Photographer Unknown, (The Clasp of Steel)
Tag: steel
Jame Jones
Jame Jones, “Beyond the Edge of Reason”, Stainless Steel, 3 Meters Wide
James Jones is fascinated by our ever changing notion of consciousness. By creating forms that juxtapose the scientific with the spiritual, the philosophical with the biological, James explores our belief systems and the systems within the mind/body that create our experience of the universe. The interrelated concepts of unity; opposites; balance; the internal and external; micro and macrocosms; the self and the soul are also examined through his sculptural work.
James’s recent sculptures involve the use of “zeros” and “ones” that can be seen as a metaphor for mutually dependent dualities such as on-off, male-female, all-nothing. By combining this visual language with a variety of forms, James attempts to further question our notion of consciousness.
Floyd Elzinga
Steel Sculptures by Floyd Elzinga
Rotten stumps, broken branches, invasive species, ravaged trees as well as polar opposites and dysfunctional objects; these are the things that excite Floyd Elzinga. He has made a career out of highlighting and glorifying these through three dimensional sculpture, relief work and environmental installations for over 15 years. Current themes in his work focus on broken landscapes, portraits of trees and the aggressive nature of seeds.
Floyd received a Bachelor of Fine Arts from the Nova Scotia College of Art & Design in Halifax, NS. He was initially drawn to steel, due to its malleable, plastic and forgiving nature, and he continues to utilize its range of colours as well as the way light plays off the surface. He has been exploring traditional metal working techniques to create textures and depth the same way a painter would use a paintbrush.
Elzinga’s Pine Cone Colony installation was featured at The Campbell House Museum during Toronto’s 2010 Nuit Blanche ( Bottom two images of steel pine cone in a fire). Public commissions of his work can be seen in the lobby of the Ritz-Carlton Hotel in Toronto, as well as Rockcliffe Park Village Green, Ottawa, and the Canadian side of the Queenston-Lewiston Bridge.
Alexander Liberman
Alexander Liberman, “Olympic Illiad”. Steel Sculpture, 1984, Seattle, Washington
“Olympic Iliad” is a 1984 steel sculpture by Alexander Liberman, located in the lawn surrounding the Space Needle at Seattle Center in Seattle, Washington, United States. Liberman, known for his use of industrially manufactured materials, cut giant steel cylinders at varying angles and lengths, painted them an industrial red, and assembled them to form an immense structure that one can walk around and underneath.
Alexannder Calder
Alexander Calder, “Five Swords”, Painted Steel, 1976, Storm King Art Center
Alexander Calder’s sculpture “Five Swords” is on display at Storm King Art Center in the Hudson Valley of New York. In 2015, this sculpture underwent its “generation” treatment on site – a treatment that is designed to withstand another 40 years with only periodic top coating for fading. The work included taking all coatings back to metal, protecting the steel substrate with a zinc rich primer, applying a subsequent epoxy primer and Calder Foundation approved Calder Red topcoat.
The topcoat is a custom-made, adapted military coating that was developed through a collaboration between the Calder Foundation, the Army Research Laboratory, NCP Coatings, and Mack Art Conservation. Care was taken during the conservation treatment to collect and contain all debris in compliance with federal and state specification owing to the presence of a lead containing primer that was applied in the 1970’s.



















