King Sahure and a Nome God

King Sahure and a Nome God, Old Kingdom- Fifth Dynasty, ca. 2458-2446 BC, Gneis, Metropoitan Museum of Art

This is the only preserved three-dimensional representation that has been identified as Sahure, the second ruler of Dynasty 5. Seated on a throne, the king is accompanied by a smaller male figure personifying the local god of the Coptite nome, the fifth nome (province) of Upper Egypt. This deity offers the king an ankh with his left hand. The nome standard, with its double-falcon emblem, is carved above the god’s head. Sahure wears the nemes headcloth and straight false beard of a living pharaoh. The flaring hood of the uraeus, the cobra goddess who protected Egyptian kings, is visible on his brow. The nome god wears the archaic wig and curling beard of a deity.

The statue may have been intended to decorate the king’s pyramid complex at Abusir, about fifteen miles south of Giza. At the end of the previous dynasty, multiple statues of this type were placed in the temple of Menkaure (Mycerinus) to symbolize the gathering of nome gods from Upper and Lower Egypt around the king. However, since no other statues of this type are preserved from Sahure’s reign, it is possible that this statue was a royal dedication in one of the temples in Coptos (modern Qift).

This statue is on view in Gallery 103 of the Metropolitan Museum on  Fifth Avenue in New York City.

Douglas Malone

The Artwork of Douglas Malone

Douglas Malone specializes in figurative drawing and painting. His extensive background in classical drawing and anatomy enables him to craft the image of the human form with meticulous precision,, subtlety, and insight. He studied at the College of William and Mary, The Corcoran School of Art and the Academy of Art in San Francisco. He taught anatomy and drawing at the Academy from 1998 to 2007 and now teaches at the College for Creative Studies in Detroit, Michigan.

Subtle Impressions

Photographer Unknown, (Subtle Impressions on the Mind)

“And then the sly arch-lover that he was, he said the subtlest thing of all: that the lover was nearer the divine than the beloved; for the god was in the one but not in the other – perhaps the tenderest, most mocking thought that ever was thought, and source of all the guile and secret bliss the lover knows.”
Thomas Mann, Death in Venice and Other Tales