Photographers Unknown, A Collection: Brief and Concise
“Like all sweet dreams, it will be brief, but brevity makes sweetness, doesn’t it?”
—Stephen King, November 22, 1963
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Photographers Unknown, A Collection: Brief and Concise
“Like all sweet dreams, it will be brief, but brevity makes sweetness, doesn’t it?”
—Stephen King, November 22, 1963
A Black and White Collection
“But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you.”
–Stephen King, Salem’s Lot
Halloween: First Chapter: The Clown
“Want your boat, Georgie?” Pennywise asked. “I only repeat myself because you really do not seem that eager.” He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore.
“Yes, sure,” George said, looking into the storm drain.
“And a balloon? I’ve got red and green and yellow and blue…”
“Do they float?”
The clown’s grin widened. “Oh yes, indeed they do. They float! And there’s cotton candy…”. George reached.The clown seized his arm.
And George saw the clown’s face change.What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke.
”They float,‘” the thing in the drain crooned in a clotted, chuckling voice.
It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches
.”They float,” it growled, “they float, Georgie, and when you’re down here with me, you’ll float, too–”.
-Stephen King, It
Artist Unknown, (The Nightmare Becomes Reality)
“For a moment he felt a wild hope: perhaps this really was a nightmare. Perhaps he would awake in his own bed, bathed in sweat, shaking, maybe even crying . . . but alive. Safe. Then he pushed the thought away. Its charm was deadly, its comfort fatal.”
―
Photographer Unknown, (The Ocre Room Nude)
“the late afternoon sunlight, warm as oil, sweet as childhood …”
―
Artist Unknown, (The Werewolf), Digital Art
Something inhuman has come to Tarker’s Mills, as unseen as the full moon riding the night sky high above. It is the Werewolf, and there is no more reason for its coming now than there would be for the arrival of cancer, or a psychotic with murder on his mind, or a killer tornado.
—Stephen King, “Cycle of the Werewolf”, Chapter 1, January, p. 14.
Stephen King’s “Cycle of the Werewolf” was adapted for the 1985 movie “Silver Bullet”, directed by Daniel Attia.