Author: ultrawolvesunderthefullmoon

https://www.instagram.com/wolvesofgray This blog is a refugee and a survivor of the Great Tumblr Inquisition of December 17th, 2018. I am gay artist, who received training at the Rhode Island School of Design, and now, a retired high-end fine art framer living in Maryland, USA. My interests and studies in life run a wide gamut from art to history and from the scientific to the esoteric. I have been building this blog of images and texts for the last eight years. My wish is that my posts pique the interest of viewers and encourage them to experience more.

The Art Studio

Photographer Unknown, (The Art Studio)

“When you start working, everybody is in your studio- the past, your friends, enemies, the art world, and above all, your own ideas- are all there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you are lucky, even you leave.” – John Cage

Reblogged with thanks to https://milkyger.tumblr.com

Calendar: November 6

A Year: Day to Day Men: 6th of November

The Edge of the World

November 6, 1914 was the birthdate of character actor Jonathan Harris.

Born in the Bronx section of New York City, Jonathan Harris was the son of a Russian-Jewish family. He attended Fordham University, New York, to study medicine, earning a degree in 1936. Harris transformed himself into the American idea of an Englishman by replacing his Bronx accent with the lightly modulated vocal tone he heard on British films.

After joining the Millpond Playhouse repertory company, on Long Island in 1939, Harris appeared in more than 100 regional theaters, before his debut on Broadway in 1942. He appeared in the 1946 play “A Flag is Born” opposite Quentin Reynolds and Marlon Brando. His first television work came in 1949 with The Chevrolet Tele-Theatre’s “His Name Is Jason”, followed by roles in many other series: “Bonanza”, “The Twilight Zone”, “Zorro” and others.

Jonathan Harris was in a co-star role opposite Michael Rennie, who played Harry Lime, in the television series “The Third Man”, playing sidekick Bradford Webster for seventy-two episodes. From 1963-1965, Harris co-starred in the sitcom “The Bill Dana Show”. He played Mister Phillips, the pompous manager of a posh hotel who is constantly at odds with Bill Dana’s character José Jiménez.

Jonathan Harris was cast over two other actors for the role of Dr. Zachary Smith, the evil and conniving double agent on “Lost in Space”. The series was already in production when Harris joined the cast, and the starring/co-starring billing had already been contractually assigned. Harris successfully negotiated to receive “Special Guest Star” billing on every episode.

The series was successful upon its debut, and midway through the first season, Harris began to rewrite his own dialogue. Due to Harris’s popularity on the show, creator and producer Irwin Allen approved his changes and gave him carte blanche as a writer. Harris subsequently stole the show, mainly via a seemingly never-ended series of alliterative insults directed toward The Robot, which soon worked their way into popular culture.

Jonathan Harris spent much of his later career as a voice actor, heard in television commercials as well as cartoons such as “Darkwing Duck”, “A Bug’s Life”, the series “Buzz Lightyear of Star Command”, and “Toy Story 2”. In 2001, a year prior to his death, he recorded voice work for the animated theatrical short “The Bolt Who Screwed Christmas”. This film, Harris’s last work, was released posthumously in 2009.

Martin Copertari

Martin Copertari, “As Lovers Went By”, 2013, Lithograph Composed of Collage of Etchings with Gouache, Dimensions Unknown

A Briton who lived in Barcelona, Martin Copertari made collages using images from the Victorian era. He often used a gravure printing technique, which he did by hand. The collages are all hand made with original etchings from 19th century publications, lithographic prints from the early 20th century and retouched with gouache.

Reblogged with many thanks to https://artqueer.tumblr.com

Source: martincopertari-blog-blog

A. A. Milne: ” What’s For Breakfast?”

 

Photographer Unknown, (Thinking About Breakfast)

“When you wake up in the morning, Pooh,” said Piglet at last, “what’s the first thing you say to yourself?”
“What’s for breakfast?” said Pooh. “What do you say, Piglet?”
“I say, I wonder what’s going to happen exciting today?” said Piglet.
Pooh nodded thoughtfully. “It’s the same thing,” he said.”

― A.A. Milne

Calendar: November 5

 

A Year: Day to Day Men: 5th of November

The Spiral Staircase

November 5, 1876 was the birthdate of sculptor Raymond Duchamp-Villon.

Raymond Duchamp-Villon was born on November 5, 1876, in Damville, near Rouen, France. From 1894 to 1898 he studied medicine at the University of Paris. When illness forced him to abandon his studies, Duchamp-Villon decided to make a career in sculpture. During the early years of the century he moved to Paris, where he exhibited for the first time at the Salon de la Société Nationale des Beaux-Arts in 1902.

Duchamp-Villon’s second show was held at the same Salon in 1903, the year he settled in Neuilly-sur-Seine, a suburb west of Paris. In 1905 he had his first exhibition at the Salon d’Automne and a show at the Galerie Legrip in Rouen with his brother, the painter Jacques Villon; Duchamp-Villon moved with him to Puteaux two years later.

Duchamp Villon’s participation in the jury of the sculpture section of the Salon d’Automne began in 1907 and was instrumental in promoting the Cubists in the early 1910s. Around this time he  and Jacques Villon, along with their other brother, Marcel Duchamp, attended weekly meetings of the Puteaux group of artists and critics. The Puteaux Group, also known as the Golden Section, was a collective of painters, sculptors, poets and critics associated with Cubism and Orphism, an offshoot of Cubism that focused on pure color and abstraction.

In 1911 Raymond Duchamp-Villon exhibited at the Galerie de l’Art Contemporain in Paris; the following year his work was included in a show organized by the Duchamp brothers at the Salon de la Section d’Or at the Galerie de la Boétie. Duchamp-Villon’s work, along with the work of his two brothers, was exhibited at the Armory Show in New York in 1913 and the Galerie André Groult in Paris, the Galerie S. V. U. Mánes in Prague, and Der Sturm gallery in Berlin in 1914.

During World War One, Duchamp-Villon served in the army in a medical capacity, but was able to continue work on his major sculpture “The Horse”, a composite image of an animal and machine which he finished in 1914. Duchamp-Villon overturned conventional representation of form to suggest instead its inner forces, which he associated with the energy of the machine.

Raymond Duchamp-Villon contracted typhoid fever in late 1916 while stationed at Champagne; the disease ultimately resulted in his death on October 9, 1918, in the military hospital at Cannes.

Mel Odom

The Artwork of Mel Odom

Mel Odom majored in illustration at Virginia commonwealth University and then attended Leeds Polytechnic Institute of Art and Design in England, He moved to New York City in 1975.

His artwork with its Art Deco style established him as a commercial artist initially with erotic illustrations for magazines such as “Blueboy, “Viva”, and Pllayboy”. During the 1980s, Odom’s work covered a wide range of commercial media: record and book covers, Illustrations for the sci-fi magazine “Omni”, and a front cover for one of the 1989 “Time Magazine”.

Note: More Images of Mel Odom’s work, both drawings and paintings, can be found at the artist’s Instagram site located at: https://www.instagram.com/mel.odom/