richard taddei – ultrawolvesunderthefullmoon

The Artwork of Edward Melcarth

Born at Louisville, Kentucky in January of 1914, Edward Melcarth was an American painter, photographer and sculptor who developed his own style, Social Romanticism, a Renaissance-influenced attempt to describe man’s idealized view of himself. Active in the post-World War II art scene, Melcarth spent most of his career in New York City where he painted and sculpted images of blue-color workers, sailors, hustlers, and tradesmen.

Known for his emotionally evocative and heroic portrayals of the male figure, Melcarth focused his work on masculinity, portraiture, religion and contemporary American culture. His images of working-class men showed their grit, brute strength and determination to overcome difficulty. At the same time, the images were visual vehicles that examined gay male desire in a society that found it socially unacceptable. Melcarth’s paintings ranged in size from smaller portraits to large-scale, complex scenes of interacting figures accentuated with light and shadow.

Edward Melcarth, born Edward Epstein, was the son of the wealthy Jewish couple, Edward Epstein Sr. and Eva Ehrmann. His grandfather was the noted Kentucky Bourbon Whiskey distiller Hilmar Ehrmann. Melcarth’s uncle was activist lawyer and author Herbert B. Ehrmann; his aunt Sara R. Ehrmann was a Boston civic activist and first president of the League of Women Voters.

Eva Ehrmann, after the 1920 death of her husband, remarried in 1926 to Sir Reginald Mitchell Banks, who was a Member of Parliament. The family moved to the United Kingdom where Melcarth spent his early formative years. To pursue his interests and a career, he studied at Chelsea College of Arts in London; painter Stanley William Hayter’s Atelier 17 in Paris; and Harvard University in Cambridge, Massachusetts.

In February of 1936, Melcarth rejected his family’s Jewish religion and changed his last name from Epstein to Melcarth, possibly a variation of Melqart, a protector god of ancient Semitic people. Although he considered himself both a communist and openly gay, he was briefly married in Paris from 1939 until the divorce in 1944. During World War II, Melcarth traveled with other American volunteers in 1943 to Persia where they constructed air strips for the allied forces. In 1944, he served as a seaman in the United States Merchant Marines until the end of the war. Melcarth returned to the United States in the fall of 1951 and taught briefly at Kentucky’s University of Louisville.

In February of 1952, Edward Melcarth traveled to Italy where he resided for a period at Venice’s Casa del Tre Oci, a modern neo-Gothic palace on the island of Giudecca. Melcarth returned to the United States in November of 1952 and made New York City his primary residence. His acquaintances and friends included writers Tennessee Williams and Gore Vidal, photographer Thomas Painter, sexologist Alfred Kinsey, artist Henry Faulkner, art collector Peggy Guggenheim, and businessman Malcolm Forbes, who established a major collection of Melcarth’s work.

In 1957, Melcarth created a ceiling mural depicting theatrical muses for the newly renovated Lunt-Fontanne Theatre, originally the Globe Theatre, on 46th Street in Manhattan. Beginning in 1967, Melcarth worked on a two-year project of trompe l’oeil murals and sculpted busts for the rotunda at the luxurious Pierre Hotel that faces New York’s Central Park. The painted Italian landscape murals included mythological figures and couples viewed between illusionistic columns.

Edward Melcarth relocated to Venice in 1970 where he lived until his death from cancer at the age of fifty-nine in December of 1973. Throughout his career, he taught at the University of Louisville, Parsons School of Design, Columbia University, the University of Washington, and New York’s Art Students League. Melcarth received both a grant and the Childe Hassam purchase award from the Institute of Arts and Letters, Chicago Art Institute’s Altman Prize, and the National Academy of Design’s Thomas B. Clarke Award.

Notes: Edward Melcarth’s papers, correspondence, and writings are housed in the Smithsonian’s Archives of American Art: https://www.aaa.si.edu/collections/edward-melcarth-papers-7865

An article by museum curator Hunter Kissel entitled “Illuminating the Underrepresented: Presenting Edward Melcarth” can be found at: https://static1.squarespace.com/static/5c3cc8a11aef1d1735f564f7/t/5cf29f0ad328900001e55860/1559404302304/IlluminatingTheUnderrepresented.pdf

The bi-monthly literary and history magazine Gay & Lesbian Review has an interview between writer Taylor Lewandowski and painter Richard Taddei, a former student and friend of Melcarth, on its site: https://glreview.org/article/richard-taddei-on-his-mentor-edward-melcarth/

The Artwork of Richard Taddei

Born in New York City in 1946, Richard Taddei is an American painter known for his male figurative works which are abstracted and seen through opposing picture planes and geometrical spaces. Raised in New Hyde Park in Long Island, he attended the Art School of the University of Toledo, Ohio in 1964. Taddei transferred to New York’s Pratt Institute of Art in 1967 to study architecture and art; later in the year he traveled to Europe to explore its art museums.

In 1968, Taddei began mentoring under the Kentucky-born artist Edward Melcarth, known for his Renaissance-influenced illustrations and paintings. Through Melcarth, he was introduced to the techniques employed in the art of Trompe l’Oeil and Venice’s seventeenth-century paintings. Taddei met photographer and designer John Loring in the same year; they would live together and form a design collaboration for creations at Tiffany & Company.

After a move to a SoHo loft in the early half of the 1970s, Richard Taddei began several personal associations which influenced his work and life. In 1972, he traveled to Italy where he lived and worked alongside Edward Melcarth; later in the same year, Taddei met Peggy Guggenheim, the entrepreneur Malcolm Forbes who began collecting his work, and the nature-inspired oil painter David Hill. In 1975, Taddei lived in Paris for a year with David Hill and Canadian painter Joseph Plaskett, both of whom influenced his figurative work.

After a 1976 move to the TriBeCa area of New York City, Taddei had his first painting exhibitions with the art dealer Jualian Pretto and later presented work in a group show curated by Keith Haring in the East Village. In the 1980s, Taddei established a career in the decorative arts in which, among other works, he created designs for china, scarves, backdrops and table settings for Tiffany & Company. Taddei also created murals for events at New York City’s Tavern on the Green, the Metropolitan Museum’s Party of the Year, and the Annual Gala at London’s Victoria & Albert Museum.

Richard Taddei’s paintings had appeared in many galleries, both in group and solo exhibitions. These include many group exhibitions in Provincetown, Massachusetts, including two solo exhibitions. Taddei’s work has also been shown in galleries in New York City, including the contemporary Hal Bromm Gallery. His most recent solo exhibition of new work was the January-February 2022 “Looking at Men” held at the Fine Art Gallery of the Wallkill River School located in New York’s Hudson Valley.

Richard Taddei’s paintings have been championed by the Leslie/Lohman Gay Art Foundation and has been represented by the MDH Fine Arts Gallery. Images of Taddei’s work and contact information can be found at the artist’s site located at: https://www.richardtaddei.com

Bottom Insert Image: Richard Taddei, “Italian Sailors”, 1986, Oil on Canvas, 76.2 x 111.8 cm, Private Collection