Howard Tangye

Portraits by Howard Tangye

Born in 1948 in Queensland, Howard Tangye is an Australian illustrator, portraitist, and educator who has been an influential force in fashion design for decades. A figurative abstract artist, he is best known for his portraits executed in a mixture of oils, watercolors, pastels, inks and graphite. 

Howard Tangye studied at London’s Saint Martins School of Art where he earned his Bachelor of Arts in Fashion and Textiles in 1974. He continued his studies at New York’s Parsons School of Art where he received in 1976 his postgraduate degree in Drawing. For seventeen years, Tangye was head of BA Fashion Design: Womenswear at Central Saint Martins where he taught such noted fashion designers as Wes Gordon, Stella McCartney, Christopher Kane, Zac Posen, and Hussein Chalayan. 

Over the course of his teaching career, Tangye developed a distinctly characteristic art practice that employs decisive fine lines and the bold use of richly layered materials. His extensive study of the subtleties manifested in the human form provides the basis for rendering his subject’s intrinsic nature. Although Tangye’s  work bears similarities to that of Egon Schiele, Tangye’s line-work has an intriguing lyrical nature in contrast to the raw intensity of Schiele’s expressionist lines. 

Although a fashion tutor with an extensive knowledge of textiles and textures, Howard Tangye does not define himself as a fashion illustrator. What he finds most interesting is drawing the sitter, not the clothes worn. Tangye draws those with whom he has developed a connection. Because of this, his vibrant works offer the viewer an insight into the sitter’s mind and personality. Tangye will often, in the same work, depict the sitter three or four times, each image slightly altered or shifted in position. Previous depictions of the sitter are not removed but drawn over. This practice of leaving alterations visible in the finished work is known in Italian as pentimenti, or repentance.  

Tangye has been exhibited his work in  many group and solo shows. From 1991 to 2001, he regularly exhibited at the charity auction at the Royal College of Art for St. Christopher’s Children’s Hospice. He has exhibited at the Lethaby Gallery of Central Saint Martins; Galerie Dessers in Leuven, Belgium; the John Soane Museum and the Amar Gallery in London; and the 2020 Armory Show in New York, among others. In 2013, the Victoria and Albert Museum selected fifty-six of Howard Tangye’s original works for their permanent collection. In 2014, London’s Hus Gallery hosted a solo exhibition, entitled “Casting the Line”, that contained twenty-five works created by Tangye created over a span of twenty years.

In addition to private collections and the Victoria and Albert Museum, Howard Tangye has work in London’s National Portrait Gallery and in the Ethelbert Cooper Gallery of Harvard University at Cambridge, Massachusetts. His 2013 art book “Within” was released through a Kickstarter campaign and was completely sold out within a year. A second edition was released, with some small design changes, in 2020 through the publisher “Stinsensqueeze.

Howard Tangye’s website is located at: https://howardtangye.com

Top Insert Image: Adam Rogers, “Howard Tangye”, 2023, Photo Shoot for Water Journal, Volume 5°, London, United Kingdom

Second Insert Image: Howard Tangye, “In the Garden There Was a Lemon Tree”, 2018, Mixed Media on Bockingford Paper, 153 x 122 cm

Bottom Insert Image: Howard Tangye, “Mike (Writing at the Studio Table)”, 1988-1989, Mixed Media on Pergamenata Paper, 100 x 70 cm

Geoffrey Laurence

The Artwork of Geoffrey Laurence

Born in Paterson, New Jersey in 1949, Geoffrey Laurence is an American painter, illustrator, educator and designer of both graphic and interior work. Although considered an artist of the realism school, he is more concerned with the emotional responses that can be achieved through various painting techniques. Laurence finds figurative painting to be artificial by its very nature and, thus, an abstraction of the observed life-experience. For him, the goal of all painting is to engage the viewer in an emotional narrative.

Geoffrey Laurence’s parents were naturalized Americans, refugees from Europe and Holocaust survivors. At four years of age, Laurence moved with his family to England where he received his education. In 1965, he entered London’s Byam Shaw School of Art where he studied under geometric painter Bridget Riley. After receiving his London Certificate in Art and Design in 1968, Laurence studied graphic design for a year under poster artist Tom Eckersley at the London College of Printing. In 1969, he studied under Frederick Gore, the Head of the Painting Department, at Saint Martins School of Art where he earned his Bachelor of Arts in 1972.

Laurence moved to New York City in 1992 and attended the New York Academy of Art where he studied with painter and draftsman Eric Fischl and realist painter Vincent Desiderio. Laurence received his Master of Fine Arts Cum Laude in 1995. He worked freelance for the next tweety years in different art-related fields. Laurence was an illustrator for several magazines, including “Woman’s World” and “Look Now”, as well as a graphic designer for such companies as Pineapple and British Petroleum. 

In the fashion industry, Geoffrey Laurence created a range of t-shirts for Walt Disney, the British online clothing retailer Burton and the UK-based global retailer French Connection. He also created work for fashion designer Katherine Hamnett and such companies as PampleMouse and Muscle Sport. During the 1990s, Laurence did interior design work for restaurants including London’s Zen restaurant chain. His design work has appeared in Vogue Magazine, the Royal Institute of British Architects magazine and the London Evening Standard. In addition to applying his skills to freelance work, Laurence continued his focus on figurative drawing and painting, work which regularly appeared in exhibitions. 

Exposed to art since early childhood, Laurence has always been fascinated with the history of its development from early cave paintings to European masterworks. He sees art, which is older than verbal language, to be a major part of being human, that distinction which establishes human identity and elevates man from mere mechanical life. Laurence’s work has evolved over the course of his career and developed into two general themes. The first is maintaining a balanced link between pre-1900 classical painting and work of a more contemporary nature. The second is the continuation of a meaningful visual response to the Holocaust, a personal dedication resulting from his being the offspring of concentration camp survivors.

Geoffrey Laurence has been painting and exhibiting his work both in the United States and Europe for over forty-five years. In addition to group and solo gallery exhibitions, his work has been exhibited at the Brighton Museum in the United Kingdom; Taos, New Mexico’s Van Vechten-Lineberry Museum; Sacramento’s Center for Contemporary Art; the Wausau Museum of Contemporary Art in Wisconsin; and Chicago’s Zhou B Art Center, among others. Laurence was recently a finalist at the 2023 ARC Art Renewal Centre Salon in New York City.

Among Laurence’s many honors have been the 1995 Walter Erlebacher Award, the 2004 Robert Rauschenberg Award, the 2006 George Sugarman Foundation Grant, the 2017 Palm Art Award, the 2018 PoetsArtists/Bauhaus Award, and the 2023 Robert Rauschenberg Grant. Laurence has taught at the Santa Fe Art Institute, the Los Angeles Academy of Figurative Art, the Santa Fe School of Art at SFCC, Seattle’s Gage Academy of Fine Art, and Santa Fe’s Bettina Steinke Studio. He is currently represented in the United States by Richard J. Demato Fine Arts Gallery in Romeo, Michigan.

Geoffrey Laurence’s website, which includes technical resources for artists, classes, and contact information, can be located at: http://www.geoffreylaurence.com

Second Insert Image: Geoffrey Laurence, “Animal Nature”, Date Unknown, Oil on Canvas, 76.2 x 50.8 cm, Private Collection

Third Insert Image: Geoffrey Laurence, “The Brother”, 2006, Oil on Canvas, 96.5 x 71.1 cm, Private Collection

Bottom Insert Image: Geoffrey Laurence, “Hold Fast”, 2004, Oil on Canvas, 198.1 x 182.9 cm, Private Collection