Month: March 2018

The Metal Beast

Photographer Unknown, (The Metal Beast)

“He had laid his head back until his scalp had contacted his spine, that far back, and opened his throat, and a sound rose in the auditorium like a wind coming from all four directions, low and terrifying, rumbling up from the ground beneath the floor, and it gathered into a roar that sucked at the hearing itself, and coalesced into a voice that penetrated into the sinuses, and finally into the very minds of those hearing it, taking itself higher and higher, more and more awful and beautiful, the originating ideal of all such sounds ever made, of the foghorn and the ship’s horn, the locomotive’s lonesome whistle, of opera singing and the music of flutes and the continuous moaning of bagpipes. And suddenly it all went black. And the time was gone forever.”
― Denis Johnson, Train Dreams

Jackson Hung

Jackson Hung, “On Display”, Escalators in Hong Kong

Jackson Hung is a freelance photographer based in Hong Kong. His work has been featured in the Toronto Urban Photography Festival, Seoul Photo & Imaging, PIK (Photographers in Korea) magazine as well as an honorable mention in the National Geographic Photo Contest 2015. He was also part of the jury for the Toronto Urban Photography Festival 2016.

“Photography needs to be haunting and worth remembering.” – Fan Ho

Calendar: March 8

Year: Day to Day Men: March 8

Center Stage

The eighth of March in 1761 marks the birth date of Count Jan Potocki, a Polish nobleman, linguist, ethnologist, traveller and author of the Polish Age of Enlightenment.

Born into an aristocratic family that owned vast estates across Poland, Jan Potocki was educated in the Swiss cities of Geneva and Lausanne. He frequently visited the Paris salons and toured Europe before returning to Poland in 1778. As a soldier, Potocki served twice in the Polish Army, first in 1778 with the Austrian army during the War of the Bavarian Succession, and later in 1779 as a military engineer. 

During his extensive travels across Europe, Asia and North Africa, Potocki as an early pioneer of travel literature documented prevailing customs, active wars, revolutions, and cultural awakenings. He was also one of the first ethnologists with his studies of early Slavic peoples from a linguistic and historical perspective. Fascinated with the occult, Potocki studied ancient cultures, secret societies and their rituals. As a member of the Polish Parliament, he participated in the Great Sejm, whose aim was to restore the sovereignty and reform the Commonwealth, both economically and politically. 

In 1790, Jan Potocki became the first person in Poland to fly in a hot air balloon when he accompanied French aeronaut Jean-Pierre Blanchard on an ascent over Warsaw, an exploit that brought him public acclaim. After a period in France, he established in1788 a Warsaw publishing house, Drukamia Wolna (Free Press), and printed  pamphlets and newspapers advocating for social reforms. Potocki also established Warsaw’s first free reading room. 

Potocki’s most famous literary work, originally written in French, is the framed-tale “Manuscrit Trouvé à Saragosse (The Manuscript Found in Saragossa)”. A framed-tale is a literary technique that serves as a companion piece to a story within a story; the introductory or main narrative sets the stage for either a second narrative or a set of shorter stories. Potocki’s novel is a collection of intertwining stories of Romani, thieves, inquisitors, princesses and the brave but foolhardy hero, the infantry guard Alphonse van Worden. The stories cover the wide range of Potocki’s interests: the gothic, the erotic, the historical and the supernatural. 

The initial work of “Manuscrit Trouvé à Saragosse” were published in 1805 apart from the rest of the novel; the stories comprising the Gypsy chief’s tale were added later in 1810. Written incrementally, its final form was never exactly completed at the time of Potocki’s death.  Sections of the original French version were lost but have been back-translated into the French from a Polish translation by Edmund Chojecki in 1847. In 1965, director Wojciech Has adapted the novel into a Polish-language black and white film “The Saragossa Manuscript”, that was admired by many 1960s counterculture figures such as Jerry Garcia, Martin Scorsese and Francis Ford Coppola. 

Jan Potocki married twice and had five children; both marriages were the subjects of scandalous rumors, the first ended in divorce. In 1812, he retired, disillusioned and in poor health, to his estate in Uladivka in present-day Ukraine. Potocki worked on his novel during the last years of his life. Suffering from depression and clinical lycanthropy (believing he could transform into a werewolf), he committed suicide on the twenty-third of December in 1815 by shooting himself with a silver bullet blessed by his local Catholic priest. 

For his contributions to Poland, Jan Potocki was awarded the Order of the White Eagle, the highest award of merit for the Republic of Poland. He also awarded a knighthood in the Order of Saint Stanislaus, 1st Class, as well as the Imperial Order of Saint Prince Vladimir, 1st Class, the highest award for continuous civil and military service. 

Sonam Gyaitsen

Sonam Gyaitsen, “Thousand-Armed Avalokiteshvara”, Gilt Bronze, ca 1430, Jamchen Monastery, Tibet

The Lotus Sutra is generally accepted to be the earliest literature teaching about the doctrines of Avalokiteśvara. These are found in chapter 25. This chapter is devoted to Avalokiteśvara, describing him as a compassionate bodhisattva who hears the cries of sentient beings, and who works tirelessly to help those who call upon his name. A total of 33 different manifestations of Avalokiteśvara are described, including female manifestations, all to suit the minds of various beings.

One prominent Buddhist story tells of Avalokiteśvara vowing never to rest until he had freed all sentient beings from samsara, the wheel of birth and death. Despite strenuous effort, he realizes that still many unhappy beings were yet to be saved. After struggling to comprehend the needs of so many, his head splits into eleven pieces. Amitābha, the Celestial Buddha, seeing his plight, gives him eleven heads with which to hear the cries of the suffering. Upon hearing these cries and comprehending them, Avalokiteśvara attempts to reach out to all those who needed aid, but found that his two arms shattered into pieces. Once more, Amitābha comes to his aid and invests him with a thousand arms with which to aid the suffering multitudes.

Norman Charles Blamey

Norman Charles Blamey, “the Model Makers”, 1958, Oil on Board, Government Art Collection, United Kingdom

Norman Blamey was an English painter, famous for his portraits and depictions of Church rituals. Blamey was educated at Holloway School in London, and then at the Regent Street Polytechnic School of Art. He went on to teach at the Polytechnic – interrupted by military service during World War II – moving to the Chelsea College of Art and Design in 1963. He exhibited regularly at the Royal Academy, and became an Associate in 1970 and an Academician in 1975. He was a Visiting Lecturer at the Academy Schools, also taught at the Prince of Wales’ Institute of Architecture in the early 1990s

Blamey’s style, though varying slightly at different periods, was generally a meticulous realism. He was influenced by Stanley Spencer (1891–1959), as well as by 15th-century Flemish art.

Calendar: March 7

Year: Day to Day Men: March 7

Gold Pinstripes

The seventh of March in the year 1837 marks the birth date of American physician and amateur astronomer Henry Draper. Both a professor and Dean of Medicine at City University of New York, he was one of the pioneers in the field of astrophotography. 

Born to John William Draper, a professor at New York University, and Antonia Caetana de Paiva Pereira Gardner, daughter of the royal physician to the Emperor of Brazil, Henry Draper completed all his medical courses at the City University of New York’s School of Medicine by the age of twenty. Too young to graduate, he toured Europe for a year and became acquainted with the work of Irish astronomer William Parsons, Third Earl of Rosse. Draper’s interest in photography and the Earl of Rosse’s observatory would later become the basis of his career.

On his return from Europe, Draper received his Medical Degree and began working as a physician at Manhattan’s Bellevue Hospital. In 1860, he received appointment at the City University of New York as Professor of Natural Science. Draper joined the Twelfth New York Infantry Regiment’s S Company in May of 1862 as a surgeon during the Civil War. His brother, John Christopher Draper, joined him as an assistant surgeon; they served together as surgeons until October in 1862. Draper became Chairman of the Department of Physiology at City University in 1866.

Henry Draper met Mary Anna Palmer, the daughter of Connecticut merchant and real estate investor Courtlandt Palmer, and married her in 1867. A well-educated woman, Mary Anna Draper collaborated with her husband in his expeditions, research and photography. Upon her father’s death in 1872, she became heir, along with her three brothers, to her father’s fortune. Henry and Mary Anna Draper relocated to their summer home in Hastings-on-Hudson, New York, where they constructed an observatory with a 71 cm (28 inch) reflecting telescope and began a fifteen-year research partnership.

Interested in the application of photography to astronomy, Draper started making daguerrotypes of the sun and moon; however in 1872, he succeeded for the first time in photographing the stellar spectrum of the star Vega. Draper discovered in 1879 that the newly developed dry-photographic plates were more sensitive and convenient than the older wet-collodion ones. By 1882 with the use of the newer photographic plates, he was able to obtain over a hundred stellar spectra images, including those of the Moon, Mars, Jupiter (1880) and the Orion Nebula. Draper also succeeded in directly photographing the Orion Nebula, first in September of 1880 with a fifty-minute exposure and later with a one hundred-forty minute exposure though the use of a more accurate clock-driven telescope.

In 1882, Henry Draper resigned from City University to concentrate on his astrophotographic work for which he hoped to obtain higher resolution images. On the twentieth of November in 1882, Draper suffered an untimely death at the age of forty-five from double pleurisy, an inflammation of the membranes that surround the lungs and line the chest cavity. 

After his death, Mary Anna Draper funded the Henry Draper Award of the National Academy of Sciences  for outstanding contributions to astrophysics. She founded the Henry Draper Memorial Fund which financed the famous Henry Draper Catalogue, a nine-volume collection published between 1918 and 1924 that contains spectra details of two hundred twenty-five thousand stars. Draper’s donations enabled astronomer Edward Charles Pickering to continue his classification of stars based on their spectra. She also funded the construction of the Mount Wilson Observatory as well as ongoing research at the Harvard Observatory.