Author: ultrawolvesunderthefullmoon

https://www.instagram.com/wolvesofgray This blog is a refugee and a survivor of the Great Tumblr Inquisition of December 17th, 2018. I am gay artist, who received training at the Rhode Island School of Design, and now, a retired high-end fine art framer living in Maryland, USA. My interests and studies in life run a wide gamut from art to history and from the scientific to the esoteric. I have been building this blog of images and texts for the last eight years. My wish is that my posts pique the interest of viewers and encourage them to experience more.

Lee Keasner

Lee Keasner, Untitled, 1949, Oil on Canvas, Signed and Dated “Lee Krasner ‘49′ on Reverse, Private Collection

Untitled is part of a series from the late 1940s called “Little Images”. Krasner made these paintings—none larger than three feet—while working on a tabletop in her bedroom. To make this work, she applied thick paint using repetitive strokes, often squeezing paint straight out of the tube. The resulting composition was an allover, gridlike structure filled with markings that look like symbols or letters.

Krasner had studied Hebrew as a child, but as an adult she no longer could read or write the language. Formally, she likened the indecipherable symbols in these paintings to Hebrew but insisted that she was interested in creating a language of private symbols that did not relate to one specific meaning.

David Garrett, “Palladio”

David Garrett, “Palladio”

David Garrett, born David Christian Bongartz, is a record-breaking German pop and crossover violinist and recording artist. By the age of seven, he studied violin at the Lübeck Conservatoire, and by the age of 12, Garrett began working with the distinguished Polish violinist Ida Haendel, often traveling to London and other European cities to meet her. After leaving home at 17, he enrolled at the Royal College of Music in London, leaving after the first semester.  In 1999 he moved to New York to attend the Juilliard School, in 2003 winning the School’s Composition Competition with a fugue composed in the style of Johann Sebastian Bach.[ Whilst at Juilliard he studied under Itzhak Perlman, one of the first people to do so, and graduated in 2004.

Palladio is a composition for string orchestra by Karl Jenkins, written in 1995. The title refers to the architect Andrea Palladio (1508–1580). The work in three movements is in the form of a concerto grosso.

“Palladio was inspired by the sixteenth-century Italian architect Andrea Palladio, whose work embodies the Renaissance celebration of harmony and order. Two of Palladio’s hallmarks are mathematical harmony and architectural elements borrowed from classical antiquity, a philosophy which I feel reflects my own approach to composition.” -Karl Jenkins

Michelangelo Merisi Caravaggio

Michelangelo Merisi Caravaggio, Self Portrait, “Da Cattura di Cristo Nell’ Orto”, 1602,  National Gallery, Dublin

Caravaggio trained as a painter in Milan under Simone Peterzano who had himself trained under Titian. In his twenties Caravaggio moved to Rome, where there was a demand for paintings to fill the many huge new churches and palazzos being built at the time. It was also a period when the Church was searching for a stylistic alternative to Mannerism in religious art that was tasked to counter the threat of Protestantism.

Caravaggio’s innovation was a radical naturalism that combined close physical observation with a dramatic, even theatrical, use of chiaroscuro which came to be known as tenebrism (the shift from light to dark with little intermediate value).

Maria Callas, “Il Dolce Suono”

Maria Callas, “Il Dolce Suono”, Performed in the Teatro Comunale, Florence, Italy, 1953

Chorus and Orchestra of the Maggio Musicale Florentino

Chorus Master: Andrea Morosini

Orchestra Conductor: Tullio Serafin

“Il Dolce Suono” (“The Sweet Sound”) is the incipit of the recitativo of a scena ed aria taken from Act III scene 2, Lucia di Lammermoor by Gaetano Donizetti. It is also commonly known as the “mad scene” sung by the leading soprano, Lucia. An arrangement of the aria was featured in the film The Fifth Element, sung by the alien character Diva Plavalaguna voiced by Inva Mula.

The Garage Mechanic

Photographer Unknown, (The Garage Mechanic), Photo Shoot

“The mechanic, when a wheel refuses to turn, never thinks of dropping on his knees and asking the assistance of some divine power. He knows there is a reason. He knows that something is too large or too small; that there is something wrong with his machine; and he goes to work and he makes it larger or smaller, here or there, until the wheel will turn.”
― Robert G. Ingersoll, The Liberty of Man, Woman, and Child

Laura Bacon

Willow Sculptures by Laura Bacon

British Sculptor, Laura Ellen Bacon (born 1976) works raw materials into large-scale or ‘human-scale’ artworks, in both interior and landscape settings. Working with predominately natural materials and her bare hands, her works embrace, surround or engulf architectural and natural structures.

Her work has been described as ‘startling but beckoning’; ‘monumental yet intimate’; ‘frenzied yet calm’.  Laura’s particular use of materials emerges from a compulsive desire to work them into a formed space of some kind, using a language of materials that seems strangely familiar to the natural world.

“I began making my early works upon dry stone walls and evolved to work within trees, riverbanks and hedges, allowing the chosen structure (be it organic or man-made) to become host. I am still powerfully driven to create spaces of some kind and over a decade into my work, my passions continue to merge creatively with architecture.

The forms that I make have a closeness with their host structure or the fabric of a building; their oozing energy spills from gutters, their ‘muscular’ forms nuzzle up to the glass and their gripping weave locks onto the strength of the walls. Whilst the scale and impact varies from striking to subtle (sometimes only visible upon a quizzical double take), I relish the opportunity to let a building ‘feed’ the form, as if some part of the building is exhaling into the work.”

Amber Run, “I Found”

Amber Run, “I Found” from the Album “SAM”

Amber Run is a British band from Nottingham, UK composed of Joe Keogh, Will Jones, Tom Sperring and Henry Wyeth. The band has released one album and three EPs while being signed to RCA Records. They were initially called Amber but were forced to change their name to avoid a conflict with the German dance-pop singer of same name.[3] The band has played mostly in the UK and Ireland.

In July and August 2014 the band released videos for the single “I Found” and “Pilot”, respectively, that are a duology. Speaking to LeftLion Magazine in December 2014, they explained: “We were already discussing what to do with  “I Found”; it’s not a song that screams “single” but we wanted to release it in some form. Releasing it with “Pilot” just seemed to be a good method to bring attention to the whole EP, and doing something creative with the videos is a bit more interesting. Linking the videos gives you more scope… [to] expand the storyline past three and a half minutes.“

(Source: https://www.youtube.com/)

Gaston Bachelard: “The Labyrinths of Sleep”

Photographer Unknown, (The Attic Room)

“And all the spaces of our past moments of solitude, the spaces in which we have suffered from solitude, enjoyed, desired, and compromised solitude, remain indelible within us and precisely because the human being wants them to remain so. He knows instinctively that this space identified with his solitude is creative; that even when it is forever expunged from the present, when, henceforth, it is alien to all the promises of the future, even when we no longer have a garret, when the attic room is lost and gone, there remains the fact that we once loved a garret, once lived in an attic. We return to them in our night dreams. These retreats have the value of a shell. And when we reach the very end of the labyrinths of sleep, when we attain to the regions of deep slumber, we may perhaps experience a type of repose that is pre-human; pre-human, in this case, approaching the immemorial.”

–Gaston Bachelard, The Poetics of Space

King Kong

Various Artists, King Kong Artwork

“To understand King Kong, you need to know Merian Coldwell Cooper. Nearly every story element of the original film is reflective of some aspect of Cooper’s life leading up to his creation of the iconic movie. His passions—aviation, exploration, adventure filmmaking—are all incorporated into King Kong. You can argue about the extent to which the final screenplay evolved through contributions by Edgar Wallace, James Creelman, Ruth Rose, as well as a host of uncredited RKO scribes, but it’s clear that virtually everything in Kong got there by way of Cooper. (There’s a great memo from James Creelman to Cooper, in fact, where the overworked scribe—he was also writing The Most Dangerous Game—laments that Cooper’s suggested addition of a giant wall, island tribe and sacrificial rites were just too much for the plot to handle. Cooper “relieved” him soon after.)

Kong´s effects, music, sound; none of these aspects of the film were the direct work of his hands, but Cooper’s force of personality, bullheadedness and sheer refusal to take no for an answer ultimately made Skull Island a real place in the minds of film lovers across multiple generations.” -John Mitchlig, The Kong Files, kingiskong.net