Hervé Guibert

The Photography of Hervé Guibert

Born at Saint-Cloud, Hauts-de-Seine on the fourteenth of December in 1955, Hervé Guibert was a French author and photographer. The author of two-dozen published works, he wrote with aggressive candor, detachment, and passion through a mixture of diary writing, memoir, and fiction. Both his writings and photography were closely linked to his private life. The subjects of Guibert’s writings often became his friends; those whom he loved were often portrayed as celebrities, alternately idolized and exposed.

Guibert’s photographic oeuvre contains interior scenes and landscapes as well as portraits of family, friends and lovers. He worked in black and white with tones drawn to soft grays. Photographs of Guibert’s immediate surroundings, his bookcase or desk, were created with the same intensity as photographs of nudes in his bed. His work is both restrained and subtle, created more for his person or close friends rather than public exposure. Although most of his work remains elusive, never having been exhibited or published, those images that have appeared are cool, confident and emotionally warm.

Hervé Guibert was born into a conservative middle-class family of a veterinary inspector and his wife, a former teacher. He relocated to Paris at the age of seventeen with the hope of becoming an actor or scriptwriter. After his rejection from a Paris film school, Guibert entered the literary world and, by the age of twenty, was writing dating advice for “20 Ans (Twenty Years)”, a glossy women’s magazine. In 1977, he published his autobiographical novel, “La Mort Propagande (Death Propaganda)”.

In 1978, Guibert was hired as a photography critic for France’s evening newspaper “Le Monde”. He successfully established himself as a photographer with a photographic literary volume, “Suzanne and Louise”, containing intimate portraits of his great-aunts. In 1981, Hervé Guibert published his “Image Fantôme (Ghost Image)”, an insightful collection of mini-essays on various photographic forms such as family album portraits, photo-booth film strips, and pornographic Polaroids. In this work, Guibert presented photography as tactile, fetishistic and linked to frustrated desires.

In 1982, Hervé Guibert completed his “Les Aventures Singulières (The Singular Adventures)”. This collection of short stories, published through Éditions de Minuit in Paris, centered on a singular character’s life over a period of three years. He shared the Best Screenplay César Award in 1984 for a collaborative work with opera and theater director Patrice Chéreau on the 1983 film “L’Homme Blessé (The Wounded Man)”.

Guibert was granted in 1987 a two year residency scholarship at Villa Medicis, the site of the French Academy in Rome, where he studied with his friend, the openly gay writer and journalist Mathieu Lindon. In January of 1988, Guibert received a positive diagnosis for AIDS and began to record in his writings what would be the remainder of his life. He was the long-time friend of both Christine and her partner, film director Thierry Jouno, considered the man in Guibert’s life. Guibert married Christine to ensure that his royalty income would pass to her and her two children with Jouno.

In 1989, Hervé Guibert published his highly erotic novella ““Fou de Vincent (Crazy for Vincent)”, a dramatization of his earlier intermittent relationship with the impulsive and unpredictable teenager Vincent Marmousez. He revealed his HIV status in his 1990 real-life based novel “À l’Ami qui ne M’a Pas Sauvé la Vie (To the Friend Who Did Not Save My Life)”. Following the release of this novel, Guibert became the focus of media attention with interviews and several talk show appearances.

Guibert’s last work, “Cytomégalovirus” was a description of his autumn 1991 hospitalization and the increasing blindness he suffered from his illness. In the second week of December in 1991, Guibert attempted suicide by taking digitalin, a heart medication toxic in large doses. Two weeks later, he died at the age of thirty-six in Clamart, Hauts-de-Seine, on the twenty-seventh of December in 1991.

Notes: An excellent article on Hervé Guibert’s 1981 essay volume “Ghost Image” can be found on British photographer Felix Pilgrim’s site: https://www.felixpilgrim.com/blog-1/herve-guiberts-ghost-image

The contemporary Vienna gallery Felix Gaudlitz, in collaboration with Attilia Fattori Franchini, organized a 2020 exhibition of Hervé Guibert’s photographic work entitled “…of lovers, time, and death”. The gallery’s article with several of Guibert’s photographs can be found at: https://felixgaudlitz.com/exhibitions/herve-guibert-of-lovers-time-and-death/

Information written by Christine (Guibert) on Hervé Guibert’s partner Thierry Joune and the impact he had on Guibert’s writings can be found at: https://www.findagrave.com/memorial/281395860/thierry-jouno

A more extensive biographical article on Hervé Guibert, with additional links, can be found in this blog’s November 2024 archive: https://ultrawolvesunderthefullmoon.blog/2024/11/18/hevre-guibert-he-who-wished-to-be-master-of-the-truth/

Top Insert Image: Hervé Guibert, “Self Portrait”, 1985, Gelatin Silver Print, 23.7 x 30.2 cm, Private Collection

Second Insert Image: Hans Georg Berger, “Hervé Guibert and Poet Eugène Savitzkaya, New Year’s Eve, Rio nell’Elba, Italy”, 1984, Gelatin Silver Print, Semiotext(e)

Third Insert Image: Hervé Guibert, “Christine”, 1983, Gelatin Silver Print, 23.8 x 30.5 cm, Private Collection

Bottom Insert Image: Hans Georg Berger, “Hervé Guibert and Thierry Juono, Hotel Gellért, Gesellschaft”, 1983, Gelatin Silver Print

Calendar: March 12

Year: Day to Day Men: March 12

Gazing into Space

The twelfth of March in 1925 is the birth date of Harry Harrison, an American science fiction author. A longtime resident in both Ireland and the United Kingdom, he assisted in the founding of the Irish Science Fiction Association and was co-president with author Brian Aldiss of the Birmingham Science Fiction group.

Born Henry Maxwell Dempsey in Stanford, Connecticut, Harry Harrison was drafted into the United States Army Air Force upon graduating from high school in 1943. He served during World War II as a gunsight technician and as a gunnery instructor. Harrison eventually became a specialist in prototypes for computer-assisted bomb-sights and gun turrets. After leaving military service in 1946, he enrolled in New York City’s Hunter College and later operated a studio that sold illustrations to both comic and science fiction periodicals.

Harrison initially worked in the science fiction field as an illustrator, primarily with two comic anthologies, “Weird Fantasy” and “Weird Science” published by William Gaines’s “EC Comics”. His illustration work was mostly done in collaboration with comic book artist Wally Wood; Harrison’s layouts would usually be inked by Wood. The two men freelanced together for several publishers until their partnership ended in 1950.

Harry Harrison worked under several pseudonyms during his career including Philip St. John, Wade Kaempfert, Felix Boyd and Hank Dempsey. He was hired to write the 1964 “Vendetta for the Saint”, one of the long mystery series featuring novelist Leslie Charteris’s character The Saint. Harrison also wrote for syndicated comic strips, most notably for the “Rick Random: Space Detective” series created by Conrad Frost and Bill Lacey. His first short story was 1951 “Rock Diver”, a classic Western plot with a sci-fi twist that described the effect of passing through matter.

Harrison was the main writer during the 1950s and 1960s for the “Flash Gordon” newspaper strip. His most popular and best known works are his later satirical science fictions and his reconstructions of the traditional space-opera adventures. Harrison’s twelve volumes of “The Stainless Steel Rat” series featured the futuristic con-man and thief, James Bolivar diGriz. This series ran from 1957 to 2010. He published “Bill, the Galactic Hero” in 1965. This was a satirical science fiction novel of Bill, a farm boy on a small agricultural planet who is shanghaied into the Space Troopers to fight a reptilian race named Chingers.

Harry Harrison wrote many stories on serious themes. The best known is his novel about overpopulation and consumption of the planet’s resources, the 1966 “Make Room! Make Room!”. This novel provided the basic idea for the 1973 science fiction film “Soylent Green”, written by Stanley R. Greenberg and directed by Richard Fleischer.

Harrison and author Brian Aldiss collaborated on a series of anthology projects and, in 1973, instituted the John W. Campbell Memorial Award for Best Science Fiction Novel. They also published the first of two issues of “SF Horizons”, the world’s first serious journal of science fiction criticism. Harrison and Aldiss edited nine volumes of “The Years Best Science Fiction” anthology series as well as three volumes of the “Decade” series that collected stories from the 1940s to the 1960s.

Although he did not win a major award for any specific work, Harry Harrison was inducted into the Science Fiction Hall of Fame in 2004. The Science Fiction and Fantasy Writers named him the 26th Grand Master in 2008. Harrison became a cult hero in Russian with the winning of the 2008 Golden Roscon Award for lifetime achievement in science fiction.

Harrison spent most of his later years residing in Ireland, having gained citizenship through his Irish grandparent. He had also kept apartments in London and Brighton, England. Upon the death of his wife Joan Merkler Harrison in 2002 from cancer, Harrison made his Brighton home his permanent residence. He died in his Brighton apartment in August of 2012.

Calendar: March 8

Year: Day to Day Men: March 8

Center Stage

The eighth of March in 1761 marks the birth date of Count Jan Potocki, a Polish nobleman, linguist, ethnologist, traveller and author of the Polish Age of Enlightenment.

Born into an aristocratic family that owned vast estates across Poland, Jan Potocki was educated in the Swiss cities of Geneva and Lausanne. He frequently visited the Paris salons and toured Europe before returning to Poland in 1778. As a soldier, Potocki served twice in the Polish Army, first in 1778 with the Austrian army during the War of the Bavarian Succession, and later in 1779 as a military engineer.

During his extensive travels across Europe, Asia and North Africa, Potocki as an early pioneer of travel literature documented prevailing customs, active wars, revolutions, and cultural awakenings. He was also one of the first ethnologists with his studies of early Slavic peoples from a linguistic and historical perspective. Fascinated with the occult, Potocki studied ancient cultures, secret societies and their rituals. As a member of the Polish Parliament, he participated in the Great Sejm, whose aim was to restore the sovereignty and reform the Commonwealth, both economically and politically.

In 1790, Jan Potocki became the first person in Poland to fly in a hot air balloon when he accompanied French aeronaut Jean-Pierre Blanchard on an ascent over Warsaw, an exploit that brought him public acclaim. After a period in France, he established in1788 a Warsaw publishing house, Drukamia Wolna (Free Press), and printed pamphlets and newspapers advocating for social reforms. Potocki also established Warsaw’s first free reading room.

Potocki’s most famous literary work, originally written in French, is the framed-tale “Manuscrit Trouvé à Saragosse (The Manuscript Found in Saragossa)”. A framed-tale is a literary technique that serves as a companion piece to a story within a story; the introductory or main narrative sets the stage for either a second narrative or a set of shorter stories. Potocki’s novel is a collection of intertwining stories of Romani, thieves, inquisitors, princesses and the brave but foolhardy hero, the infantry guard Alphonse van Worden. The stories cover the wide range of Potocki’s interests: the gothic, the erotic, the historical and the supernatural.

The initial work of “Manuscrit Trouvé à Saragosse” were published in 1805 apart from the rest of the novel; the stories comprising the Gypsy chief’s tale were added later in 1810. Written incrementally, its final form was never exactly completed at the time of Potocki’s death. Sections of the original French version were lost but have been back-translated into the French from a Polish translation by Edmund Chojecki in 1847. In 1965, director Wojciech Has adapted the novel into a Polish-language black and white film “The Saragossa Manuscript”, that was admired by many 1960s counterculture figures such as Jerry Garcia, Martin Scorsese and Francis Ford Coppola.

Jan Potocki married twice and had five children; both marriages were the subjects of scandalous rumors, the first ended in divorce. In 1812, he retired, disillusioned and in poor health, to his estate in Uladivka in present-day Ukraine. Potocki worked on his novel during the last years of his life. Suffering from depression and clinical lycanthropy (believing he could transform into a werewolf), he committed suicide on the twenty-third of December in 1815 by shooting himself with a silver bullet blessed by his local Catholic priest.

For his contributions to Poland, Jan Potocki was awarded the Order of the White Eagle, the highest award of merit for the Republic of Poland. He also awarded a knighthood in the Order of Saint Stanislaus, 1st Class, as well as the Imperial Order of Saint Prince Vladimir, 1st Class, the highest award for continuous civil and military service.