Max Dupain, “Tea Towel Trio”, 1934, Silver Gelatin Print, 29.5 x 22 cm
Born in April of 1911 in Sydney, Australia, Maxwell Spencer Dupain was an Australian photographer whose influential style of commercial photography emphasized the geometric forms of his industrial and architectural subjects. He studied at both the East Sydney Technical College and the Julian Ashton Art School between 1933 and 1935, and apprenticed with commercial photographer Cecil Bostock from 1930 to 1934.
During World War II, Max Dupain worked for the army camouflage unit; upon deployment, he worked for the Australian Department of Information until 1947. When he returned to his studio work, Dupain concentrated on more abstract architectural and industrial imagery instead of his previous portraiture and landscape work. This more abstract imagery established him as one of the most significant Modernist photographers in Australia.
Living in Sydney all his life, Dupain photographed the city from the 1930s until his death in July of 1992. Although traveling a few times abroad, including photographing the Seidler Australian Embassy in 1988, he was chiefly interested in the beaches and cities of Australia. Dupain’s photographic series of Australia’s beach culture are his most enduring images, with his 1937 “Sunbaker”, a low-angle shot of a male sunbather on the beach, becoming an icon of the Australian life.
Simple and direct in his work, Max Dupain, feeling that color was restricting in its objectivity, remained an adherent to black and white photography. His work has been collected by most of the major galleries in Australia and resides in many private collections. Dupain’s work was featured at the Photographer’s Gallery in London to celebrate his eightieth birthday, At the age of eighty-two, he was made an Officer of the Order of the British Empire in 1982. Maxwell Dupain continued his work in photography until his death in July of 1992.
Note: Max Dupain’s collection of twenty-eight thousand archived negatives are now catalogued and preserved in the New South Wales State Library located in Sydney.
