Bazaar, Morocco

Photographer Unknown, Bazaar, Morocco

“Men sat behind charcoal braziers turning ears of corn and fanning skewered liver kebabs they slipped sizzling into pockets of lavash bread with a tangle of cilantro and mint. Ribbons of fruit leather, apricot, plum, tamarind, and cherry, draped like laundry from wires strung between awnings.”
Donia Bijan, The Last Days of Cafe Leila

 

Calendar: July 10

A Year: Day to Day Men: 10th of July

Wet Patterns on Tile and Skin

July 10, 1926 was the birthdate of American actor, Fred Gwynne.

New York City born, Fred Gwynne joined the Brattle Theater Repertory company after graduating from Harvard in 1951. He worked as a copywriter for the advertising agency J. Walter Thompson, leaving the company after being cast in a play. Gwynne appeared as a gangster for his first Broadway role in the comedy “Mrs. McThing”, starring Helen Hayes.

In 1954, Fred Gwynne had an uncredited role, playing “Slim” in the Oscar-winning drama “On the Waterfront”. Shortly afterwards, actor Phil Silvers, impressed by Gwynne’s role in “Mr. Mc thing”, sought him out for his television show. Gwynne portrayed Corporal Ed Honnergar in the “Phil Silvers Show”, a military based comedy, gaining him national recognition for his comedic acting.

Writer and producer Nat Hiken from Warner Brothers Studio cast Fred Gwynne in the situation comedy show “Car 54, Where are You?” as Patrolman Francis Muldoon, opposite comic actor Joe  E. Ross. The series which ran for two years was about two New York City police officers based in the fictional 53rd precinct of the Bronx. Car 54 was their squad car. The show was nominated for four Primetime Emmy Awards, and won one. During this series Gwynne met and established a longtime friendship with Al Lewis, a co-star in the near future.

In September of 1964, “The Munsters” started on television. It was a sitcom depicting the home life of a family of benign monsters and starred Fred Gwynn as the Frankenstein-like monster Herman Munster. The costars were Yvonne De Carlo as his wife and old friend Al Lewis as Grandpa, the aged vampire who pines for “the old days”. For his role, Gwynne had to wear forty pounds of makeup, padding, and four-inch asphalt-spreader boots. After this role, because of its popularity, he found himself typecast for two years.

A talented vocalist, Fred Gwynne sang in a Hallmark Hall of Fame production, “The Littlest Angel”, shown on television in 1969. He also appeared on Broadway in a revival of “Cat on a Hot Tin Roof” playing big Daddy Pollitt. The following years he appeared in the plays: the 1975 “Our Town” at the American Shakespeare Theater in Stratford and “A Texas Trilogy” on Broadway in 1976. In his last film “My Cousin Vinny” Gwynne played Judge Chamberlain Haller, using a Southern accent in his verbal sparring with Joe Pesci’s character, Vincent “Vinny” Gambini.

On July 2, 1996, Fred Gwynn died of complications from pancreatic cancer at his home in Taneytown, Maryland. He is buried at Sandy Mount United Methodist Church Cemetery in Finksburg, Maryland.

Edgar Rice Burroughs: “Go Naked into the Jungle”

Photographers Unknown, Six Selfies by Guys with Devices

“I do not understand exactly what you mean by fear,“ said Tarzan. “Like lions, fear is a different thing in different men, but to me the only pleasure in the hunt is the knowledge that the hunted thing has power to harm me as much as I have to harm him. If I went out with a couple of rifles and a gun bearer, and twenty or thirty beaters, to hunt a lion, I should not feel that the lion had much chance, and so the pleasure of the hunt would be lessened in proportion to the increased safety which I felt.”

“Then I am to take it that Monsieur Tarzan would prefer to go naked into the jungle, armed only with a jackknife, to kill the king of beasts,” laughed the other good naturedly, but with the merest touch of sarcasm in his tone.

“And a piece of rope,” added Tarzan.”

― Edgar Rice Burroughs, Tarzan of the Apes

Seated Male Figure

Seated Male Figure, Date Unknown, Mexico, Walters Art Museum

This exceptional exploration of the human form has a number of characteristics that underscore the fact that ancient artistic styles throughout West Mexico do not conform to modern political boundaries despite our use of Mexican states to name the region’s ancient cultures. The facial features and figural abstraction attest to connections between the San Sebastiian Red style of Jalisco and the Lagunillas pottery sculptures of adjacent Nayarit.

The male figure’s serene countenance and seated position on a bench-throne suggest a person of high status, his composed visage intimating that he is above the triviality of daily routine. On the other hand, his formal demeanor -arms held away from the body and hands resting securely on the knees- evokes a ritual pose like those of shamanic practices. The lack of any articulation of dress-other than the earrings, composed of a cluster of rounded forms-and the figure’s self-possessed expression point to the interpretation of the work as an idealized portrayal of a shaman in trance.

Gulaan, “Nodel Perofeta”

Gulaan, “Nodei Perofeta”

Gulaan is the stage name of Edouard Guïnedr Gulaan Wamedjo from New Caledonia, an accomplished musician and vocalist who plays guitar, drums, bass, keyboards and percussion. Gulaan first won acclaim in the mid 1990s as singer with the group Ryos OK, who released several albums in New Caledonia. His debut award winning solo album, “The Spirit of Yesterday”, was a warm and peaceful tribute to the land of his ancestors and his romances.

Gulaan’s guitar playing and voice are presented in all their stripped-back simplicity, showcasing his use of arpeggio and his striking vocal style. Gulaan enjoys making music in solitude, close to his source of creativity. His performances are moments of pure escapism, inspired by memories of his grandmother, his Baha’ï beliefs and his love of freedom. Gulaan hopes to discover new horizons as he exports his music throughout the world.

Phyllis Stapler

Phyllis Stapler, “The Moon Hare”

“Dream is the personalized myth, myth the depersonalized dream; both myth and dream are symbolic in the same general way of the dynamic of the psyche. But in the dream the forms are quirked by the peculiar troubles of the dreamer, whereas in myth the problems and solutions sown are directly valid for all mankind.”

         Joseph Campbell, The Hero With a Thousand Faces

Ivan Pinkava

Photography by Ivan Pinkava

Ivan Pinkava was born in 1961 in Náchod, located in northeast Bohemia. He graduated from secondary school specializing in graphic art, and took his post-secondary training in photography at Prague’s FAMU. He is especially interested in the ambiguous character of the human being affected by suffering. His work is inspired by mythology, ancient tales, religious stories and theatre.

Pinkava regularly exhibits in Europe and the United States. His works are part of  public collections both in the Czech Republic and abroad. In 2005 Pinkava was appointed the head of the Studio of Photography at the Academy of Arts, Architecture and Design in Prague. He is represented by the Leica Gallery, Prague, Czechia.

Gallery: https://www.lgp.cz/en.html

Art Books: “Ivan Pinkave: Remains” and “Ivan Pinkava” http://www.artbook.com/catalog–photography–monographs–pinkava–ivan.html