A Gay-Oriented Collection of Art Works, Literary Quotes, Songs, Films, Cubs, Otters, and Other Guys. Please be aware thet there is mature content on this blog. Available worldwide to all above the age of eighteen. Information and links to sources will be provided unless unknown. Enjoy your visit.
Ted Shawn and Company at Greek Theatre Pageant, 1918, New York Public Library Collection
“Know thyself deathless and able to know all things, all arts, sciences, the way of every life. Become higher than the highest height and lower than the lowest depth. Amass in thyself all senses of animals, fire, water, dryness and moistness. Think of thyself in all places at the same time, earth, sea, sky, not yet born, in the womb, young, old, dead, and in the after death state.”
― Muata Ashby, Ancient Egyptian Proverbs
Various Photogrphers, A Collection: Memories Frozen on Paper
“The scenes in our life resemble pictures in a rough mosaic; they are ineffective from close up, and have to be viewed from a distance if they are to seem beautiful. That is why to attain something desired is to discover how vain it is; and why, though we live all our lives in expectation of better things, we often at the same time long regretfully for what is past. The present, on the other hand, is regarded as something quite temporary and serving as the only road to our goal. That is why most men discover when they look back on their life that they have been living the whole time ad interim, and are surprised to see that which they let go by so unregarded and un-enjoyed was precisely their life, was precisely that in expectation of which they lived.”
Poster for Ernest Tubb and His Texas Troubadours, City Auditorium, Salem, Missouri, December 11, 1957
Born on a cotton farm in Ellis County, Texas, in 1914, Ernest Tubb spent his youth working on farms throughout the state. He spent his spare time learning to play the guitar, yodel and sing. In 1936, with the aid of singer and musician Jimmy Rodger’s widow, Tubb was offered a recording contract with the RCA Corporation, recording two unsuccessful records.. He switched to Decca Records in 1940, recording six records with the company. It was his sixth Decca release, the single “Walking the Floor Over You”, that gave Tubb stardom and a gold disc by the Recording Industry Association of America late in 1965.
Ernest Tubb and his band, The Texas Troubadours, joined the Grand Ole Opry in February of 1943. His first band members were Chester Studdard, Ray “Kamo” Head, and Vernon “Toby” Reese. Tubb and his band were a regular on the radio show for four decades; and Tubb hosted his own radio show, the Midnite Jamboree, which followed the Grand Old Opry each Saturday evening.
Ernest Tubb surrounded himself with some of Nashville’s best musicians. Guitarist Jimmy Short added to the Tubb sound with his single-string guitar picking and clean, clear riffs. Steel guitarists Tommy “Butterball” Paige and Jerry Byrd, who eventually replaced Jimmy Short, added their sounds to Tubb’s recordings. Billy Byrd, who brought jazzy riffs to the instrumental interludes of the songs, joined The Troubadours in 1949 and added the four-note riff at the end of his guitar solos that became a recognizable part of Tubb’s songs. Billy Byrd would remain with Ernest Tubb until 1959, when he left to make several solo albums, later returning to play again with Tubb.
In 1949 Ernest Tubb teamed up with the famous Andrew Sisters to record a cover of Eddy Arnold’s “Don’t Rob Another Man’s Castle” and the western-swing “I’m Bitin’ My Fingernails and Thinking of You”. This two-song record sold 750,000 copies. Later that year, he teamed up with singer and musician Red Foley, recording “You Don’t have to Be a Baby to Cry”. The duo of Tubb and Foley released seven albums together, maintaining a friendly ‘on-the-air” feud over the years.
Known for having one of the best bands in country music history, Ernest Tubb was inducted into the County Music Hall of Fame in 1965. In 1970, he was inducted into the Nashville Songwriters Hall of Fame. Tubb inspired some of the most devoted fans of any country artist; his fans loyally followed him though out his career, long after his songs stopped making the charts. He remained a fixture at the Grand Ole Opry and continued to host his Midnite Jamboree radio show. Tubb appeared as himself in Loretta Lynn’s 1980 autobiographical film “Coal Miner’s Daughter” along with fellow country stars Roy Acuff and Minnie Pearl.
Tubb’s singing voice remained intact until late in life, when emphysema developed. He still continued making over two hundred appearances, traveling with an oxygen tank, shaking hands and signing autographs with every fan who stayed after the show. His health problems eventually halted his performances in 1982. Ernest Tubb made his final appearance at the Grand Ole Opry on August 14, 1982. He died in 1984 and is buried in Nashville’s Hermitage Memorial Gardens.
H. A. Petersen, “The Flying Liner”, Date Unknown, Illustration from the Judge Magazine
The “Judge” was a weekly satirical magazine published in the United States from 1881 to 1947. I was launched by artists who had seceded from its rival magazine “Puck”. The founders were cartoonist James Albert Wales, dime novels publisher Frank Tousey and author George H. Jessop.
This illustration shows the optimism at the time that science and innovation can overcome the forces of nature that affect man. Here a modern ship, the Aerotania, is given the ability through the wonders of scientific advancement to jump over icebergs, one of the deadly hazards to shipping.
“The fact is, the Time Traveller was one of those men who are too clever to be believed: you never felt that you saw all round him; you always suspected some subtle reserve, some ingenuity in ambush, behind his lucid frankness.”
― H.G. Wells, The Time Machine
Advertising Poster for “Murders in the Zoo”, 1933, Directed by A. Edward Sutherland, Paramount Pictures
“Roars, shrieks, and cackling of the wild animals on the screen at the Paramount yesterday were echoed to an amazing degree by the audience, at times driven to a mild state of hysteria by scenes in ‘Murders in the Zoo’.” – John Scott, “’Murders in Zoo’ Opens on Screen”, Los Angeles Times, April 3, 1933
Artist Unknown, “Severe Battle in the Sky”, The Illustration of the Great European War, Plate 110, Shobido and Company, Tokyo, Japan
The Shobido and Company, a Tokyo printing firm, produced many series of illustrations of World War I battles and maps. Each series was done by a different Japanese artist, and were presented in sets of eight lithographs. These were printed from 1914 through 1918.
Keller the Magician Poster, “Levitation”, 1900-1909
Harry Kellar was an American magician, a predecessor of Harry Houdini and a successor of Robert Heller and Isaiah Hughes, under whom he apprenticed. Referred to as the “Dean of American Magicians”, he is shown here performing one his most memorable stage illusions, the “Levitation of Princess Karnac”.
The “Parisian”, 1888, Commercial Color Lithograph, Issued by Allen and Ginter Cigarettes, Metropolitan Museum of Art, New York
This trade card was from the “World’s Smokers” series (N33) issued in 1888 in a set of fifty cards to promote the Allen and Ginter brand cigarettes; the company was located in Richmond, Virgian. Printer’s samples were included in the set, as well. The printer’s sample cards are on a thinner card stock without printed text.
Each card in the series measures 2.75 x 1.5 inches. One card was packed in each box of ten cigarettes.
Photographer Unknown, Vintage Photo, (The Pugilist)
“There is a distinct art in boxing, because there is method, strategy, technique rules and all the bells and whistles that the general public knows. However, since the beginning of time mankind was destined to appreciate the art of combat; and that is the mortal sacrifice – you put yourself out there and display a virtual painting, an interactive canvas that portrays the nature of the human body and what it’s capable of, and as an outcome, the object of combat is not to sacrifice yourself to entertain spectators, no, but to make the other bastard sacrifice himself to entertain spectators – thus comes the art of honor. It’s not a thirst for blood, not at all – but an astonishment, an appreciation for the capabilities of a human that bares his soul naked for the art of combat using strictly his body.” – Ghaleya Aldhafiri