Jeffrey T Larson

Paintings by Jeffrey T. Larson

Jeffrey T. Larson is a classically trained artist renowned for his ability to adeptly capture the simple, yet oft-neglected and beautiful, pleasures of contemporary life onto canvas. At the young age of 17, Jeffery T. Larson had the resolve and dedication to receive admission into the renowned Atelier Lack, Richard Lack’s traditional and Boston School-influenced atelier in Minneapolis, MN.

After completing his four-year education at Atelier Lack, Larson continued his academic training through museum study in the U.S. and Europe. His strong repertoire allowed for a wonderful duality to evolve in his work: authoritatively rendered, composed and current still-life paintings created in the studio and, conversely, luminous, painterly and almost Impressionist landscape and figure paintings created en plein air.

The common threads between the two styles are Larson’s exacting usage of natural light, dedication to working solely from direct observation, ability to capture the quiet beauty in even the most mundane subject matter and, of course, the necessary restraint to leave his pieces open and fresh.

Anish Kapoor

Anish Kapoor, “Dismemberment: Site 1″, Mild Steel Tube and Tensioned Fabric, 2009, gibbs Farm, Kaipara Harbour, New Zealand

This work is an installation for “The Farm”, a private outdoor art gallery in Kaipara Bay, north of Auckland. Kapoor often creates outdoor sculptures as with the case with his first outdoor fabric sculpture. Anish Kapoor states “it is designed to withstand the high winds that blow inland from the Tasman Sea off the northwest coast of New Zealand’s North Island”.

It is 85 metres long and consists of two elliptical steel rings (one vertical, one horizontal), 27 metres across with 32 cables providing displacement and deflection resistance to the wind loads. It is covered in a custom deep red PVC-coated polyester fabric by Ferrari Textiles that weighs 7,200kg alone. It was created with the idea of enhancing views of the harbour to the west and mountains to the east channelling the forces of water, air and rock. It reminds one of red blood cells and veins with a membrane like quality to it that Kapoor describes as being “rather like flayed skin”.