
1930 Art Deco Henderson motorcycle.
A fine art, film, history and literature site oriented to, but not exclusively for, the gay community. Please be aware that there is mature content on this blog. Information on images and links to sources will be provided if known. Enjoy your visit and please subscribe.

Max Litvinov, Untitled, (Walk on the Wild Side)
Reblogged with thanks to the artist’s site: http://kclogg.tumblr.com
Statue of Thutmose III (Birthname: Menkheperre), Karnak Cachette, Luxor Museum, Egypt
This statue of Thutmose III, carved from greywacke, a dark coarse-grained sandstone, was found in the Karnak cachette in 1904. His reign was from 1479 to 1425 BC in which he extended the reach of the Egyptian empire during his foreign military campaigns.
Reblogged with many thanks to http://bandit1a.tumblr.com

Greg Hildebrandt, Illustration from Bram Stoker’s “Dracula”, 1985, Unicorn Publishing House, Inc.
Michael Kiwanuka, “Cold Little Heart”, From the Album “Love & hate”, Live Studio Version

Perfume bottle of the work of the brilliant master Rene Lalique, the brightest representative of the modern era.
Reblogged with many thanks to http://bandit1a.tumblr.com

Trevor Leat, “Calgary Stag”, Willow Wicker Sculpture
Trevor Leat is one of the foremost creators of willow sculptures in the UK. Using traditional techniques combining beauty with functionality, Trevor Leat has been weaving willow to great effect for over 30 years. Although he creates baskets, garden furniture and even willow coffins, it is for his willow sculpture he is best known.
His work ranges from lifesize animals and figures, through to giant willow sculptures spectacularly burned at festivals and events such as The Wickerman Festival, The Edinburgh Hogmanay Celebrations and The Burns Light Festival in Dumfries. Based in coastal Galloway, Southern Scotland, Leat’s work is exhibited widely in galleries, and seen by tens of thousands at festivals and events around the UK and beyond.

The Ancient Greeks, Pottery Fragments
Jerome M Photography, “Maxime”
Jerome M is a French photographer living in Switzerland.
The artist’s site: https://pictureby-jmp.tumblr.com

Photographer Unknown, Spaghetti con Tartufo Bianco d’Alba e Fonduta

Volodymyr Tsisaryk, “Jason and the Golden Fleece”, 2016, Bronze, 58 x 24 x 16 centimeters, Boccara Art Gallery, New York
Volodymyr Tsisaryk is a sculptor from Lviv, Ukraine, who received his Bachelor Degree in Fine Arts at the Lviv State College of Decorative Art in 1999 and his Masters in Fine Art from the Lviv Academy of Arts in 2001.

Franz von Stillfried-Ratenicz, “Japanese Samurai Warrior”, 1881, Hand-Colored
Baron Raimund Anton Alois Maria von Stillfried-Ratenicz was born in Austria in 1839 and spent his childhood in military outposts on the fringes of the Austro-Hungarian Empire. In 1864, aged 24, he chose life as a cabin boy in a ship headed for Peru instead of an aristocratic military career.
By 1868, after a couple of years adventuring in Mexico, fighting a doomed campaign for the Habsburg Emperor, Stillfried-Ratenicz had set up a photography studio in Yokohama, Japan. A 19th-century pioneer of photography in Yokohama, he was the first in Japan to recognize the new medium’s potential as a global marketing tool. Adept at producing theatrical souvenir photos, Stillfried also took the first ever photograph of Emperor Meiji.
Japanese Tsuba, Edo Period
The Tsuba is usually a round, or occasionally squarei, guard at the end of the grip of bladed Japanese weapons, like the katana and its various variations, the tachi, wakizachi, tanto, and others. They contribute to the balance of the weapon and to the protection of the hand. The tsuba was mostly meant to be used to prevent the hand from sliding onto the blade during thrusts as opposed to protecting from an opponent’s blade.
During the Muromachi period, 1333-1573, and the Momoyama period, 1573-1603, the tsuba were more for functionality than for decoration, being made of stronger metals and designs. With the peace in Japan during the Edo period, 1603- 1868, the tsuba became more ornamental and made of less practical metals.
Tsuba are usually finely decorated. Whole dynasties of craftsmen arose whose only craft was making the tsuba. These decorated fittings were often used as heirlooms, passed from one generation to another. Many Japanese families with samurai roots would have their family crests crafted onto a tsuba.
Medien Schoepfer, (Necessary Letters)
All gifs reblogged with many thanks to the artist’s site: http://medienschoepfer.tumblr.com
Yoshida Brothers, “ありがとう’ , “Arigato”