible celestial coordinates for this Planet X. Lowell continued his search, with calculations established by mathematical genius Elizabeth Langdon Williams, without any success until his death in 1916.

Unknown to Lowell, his research surveys had captured two faint images of Pluto on March 19th and April 7th of 1915; however, these images were not recognized as being of Pluto. There exists fourteen other known observations of Pluto which predate its discovery, the earliest being that of the University of Chicago’s Yerkes Observatory on the 20th of August in 1909.

In 1919, Percival Lowell’s widow, Constance Lowell, entered into a ten-year legal battle with the Lowell Observatory over her husband’s legacy. The search for the unknown planet did not resume until 1929. American astronomer Clyde Tombaugh, at the age of twenty-three, continued Lowell’s quest. His task was to systematically image the night sky in pairs of photographs. Each pair would be examined to determine if any objects had shifted position. This was done through the use of a blink comparator that shifts back and forth between photographs to create the illusion of movement for any object that had changed position in the photographs.

On the 18th of February in 1930, after a year of searching, Tombaugh detected a possible moving object on the photographic plates taken on January 23rd and 29th. A photograph of lesser quality taken on the 21st helped confirm the movement. After the Lowell Observatory had taken additional photographs to confirm the discovery, a telegram with the news was sent to the Harvard College Observatory on the 13th of March in 1930.

The name Pluto came from the Roman god of the underworld; it is also an epithet for Hades, the Greek equivalent of Pluto. As one Plutonian year corresponds to 247.94 Earth years, Pluto will be back in the same position of its discovery in 2178. On the twenty-ninth of July in 2005, astronomers at Caltech announced the discovery of a new trans-Neptunian object, named Eris, which is substantially more massive than Pluto and the most massive object discovered in the solar system since Neptune’s moon, Triton, in 1846.

Calendar: March 12

Year: Day to Day Men: March 12

Gazing into Space

The twelfth of March in 1925 is the birth date of Harry Harrison, an American science fiction author. A longtime resident in both Ireland and the United Kingdom, he assisted in the founding of the Irish Science Fiction Association and was co-president with author Brian Aldiss of the Birmingham Science Fiction group.

Born Henry Maxwell Dempsey in Stanford, Connecticut, Harry Harrison was drafted into the United States Army Air Force upon graduating from high school in 1943. He served during World War II as a gunsight technician and as a gunnery instructor. Harrison eventually became a specialist in prototypes for computer-assisted bomb-sights and gun turrets. After leaving military service in 1946, he enrolled in New York City’s Hunter College and later operated a studio that sold illustrations to both comic and science fiction periodicals.

Harrison initially worked in the science fiction field as an illustrator, primarily with two comic anthologies, “Weird Fantasy” and “Weird Science” published by William Gaines’s “EC Comics”. His illustration work was mostly done in collaboration with comic book artist Wally Wood; Harrison’s layouts would usually be inked by Wood. The two men freelanced together for several publishers until their partnership ended in 1950.

Harry Harrison worked under several pseudonyms during his career including Philip St. John, Wade Kaempfert, Felix Boyd and Hank Dempsey. He was hired to write the 1964 “Vendetta for the Saint”, one of the long mystery series featuring novelist Leslie Charteris’s character The Saint. Harrison also wrote for syndicated comic strips, most notably for the “Rick Random: Space Detective” series created by Conrad Frost and Bill Lacey. His first short story was 1951 “Rock Diver”, a classic Western plot with a sci-fi twist that described the effect of passing through matter.

Harrison was the main writer during the 1950s and 1960s for the “Flash Gordon” newspaper strip. His most popular and best known works are his later satirical science fictions and his reconstructions of the traditional space-opera adventures. Harrison’s twelve volumes of “The Stainless Steel Rat” series featured the futuristic con-man and thief, James Bolivar diGriz. This series ran from 1957 to 2010. He published “Bill, the Galactic Hero” in 1965. This was a satirical science fiction novel of Bill, a farm boy on a small agricultural planet who is shanghaied into the Space Troopers to fight a reptilian race named Chingers.

Harry Harrison wrote many stories on serious themes. The best known is his novel about overpopulation and consumption of the planet’s resources, the 1966 “Make Room! Make Room!”. This novel provided the basic idea for the 1973 science fiction film “Soylent Green”, written by Stanley R. Greenberg and directed by Richard Fleischer.

Harrison and author Brian Aldiss collaborated on a series of anthology projects and, in 1973, instituted the John W. Campbell Memorial Award for Best Science Fiction Novel. They also published the first of two issues of “SF Horizons”, the world’s first serious journal of science fiction criticism. Harrison and Aldiss edited nine volumes of “The Years Best Science Fiction” anthology series as well as three volumes of the “Decade” series that collected stories from the 1940s to the 1960s.

Although he did not win a major award for any specific work, Harry Harrison was inducted into the Science Fiction Hall of Fame in 2004. The Science Fiction and Fantasy Writers named him the 26th Grand Master in 2008. Harrison became a cult hero in Russian with the winning of the 2008 Golden Roscon Award for lifetime achievement in science fiction.

Harrison spent most of his later years residing in Ireland, having gained citizenship through his Irish grandparent. He had also kept apartments in London and Brighton, England. Upon the death of his wife Joan Merkler Harrison in 2002 from cancer, Harrison made his Brighton home his permanent residence. He died in his Brighton apartment in August of 2012.

Calendar: March 11

Year: Day to Day Men: March 11

Juxtaposition

The eleventh of March in 1887 marks the birth date of Raoul Walsh, an American film director, actor, and founding member of the Academy of Motion Picture Arts and Sciences.

Born Albert Edward Walsh in New York, Raoul Walsh studied at Seton Hall College, a private Roman Catholic research university in New Jersey. In 1909, he began an acting career in New York City theaters. Walsh became an assistant to film director David Wark Griffith in 1914. He acted in his first full-length feature film, D.W. Griffith’s 1914 silent drama “The Life of General Villa”. Shot on location in Mexico, the film starred Pancho Villa as himself in actual as well as recreated filmed battles; Walsh played the role of Villa as a younger man.

In 1915, Walsh served as assistant director on D.W. Griffith’s silent epic “The Birth of a Nation”, the first non-serial American twelve-reel film ever made. In the film, he had the role of John Wilkes Booth, the stage actor who assassinated President Abraham Lincoln at Ford’s Theater. Walsh and Carl Harbaugh created the screenplay for Walsh’s directorial debut from an adaptation of Owen Kildare’s 1903 memoir “My Mamie Rose”. This critically acclaimed 1915 silent drama “Regeneration”, shot on location in Manhattan’s Bowery district, was the first full-length feature gangster film.

After his service in the United States Army during World War I, Raoul Walsh directed United Artist’s 1924 silent “The Thief of Bagdad” which starred and was produced by Douglas Fairbanks. One of the most expensive films of the 1920s, the film was lavishly staged on a Hollywood studio set and contained state of the art special effects. In 1926, Walsh directed “What Price Glory?”, a synchronized sound film with a music score and sound effects, that starred Dolores del Rio and Victor McLaglen.

Walsh directed the 1928 “Sadie Thompson”, which starred Gloria Swanson, and appeared in the role of Swanson’s boyfriend; this was his first acting role since 1915 and his last as well. While directing and acting in the 1928 western “In Old Arizona”, Walsh was in a car crash that resulted in the loss of his right eye; he would wear an eye patch for the rest of his life. Walsh directed his first widescreen film for Fox Studios in 1930, the epic wagon train western “The Big Trail” which starred the then unknown John Wayne, a former prop man. In 1933, he directed “The Bowery”, a historic drama of residents in New York’s Bowery district during the 1890s. The first film produced by Twentieth Century Pictures, it starred Wallace Beery, George Raft, Fay Wray, and child actor Jackie Cooper.

After an undistinguished period with Paramount Pictures, Raoul Walsh’s career soared with his work at Warner Brothers from 1939 to the end of his contract in 1953. During this period, he directed many of the major studio stars in Hollywood. Among his films were the 1939 “Roaring Twenties” with James Cagney and Humphrey Bogart; the 1940 crime western “Dark Command”, made under Republic Pictures, with Claire Trevor, John Wayne, Walter Pidgeon and Roy Rogers; the 1941 “High Sierra” with Bogart and Ida Lupino: the 1941 “Manpower” with Edward G. Robinson, George Raft and Marlene Dietrich; and the 1949 “White Heat” with James Cagney.

Walsh made his last films as a freelancer for five different studios. Among these were the 1952 “Blackbeard the Pirate” with Robert Newton in the lead role; the 1953 “The Lawless Breed” with Rock Hudson in an early starring role as gunman John Wesley Hardin; the 1958 “The Naked and the Dead”, an adaptation of Norman Mailer’s World War II novel; and Walsh’s first Cinemascope production, the 1955 “Battle Cry” starring Tab Hunter, Aldo Ray and Hugh Van Heflin with a screenplay by author Leon Uris.

By the early 1960s, Raoul Walsh was suffering from physical difficulties, most notably fading sight in his good eye. He retired from the film industry in 1964. Walsh died from a heart attack on the last day of December in 1980 in Palm Springs, California at the age of ninety-three. His legacy of sixty-nine sound pictures as well as the many earlier silent films remains among the most-impressive bodies of work submitted by any Hollywood director.

Calendar: March 10

Year: Day to Day Men: March 10

Tiny Bubbles

The tenth of March in the year 1831 marks the creation of the French Foreign Legion, a corps of the French Army that consists of infantry, cavalry, engineers and airborne troops. Unique in that it is open to foreign recruits willing to serve in the French Army, its training currently focuses on traditional military skills as well as its strong esprit de corps.

Created by King Louis Philippe of France, the French Foreign Legion allowed foreign nationals into the French Army from the foreign regiments of the Kingdom of France. These recruits included soldiers from the disbanded German and Swiss foreign regiments of the Bourbon monarchy that was overthrown in 1830 during the reign of Louis XVI. Philippe’s Royal Ordinance specified that recruited foreigners could only serve outside France.

During the nineteenth-century, the French Foreign Legion was primarily used to protect and expand the French colonial empire. Initially stationed in Algeria with detachments from the French port city of Toulon, the Legion took part in the pacification and development of that colony. It was later deployed in a number of conflicts, including the Crimean War in 1854, the Franco-Prussian War in 1870 and the Second Madagascar expedition of 1895. The Foreign Legion fought in many critical battles on the Western Front in World War I and took part in the Norwegian, Syrian and North African campaigns of World War II.

By the middle of the 1960s, the Foreign Legion was no longer stationed in French Algeria after the country’s independence in July of 1962. President Charles de Gaulle originally considered totally disbanding the Legion; however after considering its performance over the years, he chose instead to downsize the Legion from forty thousand to eight thousand men that would be relocated to France’s metropolitan regions. Legion units continued to be assigned overseas but no longer to North Africa.

Besides ongoing global rapid deployments, the Foreign Legion stationed forces on various continents while operating different function units. From 1965 to 1967, the Legion operated several companies, which included the 5th Heavy Weight Transport Company. Ongoing operations and rapid deployments in the following years included, among others, peacekeeping operations around the Mediterranean during the Global War on Terror; peacekeeping along with the United Nations Multinational Force during the Lebanese Civil War; and the 1990 Gulf War where a Legion force made up of twenty-seven different nationalities was attached to the French 6th Light Armored Division. After the ceasefire, the Legion conducted a joint mine clearing operation with the Royal Australian Navy divers.

As of 2021, French Foreign Legion members are composed from one hundred-forty countries. In the past, new recruits enlisted under a pseudonym in order to allow recruits who wanted to restart their lives to enlist without prejudice. As of September of 2010, new recruits have the option of enlisting under their real name or a declared name that, after a year, may be changed to their real name. After serving in the Foreign Legion for three years, a legionnaire may apply for French citizenship. He must be serving under his real name, have no issues with the authorities, and must have served with honor and fidelity. Women, who had been barred from service previously, were admitted after 2000.

Calendar: March 9

Year: Day to Day Men: March 9

The Cross Bearer

The ninth of March in 1940 marks the birth date of actor Raúl Rafael Carlos Juliá y Arcelay known for his intense and varied roles on stage and screen. For each of his film roles, Raúl Julia did extensive character research to familiarize himself with their experiences and ideologies. During his life, he did charitable work mostly focused on at-risk youth, the Latin-American community and the arts.

Born in a suburb of San Juan, Puerto Rico, Raúl Julia attended a private Catholic school in Hato Rey. He later attended Colegio San Ignacio de Loyola where. interested in the works of Shakespeare, he organized and performed in plays of “Julius Caesar”, “Hamlet’, “King Lear”, and “The Tempest’. Julia studied for a year at New York City’s Fordham University before attending the University of Puerto Rico where he earned his Bachelor of Arts degree. Although his parents wanted him to have a career in law, Julie chose acting as full-time career.

In Puerto Rico, Julia performed in several Shakespearean plays including “Macbeth” and “Othello” at San Juan’s theaters. He was subsequently recruited by actress and comedian Lillian Hurst to perform alongside her. During one of their performances, Julia was noticed by actor Orson Bean who suggested he continue his acting career in New York City. After working a variety of odd jobs in Manhattan, he sought work in both Broadway and off-Broadway productions.

After receiving his Actors Equity card, Raúl Julia was able to get a role in the production of “Bye Bye Birdie”. In September of 1968 after four auditions, he debuted in his first Broadway production as the character Chan in “The Cuban Thing”. In the following two years, Julia appeared in playwright Arthur Kopit’s 1969 production “Indians” and Mel Arrighi’s 1970 “The Castro Complex”. Julia also worked in the medium of television in the early 1970s as Rafael the Fix-It Man, a recurring role in the third season of “Sesame Street”.

Julia performed in several major theatrical productions during the 1970s. For his role of Proteus in the 1971 rock musical “Two Gentlemen of Verona”. he was nominated for a Tony Award and won the 1972 Drama Desk Award for Outstanding Performance. In 1974, Julia received his second Tony Award nomination for his role of Charley Wykeham in the 1974 Broadway revival of “Where’s Charley”. In 1976, he was nominated a third time for his role of Mack the Knife in “The Threepenny Opera”. From late October of 1978 to June of 1979, Julia played the role of Count Dracula in the Broadway revival of “Dracula” with Edward Gorey’s stage sets.

Raúl Julia’s film career began with roles in three films during the early 1970s: the crime thriller “The Organization”; the drama “The Panic in Needle Park”, his first feature film; and the film adaption of Richard Fariña’s novel “Been Down So Long It Looks Like Up to Me”. The most notable of Julia’s film work at this time was his role of prison inmate Valentin Arregui, played opposite William Hurt as Luis Molina, in the 1985 drama “Kiss of the Spider Woman”. To understand his role, Julia traveled to South America where he interviewed rebels and ex-prisoners to familiarize himself with their experiences. He was nominated for the Golden Globe Award and won, along with William Hurt, the National Board of Review of Motion Pictures Award for Best Actor.

In addition to being a distinguished actor in numerous film, television and theater productions, Julia continued the charitable work that had been done by his parents. Concerned about the rising levels of violence among teenagers, he sponsored screenwriting programs and supported young actors. Julia was constantly involved with the Latin American community and served as the chairman of the Joseph Papp Celebrity Coalition for Racial Harmony. As part of his work for The Hunger Project, he made monthly donations, promoted the program through advertisements and narrated its bilingual videos. Julia was given the Global Citizen Award for his work with The Hunger Project and, in 1992, received the Courage of Conscience Award.

Unknown to the public, Raúl Julia suffered from stomach cancer for three years prior to his death. During those years, he played the title role in the 1992 Broadway revival of “Man of La Mancha”, with performances eight times a week. Julia also reprised his role as Gomez Addams in the 1993 “Addams Family Values” and took a supporting role in the 1994 television series “Down Came a Blackbird”. In early 1994 during the filming of “The Burning Season” in Mexico, Julia was airlifted to a hospital in Los Angeles for medical attention. Upon his recovery, he finished the film.

On the sixteenth of October in 1994 after attending New York’s Metropolitan Opera, Julia was rushed by ambulance to the North Shore University Hospital in Long Island due to intense abdominal pains; his situation gradually worsened. On the night of the twentieth, Julia suffered a stroke, fell into a coma and was put on life support. Raúl Julia died on the twenty-fourth of October at the age of fifty-four from complications of a stroke, never having gained consciousness. His body was flown to Puerto Rico where a state funeral attended by thousands was held in San Juan.

Calendar: March 8

Year: Day to Day Men: March 8

Center Stage

The eighth of March in 1761 marks the birth date of Count Jan Potocki, a Polish nobleman, linguist, ethnologist, traveller and author of the Polish Age of Enlightenment.

Born into an aristocratic family that owned vast estates across Poland, Jan Potocki was educated in the Swiss cities of Geneva and Lausanne. He frequently visited the Paris salons and toured Europe before returning to Poland in 1778. As a soldier, Potocki served twice in the Polish Army, first in 1778 with the Austrian army during the War of the Bavarian Succession, and later in 1779 as a military engineer.

During his extensive travels across Europe, Asia and North Africa, Potocki as an early pioneer of travel literature documented prevailing customs, active wars, revolutions, and cultural awakenings. He was also one of the first ethnologists with his studies of early Slavic peoples from a linguistic and historical perspective. Fascinated with the occult, Potocki studied ancient cultures, secret societies and their rituals. As a member of the Polish Parliament, he participated in the Great Sejm, whose aim was to restore the sovereignty and reform the Commonwealth, both economically and politically.

In 1790, Jan Potocki became the first person in Poland to fly in a hot air balloon when he accompanied French aeronaut Jean-Pierre Blanchard on an ascent over Warsaw, an exploit that brought him public acclaim. After a period in France, he established in1788 a Warsaw publishing house, Drukamia Wolna (Free Press), and printed pamphlets and newspapers advocating for social reforms. Potocki also established Warsaw’s first free reading room.

Potocki’s most famous literary work, originally written in French, is the framed-tale “Manuscrit Trouvé à Saragosse (The Manuscript Found in Saragossa)”. A framed-tale is a literary technique that serves as a companion piece to a story within a story; the introductory or main narrative sets the stage for either a second narrative or a set of shorter stories. Potocki’s novel is a collection of intertwining stories of Romani, thieves, inquisitors, princesses and the brave but foolhardy hero, the infantry guard Alphonse van Worden. The stories cover the wide range of Potocki’s interests: the gothic, the erotic, the historical and the supernatural.

The initial work of “Manuscrit Trouvé à Saragosse” were published in 1805 apart from the rest of the novel; the stories comprising the Gypsy chief’s tale were added later in 1810. Written incrementally, its final form was never exactly completed at the time of Potocki’s death. Sections of the original French version were lost but have been back-translated into the French from a Polish translation by Edmund Chojecki in 1847. In 1965, director Wojciech Has adapted the novel into a Polish-language black and white film “The Saragossa Manuscript”, that was admired by many 1960s counterculture figures such as Jerry Garcia, Martin Scorsese and Francis Ford Coppola.

Jan Potocki married twice and had five children; both marriages were the subjects of scandalous rumors, the first ended in divorce. In 1812, he retired, disillusioned and in poor health, to his estate in Uladivka in present-day Ukraine. Potocki worked on his novel during the last years of his life. Suffering from depression and clinical lycanthropy (believing he could transform into a werewolf), he committed suicide on the twenty-third of December in 1815 by shooting himself with a silver bullet blessed by his local Catholic priest.

For his contributions to Poland, Jan Potocki was awarded the Order of the White Eagle, the highest award of merit for the Republic of Poland. He also awarded a knighthood in the Order of Saint Stanislaus, 1st Class, as well as the Imperial Order of Saint Prince Vladimir, 1st Class, the highest award for continuous civil and military service.