Billy Wilder, “Sunset Boulevard”: Film History Series

Artist Unknown, “Sunset Boulevard” Film Gifs, Computer Graphics

“Sunset Boulevard” is a 1950 American film noir, which was co-written by Billy Wilder and novelist Charles Brackett, directed by Wilder, and produced by Brackett. The title is taken from one of the most important streets in Hollywood, a twenty-two mile artery that extends through the heart of the Greater Los Angeles area.

Starring William Holden as Joe Gillis, a struggling screenwriter, and Gloria Swanson as Norma Desmond, a former silent-film star, the story begins with the body of Joe Gillis in a swimming pool and  is told through Gillis’s flashback of his encounter with and developing financial dependence upon Norma Desmond.  A great supporting role as Max von Mayerling, Desmond’s butler, is played by Austrian-American director Erich von Stroheim, whose 1924 film “Greed” is considered one of the most important films ever made.

Billy Wilder and Charles Brackett began working on the script in 1948, and were joined in August of that year by D. M. Marshman, Jr, who had previously written a critique of their 1948 “The Emperor Waltz”.  By not disclosing full details of the story to Paramount Pictures, they were able to avoid the company’s strict self-censorship, caused by the Breen Code, and proceed with relative freedom. With only the first third of the script completed, the filming began in early May of 1949. 

The dark, shadowy, black and white cinematographic work of “Sunset Boulevard” was accomplished by John F. Seitz, who had previously worked with Billy Wilder. Allowed to make his own decisions on the filming, Seitz used innovative techniques to create the gothic atmosphere of the noir genre and produce the necessary shots. For some interior shots, he sprinkled dust in front of the camera lens, a method he used for the 1944 ‘Double Indemnity”; the shot of the floating corpse in the swimming pool was achieved by placing a mirror in the bottom of the pool and shooting the body’s reflection from above. For his work on the film, John Seitz was nominated for  an Academy Award for Best Cinematography.

“Sunset Boulevard” had its official world premiere at New York’s Radio City Music Hall on August 10, 1950. After a seven-week run, where it grossed over one million dollars, it was one of the Music Hall’s most successful films. Although, it was doing well in major cities, Gloria Swanson, in order to promote the film in rural areas, traveled by train on a twenty-three city tour in a few months. The box office receipts for the year 1950 totaled over two million dollars.

Described as one of Billy Wilder’s most significant works, “Sunset Boulevard” has developed lasting appeal. The film was nominated for Academy Awards in Best Motion Picture, Best Director, Best Actor and Actress, and Best Supporting Actor and Actress; it won Best Story and Screenplay and Best Art Direction. The film , considered culturally, historically, and aesthetically significant by the Library of Congress, was inducted into the National Film Registry in 1989. As the film was shot using cellulose nitrate film stock, Paramount Studios digitally restored the film; the restored version was released on DVD in 2002.

 

Neil Sanders

Neil Sanders, “Blobba, Blob Blob!!”, LoopdeLoop’s, July 2011 Edition

Neil Sanders is a Melbourne, Australia based Illustrator and Animator. He teaches illustration at Melbourne Polytechnic and is a co-founder of and contributor to LoopdeLoop, a blog and monthly screening dedicated to animated loops. He loves to make up characters and then bring them to life through animation, and he has a lot of fun working with other creative people on their ideas too.

Carl Burton

Four Gifs by Carl Burton

“Digital artist and animator Carl Burton creates quick atmospheric GIFs that blend elements of science fiction and surrealism. Glittering illuminated tentacles appear to twist through the dark while neon lasers emerge from deep pools of water. Much of what you see here represents Burton’s personal experiments, but the NYC-based creative also lends his illustrative style to images for long-form publications around the web. He works primarily with Cinema 4D, Photoshop, and After Effects, spending several hours or even days on a single GIF depending on its complexity.” – Christopher Jobson, Colossal

Kenton Nelson

Paintings by Kenton Nelson

Kenton Nelson was born and raised in Los Angeles, CA.  He attended Long Beach State University and Otis Parsons Art Institute, and for the last 35 years has had his art studio in Pasadena, CA.  He has been on the faculty of the Otis Parsons Art Institute in Los Angeles and the Academy of Art in San Francisco.

Nelson traces his interest in painting back to his great uncle, Roberto Montenegro, renowned Mexican muralist and Modernist. The style of Nelson’s paintings have their origins in American Scene painting, Regionalism, and the work of the WPA artists of the 1930′s.

Nelson paints figures, landscape, and architecture bathed in light.  The objective in his paintings is to idealize the ordinary with the intention of engagement, using the iconic symbols and styles of his lifetime in a theatrical style to make leading suggestions.

Jegeor

Architectuall Photography by Jegeor

In his series “Paysages Urbains (Urban Landscapes)”, Parisian photographer Jegeor has captured the beauty of modern buildings. His pictures show how contemporary architecture can be playful despite being repetitive. His style of photography matches this modern architecture because, despite being rather abstract, it still allows for a subtle human touch from time to time.

Titles of Photos from Top to Bottom: “ Post-It”, “Pullman”, “Vertigo”, “Scie”, “L’Orgie”, “Convergence”, “Crous”, “La Ruche”, “Ministere”, “Pantip”

Cornelis van Haarlem

Cornelis van Haarlem, The Fall of the Titans”, Oil on Canvas, 1588-90. Statens Museum for Kunst (National Gallery of Denmark)

The Roman poet Ovid’s Metamorphoses relate the story of a reigning race of gods consisting of the titans, the cyclopes, and the giants who were challenged to a cosmic battle by the Olympian gods headed by Zeus. The fierce battle, the so-called titanomachia, ended with the defeat of the titans whom Zeus cast down into Tartaros, the underworld, from where they cause earthquakes and volcanic eruptions.

Cornelis Cornelisz van Haarlem brought all his artistic ideals to bear in the naked muscular bodies and the complicated poses. Studies from the nude did not become common until the late 17th century; but in Haarlem, Karel van Mander (1548-1606) founded an academy that did not only use academic nudes for practice, but which also debated art theory.

This painting is an example of the resultant Haarlem Mannerist style. Mannerism is a designation used for a style between the Renaissance and the Baroque that celebrated the artificial and the sensual. The style was cultivated in places such as the court of Rudolph the Second. (1552-1612) in Prague. The style travelled north, winning over royals such as the Danish King Christian the Fourth. (1557-1648). The Fall of the Titans was among the Dutch paintings purchased by King Christian the Fourth in 1621.

Insert Image: Cornelis van Haarlem, “Two Wrestlers”, circa 1600s, Etching, Rijksmuseum

Jim Lyngvild

Jim Lyngvild, Title Unknown, (Creature of the Winter Snow), Portraiture

Jim Lyngvild, born in December of 1978, is a Danish writer, designer, photographer and the fashio editor of “Ekstra Bladet”, a tabloid newspaper published in Copenhagen. He was educated at the Fashion Design Akademiet in Copenhagen in 2000-2002. In 2018 Lyngvild designed an exhibition about the Viking Age for the National Museum of Denmark.

Reblogged with thanks to http://celteros.tumblr.com