Peter Erzvo Zvoner

Peter Erzvo Zvoner, Untitled (Bouquets)

Mapplethorpe, Bianchi, Hamrick, over the years we have seen many great male erotic photographers. All having their own style, their own concepts and ideas. But what is it that really drives these talented people? What makes them choose to do male photography, or male erotic photography? Peter Zvonar stands out by the quality of his work. Peter grew up and lives in Slovakia, and it is here where he found his first inspiration to become an artist. His art is a reflection of his own personality; especially when it comes to male physique. Peter Zvonar wants us to know what drives him and gives us his insight to the world of his art.

The Standard Magazine, USA – Peter “Erzvo” Zvonar: Picture Perfect

Reblogged with many thanks to the artist’s site: https://erzvo.tumblr.com

Joseph Mugnaini

Joseph Mugnaini, “Mr. Moundshroud”, 1971, Etcihing/ Aquatint, 40.6 x 31.1 cm, Collection of Ray Bradbury

This print was in Ray Bradbury’s personal collection. It is from a series of etchings done by Joseph Mugnaini for a collection of Ray Bradbury’s stories.

Joseph Anthony Mugnaini was born in Viareggio in the Tuscany region of Italy in 1912. He Immigrated with his family to the United States when he was three months old. He became an American citizen in 1941 and taught at the Pasadena School of Fine Arts, among others.

A talented lithographer, he is best known for his collaborations beginning in 1952 with writer Ray Badbury, who regarded him as both a friend and the best interpreter of his stories. As a result, he did the covers and interior art for several first editions of Bradbury’s works, as well as related projects like illustrations for a 1962 cartoon adaptation of Bradbury’s story “Icarus Montgolfier Wright”, originally printed in 1956.

For many, Mugnaini’s trademark style – an elongated human figure against a minimal or symbolic background – is indelibly linked with Bradbury’s fiction, explaining why his covers and interior art are still being used for recent editions of his works. Still, it should also be remembered that Mugnaini did provide evocative covers for a few books by other genre writers, including Robert Crane’s “Hero Walk”, Theodore Sturgeon’s “ A Touch of Strange”, and Louis Charbonneau’s “No Place on Earth”.

Muti Randolph

Installations and Architectual Design by Muti Randolph

Muti Randolph lives in Rio de Janeiro and studied Visual Communications and Industrial Design at the Pontificia Universidade Católica do Rio de Janeiro. One of the pioneers in computer art in Brazil, he has been shifting from virtual 3d to real 3d spaces creating sets, installations and interior architecture projects. In his work he explores the relation of time and space through music and interactive generative video using custom designed software and hardware. His projects are present in the most relevant art, design and architecture publications.

J Hus, “Did You See”

J Hus, “Did You See”, 2017, From the Album “Common Sense”

Momodou Jallow, known by his stage name J Hus, is an English rapper and singer signed to Black Butter records. He is best known for his 2017 single entitled “Did You See” which charted at number 9 on the UK Singles Chart. He released his debut album “Common Sense” which went straight to number 3 on the iTunes chart, peaking at number 6 on the UK Albums Chart.

Calendar: January 21

Year: Day to Day Men: January 21

The Small Silver Medallion

The twenty-first of January in 1598 marks the birth date of Matsudaira Tadamasa (松平 忠昌), an early to mid-Edo period Japanese samurai and daimyō, a feudal lord. He was noted for his skill in the martial arts and distinguished himself in combat by his prowess with the spear.

Matsudaira Tadamasa was born in Osaka as the second son of Yūki Hideyasu (結城 秀康), a respected samurai and daimyō of the Fukui Domain in Echizen. In 1607, he was received in an audience by his grandfather Tokugawa Ieyasu (徳川 家康), the First Shōgun of the Tokugawa Shogunate of Japan, and his uncle Tokugawa Hidetada (徳川 秀忠), Second Shōgun of the Tokugawa Shogunate. Hidetada arranged to raise the nine-year old Tadamasa in the Tokugawa household with Ieyasu’s tenth son Tokugawa Yorinobu (徳川 頼宣), who was four years older.

In 1607, Tadamasa was assigned a fief of ten-thousand koku, and became First  Daimyō of the Kazusa-Anegasaki Domain. He accompanied his uncle Hidetada during the 1614 Siege of Osaka; however, he was frustrated that, due to his youth, he was not allowed to participate in the battle. Tadamasa petitioned his uncle to perform his genpuku ceremony, a classical coming of age ceremony, before the start of the Osaka military campaign in the summer. Hidetada agreed and granted him a kanji, which is a script character for his name, and the court rank of Senior Fifth Rank, Lower Grade as well as the courtesy title of lyo-no-kami.

At the 1615 Battle of Osaka, Matsudaira Tadmasa proved his prowess with the spear; his weapon from that battle  became an heirloom of the Echizen-Matsudaira clan. As a reward for his service in battle, he was given in 1615 a fief of thirty-thousand koku and transferred as Seventh Daimyō to the Shimotsuma Dormain in Hitachi Province. When Shōgun Matsudaira Tadateru (松平 忠輝) was relieved of command and exiled, Tadamasa became Daimyō of the Matsushiro Domain in Fukui with a fief of five hundred-thousand koku.

 In 1626, Tadamas’s rank was raised to Senior Fourth Rank, Lower Grade. He accompanied Shōgun Tokugawa Iemitsu (徳川 家光), the Third Shōgun of the Tokugawa Shogunate, to Kyoto in 1634. During the Shimabara Rebellion in 1637, he was disappointed that he did not receive orders to lead his troops into battle; he visited the battle as a private citizen with twelve retainers. Tadamasa ordered construction work in 1643 for the rebuilding of the Mikuni Harbor as the main port for shipping in the Fukui Domain.

 Matsudaira Tadamasa died at the age of forty-seven in September of 1648 at the domain’s residence in the city of Edo. Upon his death, seven of his senior retainers committed junshi, a honorific suicide ritual for the death of their lord. Matasudaira Tadamasa is buried at the Temple of Eihei-ji in Fukui.

Notes: The koku, a Chinese-based Japanese unit of volume, is equal to about one hundred-eighty liters or one hundred-fifty kilograms of rice. In the Edo period, one koku of rice was considered a sufficient quantity of rice to feed one person for a year. 

Gypsy Hill, “Balkan Beast” 

Gypsy Hill, “Balkan Beast”

Gypsy Hill, the beast from nearby the middle east, play an intoxicating mix of balkan brass, mediterranean surf rock, ska & swing. Featuring guitars, horns, tuba, a scratch DJ and a mix of live and electronic beats, Gypsy Hill effortlessly mix the traditional with a uniquely modern sound.

Producers DJ Kobayashi and Herbert Newbert have taken the project from studio to stage, gradually growing the band and honing their high-energy live hows.

Their burgeoning CV includes remixes for the likes of Balkan Beat Box and Al Jawala and a special feature on Ninja Tune’s impressive new Ninja Jamm app, appearing alongside electronic music royalty such as Coldcut, Mr Scruff, Bonobo and many more of the Ninja Tunes roster.

The Warehouse

“This is one of those places I really can’t tell you anything about… From what I gather this warehouse was left to rot due to family issues over the inheritance. One of the heirs, a lawyer, lives next to the warehouse, which is what inspired the name. I had to cut my visit short, because I was rudely interrupted by the owners, who apparently still use parts of the buildings for storage. I barely managed to escape without getting caught. Still, I feel like I had seen pretty much all there was to be seen here… ”

—Usine Justice

Wenzel Hablik

Wenzel Hablik, “Gewitter an der Stör”, 1910, Oil on Canvas, Dimensions Unknown, Wenzel Hablik Museum, Itzehoe, Germany

Wenzel August Hablik was a graphic artist, painter architect, designer and craftsman associated with the German Expressionism movement. He was trained as a master cabinetmaker in Vienna and Prague; however, when he settled in Itzehoe he pursued architectual and interior design projects. He produced designs for furniture, textiles, jewelry and wallpapers.

He is best known for his etchings and paintings and his links with the major German Expressionist movements and figures, including the Arbeitsrat fur Kunst and The Glass Chain. In 1909 he published his “Schaffende Kräfte” (Creative Forces), a portfolio of twenty etchings of crystaline structures.  His visual art is known for its highly imaginative aspects.

Calendar: January 20

Year: Day to Day Men: January 20

The Passageway

The twentieth of January in 1929 marks the general release of Raoul Walsh and Irving Cumming’s pre-Code talkie “In Old Arizona”. This film was a major innovation for Hollywood as it was the first major Western to employ the newly developed sound technology and the first “talkie” to be filmed outdoors. 

The 1928 film “In Old Arizona” was based on the character of the Cisco Kid in the 1907 story “The Cabellero’s Way” written by William Sydney Porter, better known by his pen name O. Henry. Originally a murderous criminal in O. Henry’s story, the Cisco Kid was depicted as a heroic Mexican caballero or horseman for radio, film and television adaptations.

Raoul Walsh was originally scheduled to play the role of the Cisco Kid; however, an accident on location caused the loss of one eye. Silent film actor Warner Baxter took on the lead role of the film with Edmund Lowe as Sergeant Dunn and Dorothy Burgess as Tonia Maria.

The cinematographers Arthur Edeson and Alfred Hansen extensively used authentic locations for the sets. Filming took place in Utah’s Zion National Park, Bryce Canyon National Park, the Mojave Desert area of California, and at the colonial Mission San Juan Capistrano. “In Old Arizona” was the film that began the iconic image of the singing cowboy as its star Warner Baxter does some incidental singing in this first Western talkie.

“In Old Arizona” premiered in Los Angeles on Christmas Day, December 25th of 1928. At the 2nd Academy Awards in 1930, the film was nominated for five awards: Outstanding Picture, Best Actor, Best Director, Best Writing, and Best Cinematography. Warner Baxter won the Best Actor Award for his performance. In 2004, Walsh and Cumming’s “In Old Arizona” was preserved in the Academy Film Archive at the Pickford Center for Motion Picture Study. 

Frank Stockton

Illustrations by Frank Stockton

New York-based illustrator Frank Stockton’s impressive body of work represents a combination of expert draughtsmanship and a talent for innovative graphic storytelling. He has a BFA in Illustration from Art Center College of Design. His artwork tells stories plucked out from the realms of his brilliantly wacky imagination, resulting in his ‘fancy comic book style’ garnering attention from publications such as Esquire, The New Yorker, GQ, and Penthouse.

“I don’t think you can be a great illustrator if you’re not a good artist. What I value in art is the unexpected, or a sense that the artist had total freedom when he or she created the piece. ‘Freedom’ for me is when the artist lives the piece, as opposed to conceives it. I have to trust my gut though since it’s not something you can measure.”- Frank Stockton