Lucas Murnaghan

Lucas Murnaghan, “You Are My Own Private Storm”, Date Unknown, Silver Gelatin Print

Lucas Murnaghan is a Toronto-based photographer focusing on images that involve water and its surroundings. His early work focused primarily on surf and adventure photography, and he has always preferred to immerse himself in his environment leading to shooting from within the water. Murnaghan has now traveled to four continents, shooting in major breaks around the globe. Surf brand sponsorships brought opportunities to shoot in-water photographic coverage for major international competitions, including the Rip Curl Pro Tofino and WSL Soup Bowl Pro. He has published his work in numerous publications and has staged two gallery shows.

Murnaghan’s love of photography has further evolved into fine art and editorial work in the underwater realm. An accomplished triathlete and free diver himself, he works without additional SCUBA equipment, allowing him a deeper connection to his subject. This personal and organic approach allows for greater versatility in his shoots and a heightened level of intimacy to the finished product.

The artist’s site: https://www.lucasmurnaghan.com

Source: hoscos.com

Jacques-Louis David

Jacques-Louis David, “The Death of Marat”, 1793, Oil on Canvas, 65 x 50 Inches, Royal Museum of Fine Arts of Belgium

Jacques-Louis David promised his peers in the National Convention that he would later depict Marat, their murdered friend, invocatively as ‘erivant pour le bonheur du peuple’ or writing for the good of the people. “The Death of Marat” is designed to commemorate a personable hero. Although the name of Chalottte Corday, the assassin, can be seen on the paper held in Marat’s left hand, she herself is not visible. Close inspection of this painting shows Marat at his last breath, when Corday and many others were still nearby.

In this sense, for realistic as it is in its details, the painting, as a whole, from its start, is a methodical construction focusing on the victim, a striking set up regarded today by several critics as an “awful beautiful lie”— certainly not a photograph in the forensic scientific sense and barely the simple image it may seem. For instance, in the painting, the knife is not to be seen where Corday had left it impaled in Marat’s chest, but on the ground, beside the bathtub.

“The Death of Marat” has often been compared to Michelangelo’s “Pieta”, particularly  the elongated arm hanging down in both works. Jacques-Louis David admired the work of Caravaggio, especially his “Entombment of Christ” which mirrors David’s painting in drama and light. David sought to transfer the sacred qualities long associated with the monarchy and the Catholic Church to the new French Republic.

Jacques-Louis David painted Marat, martyr of the Revolution, in a style reminiscent of a Christian martyr, with the face and body bathed in a soft, glowing light. As Christian art had done from its beginning, David also played with multileveled references to classical art. Suggestions that Paris could compete with Rome as capital and mother city of the Arts and the idea of forming a kind of new Roman Empire appealed to French Revolutionaries, who often formed David’s audience.

Calendar: July 13

A Year: Day to Day Men: 13th of July

Shades

July 13, 1793 marks the murder of French political theorist, scientist, and radical journalist, Jean-Paul Marat.

The first of Jean-Paul Marat’s large-scale publications detailing his experiments was “Research into the Physics of Fire”. It described 166 experiments conducted to show that fire was not, as widely held, a material element but an “igneous fluid”. The Academy of Sciences appraised his work and endorsed Marat’s methods but did not agree with its conclusions. This marked the beginning of worsening relations between Marat and many of the Academy’s members.

Jean-Paul Marat’s second biggest work was “Discoveries on Light”, focusing on an error in Newton’s light theory. Marat showed through experiments that white light was broken down into colors by diffraction, and not by refraction as Newton proposed. Once again Marat asked the Academy of Sciences to review his work. From June 1779 to January of 1780, Marat performed experiments in the presence of the Academy’s commissioners showing his conclusions. Their repost was only three paragraphs stating that while there were a lot of experiments, the commission did not believe that Marat proved his theory. Goethe described Marat’s rejection by the Academy as a glaring example of scientific despotism.

On the eve of the French Revolution , Jean=Paul Marat left his career as a doctor and scientist and took up his pen on behalf of the Third Estate, devoting himself entirely to politics. On September 12, 1789, Marat began his own newspaper, “The People’s Friend”, attacking influential groups in Paris, the Constituent Assembly, and Louis XVI’s Finance Minister, Jacques Necker. Between 1790 and 1792, Marat was often forced into hiding, sometimes in the Paris sewers. He only emerged publicly on the August 10 Insurrection, when the Palace was invaded and the royal family was forced to shelter in the Legislative Assembly.

Forced to retire from the French Convention as a result of a worsening skin disease, Marat continued to work at home, where he soaked in a medicinal bath. Marat was in his bathtub on July 13, 1793, when a young woman, named Charlotte Corday, appeared at his flat claiming to have vital information for Marat. Their interview lasted about fifteen minutes, with him writing details on an improvised desk of a board across the tub. After he finished his writing, Corday rose from her chair, drawing out a five inch knife, driving it hard into Marat.s chest. It opened the carotid artery, close to his heart; the massive bleeding was fatal within seconds. Charlotte Corday was guillotined on July 17, 1793 for the murder.

Calendar: July 12

 

A Year: Day to Day Men: 12th of July

Small Flowers

July 12, 1908 was the birthdate of American comedian Milton Berle.

Milton Berle, born Mendel Berlinger, appeared as a child actor in his first silent film “The Perils of Pauline, filmed in Fort Lee, New Jersey, and released in 1914. He continued to play child roles in many other films: “Rebecca of Sunnybrook Farm” with Mary Pickford; “The Mark of Zorro” with Douglas Fairbanks Sr.: and “Tillie’s Punctured Romance” with Charlie Chaplin and Marie Dressler.

By the early 1930s, Milton Berle was a successful stand-up comedian. Berle was hired in 1933 by producer Jack White to star in the short musical theatrical film, “Poppin’ the Cork”, about the repeal of Prohibition. Berle co-wrote the musical score for that film and also the title song for the RKO 1940 “Lil Abner”, starring Buster Keaton. The Philip Morris company sponsored “The Milton Berle Show” which aired on NBC starting March 11, 1947. It teamed up Berle with comedian Arnold Stang, later a familiar face as Berle’s sidekick. This show, which lasted until April 13, 1948, became a major stepping stone for Berle’s television career.

His first television series was “The Texaco Star Theater” on ABC, showcasing Berle’s highly visual style, characterized by vaudeville slapstick and outlandish costumes. After the show moved to NBC, it dominated Tuesday night television for years and won two Emmy Awards the first year. Berle’s autobiography notes that in Detroit, “an investigation took place when the water levels took a drastic drop in the reservoirs on Tuesday nights between 9 and 9:05. It turned out that everyone waited until the end of the Texaco Star Theatre before going to the bathroom.” Television set sales doubled after Texaco Star Theater’s debut.

Like his contemporary Jackie Gleason, Milton Berle proved a solid dramatic actor and was acclaimed for several such performances, most notably his lead role in “Doyle Against the House” on the Dick Powell Show in 1961, a role for which he received an Emmy nomination. He also played the part of a blind survivor of an airplane crash in “Seven in Darkness”, the first in ABC’s popular Movie of the Week series.

During this period, Berle was named to the Guinness Book of World Records for the greatest number of charity performances made by a show-business performer. Unlike the high-profile shows done by Bob Hope to entertain the troops, Berle did more shows, over a period of 50 years, on a lower-profile basis. Berle received an award for entertaining at stateside military bases in World War I as a child performer, in addition to traveling to foreign bases during World War II and the Vietnam War.  The first charity telethon was hosted by Berle in 1949.  A permanent fixture at charity benefits in the Hollywood area, he was instrumental in raising millions for charitable causes.

In 1979, Milton Berle was awarded a special Emmy Award, titled “Mr. Television” He was in the first group of inductees into the Television Hall of Fame in 1984. Milton Berle has two stars on the Hollywood Walk of Fame, placed on February 8, 1960, for his work in television and radio.