Category: film

Calendar: June 1

 

A Year: Day to Day Men: 1st of June

Jumping Rope

June 1, 1890  was the birthdate of the American character actor, Frank Morgan.

Frank Morgan was an American character actor whose career spanned four decades, most of it under contract to Metro-Goldwyn-Mayer. He was born in New York City, the youngest of eleven children. His family earned its wealth h distributing Angostura bitters, allowing him to attend Cornell University. Both Frank and his brother Ralph Morgan went into show business, first on the Broadway stage and later into motion pictures.

After Morgan’s film debut in the 1916 “The Suspect”, he provided support to his friend John Barrymore in the 1917 “Raffles, the Amateur Cracksman”, an independent film produced in and about New York City. Morgan’s career expanded when talkies began, his most stereotypical role being that of a befuddled but good hearted middle-aged man. By the mid-1930s, Metro-Goldwyn-Mayer, impressed by his performances, signed him to a lifetime contract.

Morgan’s best remembered film performances, playing six roles, are in the 1939 “The Wizard of Oz”: as the carnival huckster “Professor Marvel”, the gatekeeper at the Emerald City, the coachman of the carriage drawn by “The Horse of a Different Color”, the guard who initially refuses to let Dorothy and her friends in to see the Wizard, the Wizard’s scary face projection, and the Wizard himself. Morgan was cast in the role on September 22, 1938, after the studio tired of negotiating the salary of W.C. Field for his possible participation in the role.

An actor with a wide range, Morgan was equally effective playing comical, befuddled men such as Jesse Kiffmeyer in the 1937 “Saratoga” and Mr. Ferris in 1944’s “Casanova Brown”, as he was with more serious, troubled characters like Hugo Matuschek in “The Shop Around the Corner” and Professor Roth in “The Mortal Storm” released in 1940. A musical-comedy film centering on Frank Morgan was released by MGM in 1946 entitled “The Great Morgan”. The film is a compilation of unrelated short subjects and musical numbers built around the premise of Morgan trying to produce a movie.

Morgan died of a heart attack on September 18, 1949, while filming “Annie Get Your Gun”. He was replaced in the film by Louis Calhern. His death came before the 1956 premiere televised broadcast on CBS of “The Wizard of Oz”, which would make him the only major cast member from the film who would not live to see the film’s revived popularity and its becoming an annual American television institution.

Frank Morgan was nominated twice for Academy Awards: Best Actor for his role in the 1934 “The Affairs of Cellini” and Best Supporting Actor fo “Tortilla Flat” released in 1942. He has two stars on the Hollywood Walk of Fame; one for his work in radio and one for motion pictures. Both were dedicated in 1960.

Calendar: May 27

A Year: Day to Day Men: 27th of May

The Path of Roses

May 27, 1922 is the was the birthdate of the English actor Sir Christopher Lee.

Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains.

After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organization in 1947, training as an actor and playing a number of bit parts in such films as the 1948 “Corridor of Mirrors”. He also made a brief appearance in the Laurence Olivier’s 1948 film “Hamlet”.

Lee had numerous parts in film and television throughout the 1950s. However, playing the monster in the 1957 Hammer film “The Curse of Frankenstein” proved to be a blessing in disguise, since the film was successful. It led to him being signed on for many future roles in Hammer Film Productions. Christopher Lee and Peter Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in “Horror of Dracula”, or John Banning and Kharis the Mummy respectively in “The Mummy”.

Lee continued his role as “Dracula” in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in the Sherlock Holmes film “The Hound of the Baskervilles”. Lee also made numerous appearances as Fu Manchu, most notably in the first of the series “The Face of Fu Manchu”. By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as; “The Three Musketeers” in 1973 and the 1974 James Bond film “The Man with the Golden Gun”.

The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in two Star Wars movies (2002 and 2005). He also had the role of Saruman the White in the “Lord of the Rings” trilogy.

On June 16, 2001, Christopher Lee was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on June 13, 2009 in the Queen’s Birthday Honors List for his services to drama and charity. Lee died at the Chelsea and Westminster Hospital on June 7, 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there.

Calendar: May 25

A Year: Day to Day Men: 25th of May

Afternoon in the Bayou

May 25, 1969 was the release date for the film “Midnight Cowboy”.

“Midnight Cowboy” is a drama film based on the 1965 novel by James Leo Herlihy with the screenplay written by Waldo Salt. It was directed by the English film and stage director John Schlesinger and starred Jon Voight as the young Joe Buck alongside Dustin Hoffman playing the con man Enrico Salvatore “Ratso” Rizzo.

Jon Voight was paid “scale”, or the Screen Actor Guild minimum wage, for his portrayal of Joe Buck, a concession he willingly made to obtain the part. The director John Schlesinger was reluctant to hire Dustin Hoffman because Hoffman was associated by the public with the clean-cut image of Benjamin Braddock in “The Graduate”. Schlesinger checked out Hoffman in an Off-Broadway play in which he was performing. He saw Hoffman in a scruffy beard, disheveled clothes and speaking with a Bowery accent; he gave Hoffman the role of Ratso Rizzo.

The famous scene in which Joe and Ratso attempt to walk across the street and almost get hit by a cab was filmed guerilla-style, with a camera in a van across the street. The scene was a difficult shoot, logistically, because those were real pedestrians and there was real traffic. Director Schlesinger also wanted to do it in one shot—he didn’t want to cut the scene. After several attempts, the two actors figured out how to properly time the walk but then almost got run over by a cab. Dustin Hoffman yelled the line ‘I’m walking here’ at the cab meaning, ‘We’re shooting a scene here, and this is the first time we ever got it right.” That improvised, out-of-script, now famous yell remained in the film.

Upon initial review by the Motion Picture Association of America, “Midnight Cowboy” received a “Restricted” (“R”) rating. However, after consulting with a psychologist, executives at the United Artists studio were told to accept an “X” rating, due to the “homosexual frame of reference” and its “possible influence upon youngsters”. The studio refused to edit anything out; so the film was released with an “X” rating. The MPAA later broadened the requirements for the “R” rating to allow more content and raised the age restriction from sixteen to seventeen. The film was later rated “R” for a reissue in 1971. The film today retains its “R” rating.

The film won three Academy Awards in 1970: Best Picture, Best Director and Best Adapted Screenplay. It was the first gay-related Best Picture winner and the only X-rated film ever to win Best Picture, although such a classification no longer exists. At the British Academy Film Awards it won in six categories: Best Film, Best Direction, Best Leading Actor – Dustin Hoffman, Best New Leading Newcomer – Jon Voight, Best Screenplay and Best Editing.

Calendar: May 24

 

A Year: Day to Day Men, 24th of May

At the Mountain’s Summit

May 24, 1923 was the birthdate of Japanese filmmaker, actor and screenwriter, Seijun Suzuki.

In 1954, the Nikkatsu Company lured many assistant directors from the other major film studios with the promise of quick promotion. Among these was Seijun Suzuki, who took an assistant directing position there. His first screenplay to be filmed was the 1955 “Rakujitsu no Ketto (Duel at Sunset)” directed by Hiroshi Noguchi. His directorial debut, credited to his real name, Seitarō Suzuki, was “Victory is Mine”, a kayo eiga, or pop song film, part of a subgenre that functioned as a vehicle for hit pop records and singers.

His third film and first yakuza action movie was “Satan’s Town” which linked him inexorably to the genre. The 1958 film “Underworld Beauty” was the first to be credited to his pseudonym Seijun Suzuki. His style increasingly shirked genre conventions, favoring visual excess and visceral excitement over a coherent plot and injecting madcap humor into a normally solemn genre,

Seijun Suzuki’s increasingly surreal style began to draw the ire of the Nikkatsu Company studio in 1963 and culminated in his ultimate dismissal for what is now regarded as his magnum opus, the 1967 “Branded to Kill”, starring notable collaborator Joe Shishido. Suzuki successfully sued the studio for wrongful dismissal, but he was blacklisted for 10 years after that.

He collaborated with producer Genjiro Arato in 1980 and made the first part of what would become his Taishō trilogy, “Zigeunerweisen”, a psychological, period, ghost story, named after a gramophone record of gypsy violin music featured prominently in the film. When exhibitors declined to show the film, Arato screened it himself in an inflatable mobile dome to great success. It won Honorable Mention at the 31st Berlin International Film Festival, was nominated for nine Japanese Academy Awards and won four, including best director and best film, and was voted the number one Japanese film of the 1980s by Japanese critics. He followed the film with “Kagero-za”, made the following year, and completed the trilogy ten years later with “Yumeji”.

His films remained widely unknown outside Japan until a series of theatrical retrospectives beginning in the mid-1980s and tributes by such acclaimed filmmakers as Jim Jarmusch, Takeshi Kitano, Wong Kar-wai and Quentin Taratino signaled his international discovery. Italy hosted the first partial retrospective of his films outside Japan at the 1984 Pesaro International Film Festival. In celebration of 50th anniversary of his directorial debut, the 2006 “Suzuki Seijun 48 Film Challenge”  showcased all of his films to date at the Tokyo International Film Festival.

Calendar: May 23

 

A Year: Day to Day Men: 23rd of May

The Paper Airplane

May 23, 1975 marks the death of the American standup comedian Loretta Mary Aiken, known by her stage name Jackie “Moms” Mabley.

Loretta Mary Aiken was born in North Carolina, one of sixteen children. Her father worked as a volunteer fireman, dying in 1909, when a fire engine exploded. Loretta was fifteen years old at that time. Her mother ran a general store but was killed after being run over by a truck on her way home from a Christmas day service at the church. After being raped twice, Loretta, at the encouragement of her grandmother, went to Cleveland, Ohio, and joined a traveling vaudeville minstrel show where she sang and entertained.

Loretta Aiken took her stage name, Jackie Mabley, from an early boyfriend, commenting to Ebony Magazine in 1970 “that he had taken so much from her, it was the least she could do to take his name”. Later she became known as “Moms” because she was indeed a “Mom” to many other comedians on the circuit in the 1950s and 1960s. She came out as a lesbian at the age of twenty-seven, becoming one of the first openly gay comedians. During the 1920s and 1930s she recorded several of her early lesbian standup routines.

Moms Mabley was one of the most successful entertainers of the Chitlin’ circuit, another name for the Theater Owners Booking Association, a segregated organization for which Mabley performed until the organization dissolved during the Great Depression. Despite her popularity,  wages for black women in show business were meager; however, she persisted for more than sixty years. At the height of her career, she was earning $10,000 dollars a week at Harlem’s Apollo Theater.

Mabley became know to a wider white audience in the 1960s playing Carnegie Hall in 1962, and making mainstream television appearances. She appeared multiple times on The Smothers Brothers Comedy Hour when that CBS show was ranked number one on television, introducing her to a whole new audience of younger viewers. Mabley was billed as “The Funniest Woman in the World”. She tackled topics too edgy for most mainstream comics of the time, including racism.

Moms Mabley died from heart failure in White Plains, New York on May 23, 1975 at the age of 81. Her life is the subject of “Whoopi Goldberg Presents Moms Mabley” a documentary film which first aired on HBO on November 18, 2013. This documentary was nominated for two Creative Arts Emmy Awards at the 66th Emmy Awards ceremony in 2014. Jackie Moms Mabley was named by Equality Forum in 2015 as one of their 31 icons of the 2015 LGBT History Month.

Guy Jones, “1911: A Trip Through New York City”: Film History Series

Guy Jones, “1911: A Trip Through New York City”

Videographer Guy Jones edited century-old film to more accurately match the video standards of the present day. For the black and white clip of New York City in 1911 shown above, Jones slowed down the film’s original speed and added ambient sound to match the activity seen on the city’s streets. The subtle additions allow for a more engaging experience when viewing of the 20th-century footage, and presents the urban milieu in a more realistic light.

This particular film print was created by the Swedish company Svenska Biografteatern company during a trip to America, and remains in mint condition.

Calendar: May 2

A Year: Day to Day Men: 2nd of May

Nestled in Slate-Gray Sheets

May 2, 1946 was the release date of the film “The Postman Always Rings Twice”.

The film noir “The Postman Always Rings Twice” is one of the earliest prototypes of today’s erotic thrillers. The screenplay by Harry Ruskin and Niven Busch was based on the 1934 controversial first novel of the same name by crime fiction writer James M. Cain. Cain was known for novels with forbidden lust, love triangles, brutal, raw sexiness, and adultery-motivated murder. Two previous, sexually-charged classic film noirs adapted from Cain’s novels had met with both critical and box-office success: “Double Indemnity” and “Mildred Pierce”.

In early February 1934, before Cain’s novel was published, a synopsis of his story was submitted to the Production Code Administration, which reviewed movie scripts against the morals code established for motion picture industry. The PCA persuaded RKO Studio to abandon its plans to film Cain’s story, calling it “definitely unsuitable for motion picture production.”

Metro-Goldwyn-Mayer purchased the rights to make a movie adaptation a full twelve years prior the film’s release. They were dissuaded from moving forward with the project earlier because of fears that its themes of adultery and murder would run afoul of the production code that began to be rigorously enforced not long after they had acquired the rights. The studio finally decided to proceed with the film in 1944.

The film was a breakthrough in the battle against screen censorship. Although the Production Code Administration had kept James M. Cain’s novel off the screen for twelve years, they approved the 1946 picture despite its sizzling love scenes. Shocked fans even insisted the two stars, Lana Turner and John Garfield, were French kissing on screen.

“The Postman Always Rings Twice” was a big hit, earning about five million dollars at the box office, recording a profit of about two million dollars. Despite the profit, Louis B. Mayer of MGM hated the film. Although known now as a one of the key works in the development of the film noir style, it did not receive even one Academy Award nomination.

United Nations Free & Equal, “The Price of Exclusion”

United Nations Free & Equal, “The Price of Exclusion”, 2015, Shape History and the Cutting Room Studios, New York City

Free & Equal’s newest video, narrated by movie star Zachary Quinto, exposes just how much LGBT exclusion really costs.

Rates of poverty, homelessness, depression and suicide have been found to be far higher among lesbian, gay, bisexual and transgender people than in the general population. But it’s not just LGBT people who pay the price. We all do. Every LGBT child thrown out of home and forced to miss out on education is a loss for society. Every LGBT worker denied their rights is a lost opportunity to build a fairer and more productive economy.

These losses are entirely self-inflicted. With different laws and policies in place and a different mind-set, we could and would achieve a more free and equal world, and also more prosperous.

For more info visit: https://www.unfe.org/the-price

Special thanks to Zachary Quinto, Shape History and the Cutting Room Studios, New York. 

Note: For closed captions in additional languages, click the “CC” button in the bottom of the viewing screen and select language.

Walk the Dog

 

“Dame mit Hund (Walk the Dog)”, from Talking Animals on Vimeo

Directed and animated by Sonia Rohleder.
A woman walks her dog in the park, where she meets a man she would have liked to avoid.

  • Sounddesign: Michal Krajczok
  • Animation: Sonia Rohleder and Veronica Solomon
  • Voices: Ivan Baio, Alberto Picciau, Francesca Pili, Ivana Mescalchin

Talking Animals is a collective in Germany of award-winning professionals in animation and sound design/music, united as Talking Animals since 2009. They make short films, music videos, animated documentaries, animation for advertisement, explanatory movies. Their styles range from artistic 3D, over cutout and 2D drawn animation to analogue stop motion under the camera. Their site address is http://talkinganimals.de.

(Source: https://player.vimeo.com/)