Guy Madison: Film History Series

Guy Madison (Sailor Harold E. Smith), “Since You Went Away”, 1944, Selznick International Pictures

Born in Pumpkin Center, California in January of 1922, Robert Ozell Moseley was an American film, television and radio actor. He was one of five children born to a machinist father and raised in Bakersfield, California. Moseley attended the city’s junior college where he majored in animal husbandry, he worked briefly as a telephone linesman in California before joining the Coast Guard in 1942.

In Hollywood on a liberty pass in 1944, Moseley attended a Lux Radio Theater broadcast where he was noticed by a talent scout and brought to the offices of Selznick International Pictures. David Selznick signed Moseley to a contract and gave him several screen tests and his first film role. Moseley appeared as a lonely sailor in a three-minute bowling alley sequence with film stars Jennifer Jones and Robert Walker in the 1944 “Since You Went Away”. He filmed his screen time on a weekend pass under the name Guy Madison, a screen name composed by David Selznick and his assistant Henry Wilson.

“Since You Went Away” was set in an American town where families dealt with loved ones fighting in the Second World War and the effects of that war at home. The cinematography was produced by Stanley Cortez, who would film Charles Laughton’s “Night of the Hunter”, Lee Garmes, an Academy Award winner for “Shanghai Express”, and George Barnes, Academy Award winner for “Rebecca”, and documentary producer Robert Bruce, the last two being in uncredited roles. The film was a success and generated thousands of fan letters for Guy Madison in his role as a lonely sailor.

Guy Madison, after his discharge from military service, was cast in several roles by Selznick. He appeared in leading roles in the 1946 drama film “Till the End of Time”, co-starring with Dorothy McGuire, Bill Williams and Robert Mitchum, and the 1947 comedy film “Honeymoon”, co-starring with Shirley Temple and Franchot Tone. Madison’s early acting roles in these films was judged by critics to be amateurish and, by the end of the 1940s, he was no longer getting roles. Along with most of the Selznick International’s contract-players during this period, Madison was eventually released from his contract.

Despite the bad reviews, Madison studied and started perfecting his art in the theater.His fortune changed when he was given the role of James Butler Hickok in the television series “The Adventures of Wild Bill Hickok”, which ran from 1951 to 1958 and on the radio from 1951 to 1956. His co-star in the series was Andy Devine, a character actor well known for his distinctive raspy voice, who played the role of the trusty sidekick Jingles. This popular series was nominated for an Emmy Award in 1956 for Best Western or Adventure Series.

Guy Madison’s popularity as Hickok led to a starring role in the 1953 western film “The Charge at Feather River”, a role which gave him a new start as an action hero, albeit mostly in western films. Films which followed include the 1954 Western calvary film “The Command”; the 1955 robbery film “Five Against the House”; “The Beast of Hollow Mountain”, a 1956 horror western with a prehistoric beast; the 1956 science fiction drama “On the Threshold of Space”; the 1957 western drama“The Hard Man”; and “Bullwhip”, a 1958 western film in which Madison co-starred with Rhonda Fleming.

In the 1960s, Madison traveled through Europe and made several costume dramas, German adventure films and Italian westerns. Among his many European films are such films as the 1965 film “Das Vermächtnis des Inka (The Legacy of the Incas)”, the 1966 “I Cinque della Vndette (Five for Revenge)”, and the 1968 “I Lunghi Giorni dell’Odio (Long Days of Hate)”. In the 1970s, Madison returned to the United States and appeared in mainly cameo roles in film and television. In 1988, he appeared in a television remake of the western classic “Red River” along with western stars James Arness, Robert Horton and John Lupton. Madison’s role as rancher Bill Meeker became his final film role.

In his later years, Guy Madison’s work was greatly limited by physical aliments and the onset of emphysema. He eventually retired to a large ranch home he designed in Morongo Valley, California. Madison died at the age of seventy-four in February of 1996 at the Desert Hospital Hospice in Palm Springs, California. He was buried at Forest Lawn Cemetery in Cathedral City, California.

Guy Madison, in addition to all his appearances on many television shows, appeared in over fifty films in his career. In 1954, he was awarded a special Golden Globe Award for Best Western Star and, in 1986, was awarded a Golden Boot Award given in recognition of his contributions to the genre of westerns in television and film. Madison has two stars on the Hollywood Walk of Fame, one for his work in radio and one for his television contributions. He also has a Golden Palm Star on the Palm Springs Walk of Stars in California.

Note: Character actor Andy Devine acted in many western films. One of his most notable roles was as Cookie, the sidekick in ten Roy Rogers feature films. He also appeared in several films with John Wayne, including “Stagecoach” in 1939, the 1953 “Island in the Sky”, and “The Man Who Shot Liberty Valance” released in 1962. Devine appeared extensively in radio including seventy-five appearances on Jack Benny’s radio show between 1936 and 1942. He was also the host for “Andy’s Gang”, a children’s television show hosted on NBC during the later half of the 1950s. Devine has a star of honor on the Hollywood Walk of Fame.

Second Insert Image: Photographer Unknown, “Guy Madison”, Studio Photo for “The Adventures of Wild Bill Hickok”, circa 1951-1958

Third Insert Image: Photographer Unknown, “Guy Madison and Andy Devine”, Studio Photo for “The Adventures of Wild Bill Hickok”, circa 1951-1958

Fourth Insert Image: Photographer Unknown, “Guy Madison and Robert Mitchum”, Publicity Photo for “Till the End of Time”, 1945-1946

Calendar: November 12

A Year: Day to Day Men: 12th of November

Bravery

November 12, 1920 was the birthdate of American B-western film star Sunset Carson.

Born Winifred Maurice Harrison, Sunset Carson became an accomplished rodeo rider in his youth, working for a time in a western show owned by early cowboy actor Tom Mix. In 1940, Carson traveled to South America, where he competed in rodeos for two years. After he returned to the States, he appeared in a small role in the 1943 “Stage Coast Canteen”, a film featuring many celebrities of that time. In the next year, Carson had a role in the 1944 film “Janie”, under the name of Michael Harrison.

Carson caught the attention of Lou Grey, an executive of Republic Pictures, who signed him to a contract, giving him his own series of B-westerns and the stage name of Sunset Carson. He was given a horse named “Cactus” and had a succession of popular western genre films. Carson was in the 1944 “Bordertown Trail”, followed in the same year by “Code of the Prarie” and “Firebrands of Arizona”, playing opposite comic western actor Smiley Burnette.

Sunset Carson’s peak year was in 1945, appearing in seven western films. He appeared in his own name in “Sheriff of Cimarron”, “Bandits of the Badlands”. “The Cherokee Flash”, and four other hour-long films. Carson began the year of 1946 strong, starring in five films including “The El Paso Kid” and “The Red River Renegades”. By the end of 1946, however, Republic Pictures and Carson were having disputes. Carson claimed it was over his contract; the studio claimed that Carson was fired after attending a studio function while intoxicated and accompanied by an underage girl. At the end of the year, he and the studio parted company.

In 1948, Sunset Carson starred in “Sunset Carson Rides Again” produced by Oliver Drake. In 1949 he starred in “Rio Grande” and in 1950 the film “Battling Marshal”, his last role as the main character. For the next several years, Carson just obtained small bit parts. He played the lead once again in the B-movie “The Marshall of Windy Hollow”, a 1972 that costarred many old-time western actors. Then Carson had bit parts in two movies during the next thirteen years: “Buckstone County Prison” in 1978 and the 1985 sci-fi “Alien Outlaw”, his final movie role.

Sunset Carson retired to Reno, Nevada and died in a Reno hospital on May 1, 1990 of an apparent heart attack. He died one day after winning a settlement in a three-year old lawsuit over money earned from some of his old films.

Note: The image above is reblogged with many thanks to a great instagram site that I follow, having a “green thumb” and an inclination towards hot guys. The site is https://www.instagram.com/explore/tags/boyswithplants.

Calendar: September 29

A Year: Day to Day Men: 29th of September

The Skateboard

September 29, 1907 was the birthdate of Orvon Grover Autry, known to film fans as the American cowboy Gene Autry.

Gene Autry was an American singer, songwriter, actor, musician and rodeo performer who gained fame as a singing cowboy on radio, film and on television. Born in northern Texas, he worked on his father’s farm while attending school. After high school, Autry worked as a telegrapher for the Saint Louis-San Francisco Railway. He would often sing and accompany himself on guitar at local dances.

Autry went to New York in 1928 and auditioned for Victor Records. The company had just hired two similar sounding voices so he did not get a contract; but he did get the advice to sing on radio to gain experience. Autry started singing latter that year on the Tulsa radio station KVOO as “Oklahoma’s Yodeling Cowboy”, eventually recording two duets with singer Jimmie Long for Victor Records.

Gene Autry signed a recording deal with Columbia Records in 1929. His first hit was in 1932 with “That Silver-Haired Daddy of Mine”, a duet co-written and sung with Jimmy Long. Autry also recorded the classic Ray Whitley hit “Back in the Saddle Again” , as well as many Christmas holiday songs including “Frosty the Snowman” and “Rudolph the Red-Nose Reindeer”, which became a big hit. Autry’s own composition of “Here Comes Santa Claus”, which he wrote after the 1946 Hollywood Christmas Parade, was recorded in 1947 and became an instant hit.

Gene Autry and Pat Burnette, a recently returned Army Air Force veteran, were discovered by producer Nat Levine in 1934. Together, they made their film debut for Mascot Pictures Corporation in the western “In Old Santa Fe” as part of a singing cowboy quartet. Autry was then given the starring role by producer Levine in the 1935 twelve-part film serial “The Phantom Empire”, which combined western, musical and science fiction genres. This was Gene Autry’s first starring role, playing himself as a singing cowboy.

Mascot Pictures was absorbed by the newly formed Republic Pictures Corporation, which continued making films with Gene Autry. He made forty-four more films with the company up to 1940, all ‘B’ Westerns, acting under his own name. Autry rode his horse Champion, had Pat Burnette as his regular sidekick, and had many opportunities to sing in each film. In the Motion Picture Herald’s Top Ten Money-Making Western Stars poll, Gene Autry held first place from 1937 to 1942 and second place, after Roy Rogers, from 1947 to 1954, when the poll ended.

Calendar: February 10

Year: Day to Day Men: February 10

Bricks and Gecko

The tenth of February in 1939 marks the premiere of John Ford’s western film “Stagecoach” at the Lincoln Theatre in Miami Beach, Florida. The film was the first of many Westerns shot by director John Ford in Monument Valley, a region of the Colorado Plateau characterized by its cluster of sandstone buttes. The site, considered sacred by its inhabitants, lies within the land of the Navajo Nation.

“Stagecoach” is Dudley Nichols’s adaptation of the 1937 short story,”The Stage to Lordsburg”, written by author Ernst Haycox, a prolific writer of Western fiction. The story follows a group of individuals, primarily strangers, who journey by stagecoach through dangerous territory ruled by Apache warriors. John Ford bought the rights to the story soon after its publication in Collier’s magazine. He presented the “Stagecoach” project to several studios in Hollywood. However, none were interested in a big-budget Western film or Ford’s placing B-film actor John Wayne in the lead role.

David O. Selznick, an independent producer with his own studio, Selznick International Pictures, agreed to finance the production of “Stagecoach”. However, he had doubts about the casting choices and was frustrated about Ford’s indecision on the initial date of shooting. Ford withdrew the film from Selznick and approached independent producer Walter Wanger about the project. Although he had reservations about the project, Wanger agreed to finance the project with a proviso. He would provide two hundred-fifty thousand dollars to finance the film. However, though Ford could still cast John Wayne in the film, he had to give the lead credit to Clair Trevor. an already established actress.

At the time of the filming, Clair Trevor had already starred in twenty-nine films, often in the lead role or the role of the heroine. After her role in “Stagecoach”, Trevor would be nominated for an Academy Award for Best Supporting Actress in the 1937 “Dead End” and win that award for her role in the 1948 “Key Largo”. John Wayne, however, had played leading roles throughout the 1930s in numerous B-movies, mostly Westerns, without achieving stardom. His role as the Ringo Kid in “Stagecoach” became the breakthrough role that began Wayne’s career as a mainstream star. Over the course of his fifty year acting career, Wayne appeared in one hundred sixty-nine feature films and numerous documentary and television appearances.

The film’s supporting cast included such experienced actors as stage and screen actor John Carradine; radio and character actor Andy Devine; Thomas Mitchell, the first male actor to gain the Triple Crown of Acting- an Oscar, an Emmy, and a Tony Award; theatrical actress Louise Platt; stage and film actor Donald Meek; and established western film stars Tom Tyler and Tim Holt.

Ford’s “Stagecoach” was first released in Los Angeles on the second of February in 1939. It opened in Miami Beach on the tenth of February and had its nationwide release on the third of March in 1939. Met with immediate critical praise, the film is considered one of the most influential films ever made. The roles presented in “Stagecoach” have become archetypical characters for the Western film genre. In 1995, the United States Library of Congress considered “Stagecoach” to be culturally, historically, or aesthetically significant for preservation in the National Film Registry.