Rainer Maria Rilke: “Be Ahead of All Parting”

Photographer Unknown, Be Ahead of All Parting

“Sei allem Abschied voran, als wäre er hinter

dir, wie der Winter, der eben geht.

Denn unter Wintern ist einer so endlos Winter,

daß, überwinternd, dein Herz überhaupt übersteht.

Be ahead of all parting, as though it already were

behind you, like the winter that has just gone by.

For among these winters there is one so endlessly winter

that only by wintering through it will your heart survive.”

—Rainer Maria Rilke, Be Ahead of All Parting, (The Sonnets to Orpheus: Book 2: Xiii), First Stanza

A short biography of Rainer Rilke is located at: https://ultrawolvesunderthefullmoon.blog/2020/09/10/the-shadow-and-the-light/

Image reblogged with many thanks to: https://doctordee.tumblr.com

Rainer Maria Rilke: “(Life) Holds You in Its Hand”

 

Photographers Unknown, A Collection: Life Holds You in Its Hand

“So don’t be frightened, dear friend, if a sadness confronts you larger than any you have ever known, casting its shadow over all you do. You must think that something is happening within you, and remember that life has not forgotten you; it holds you in its hand and will not let you fall. Why would you want to exclude from your life any uneasiness, any pain, any depression, since you don’t know what work they are accomplishing within you?”

—Rainer Maria Rilke, Letters to a Young Poet

Born in Prague, Czechia, in December of 1875, Rainer Maria Rilke  was a Bohemian-Austrian poet and novelist, recognized as one of the most lyrically intense German-language poets. He was unique in his efforts to expand the realm of poetry through new uses of imagery and syntax and with an aesthetic philosophy that rejected the precepts of Christianity and worked to reconcile beauty and suffering. 

In 1899 Rilke made the first of two pivotal trips to Russia, discovering what he called his spiritual fatherland in both the Russian people and the landscape. There he met Leo Tolstoy, L O Pasternak, and the peasant poet Spiridon Droschin, whose poems he translated into German. These trips provided Rilke with the poetic material and inspiration essential to his developing philosophy of existential materialism and art as religion. 

Rilke’s verse became firmly fixed in his major poetry collection “Newe Gedichte (New Poems)”, with its verses becoming more objective, evolving from an impressionistic personal vision to the representation of this vision with impersonal symbolism. The major influence of this was Rilke’s association with French sculptor Auguste Rodin, under whom he worked as a secretary from 1905 to 1906. These verses employed a simple vocabulary to describe subjects experienced in everyday life, transforming his observations into art. 

In the last few years of his life, Rilke was inspired by such French poets as Paul Valery and Jean Cocteau, and wrote most of his last verses in French. Rilke suffered from illness his whole life and died of leukemia in 1926 while staying at the Valmont sanatorium near Lake Geneva.

“Letters to a Young Poet” is a collection of ten letters written by twenty-seven year-old Rainer Rilke to Franz Xaver Kappus, a nineteen year-old officer cadet at the Theresian Military Academy in Wiener Neustadt, Austria. Kappus corresponded with the poet from 1902 to 1908, seeking his advice as to the quality of his poetry, and in deciding between a literary career or a career as an officer in the Austro-Hungarian Army.These letters offer insight into the ideas and themes that appear in Rilke’s early poetry and his working process.

“Remarkable, this journey from the youthful music of Bohemian folk poetry… to Orpheus, remarkable how… his mastery of form increases, penetrates deeper and deeper into his problems! And at each stage now and again the miracle occurs, his delicate, hesitant, anxiety-prone person withdraws, and through him resounds the music of the universe; like the basin of a fountain he becomes at once instrument and ear.”

—Herman Hesse, My Belief: Essays on Life and Art,  (A summary of Rainer Maria Rilke’s evolution as a poet)

Dragon

Artist Unknown, (The Fire Dragon)

“How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.

So you must not be frightened if a sadness rises up before you larger than any you have ever seen; if a restiveness, like light and cloudshadows, passes over your hands and over all you do. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why do you want to shut out of your life any uneasiness, any miseries, or any depressions? For after all, you do not know what work these conditions are doing inside you.”
Rainer Maria Rilke, Letters to a Young Poet

Rainer Maria Rilke: “You Lift Slowly One Black Tree”

Artist Unknown, (The Dramatic Entrance), Computer Graphics, Gay Film Gifs

“Whoever you are: in the evening step out
of your room, where you know everything;
yours is the last house before the far-off:
whoever you are.
With your eyes, which in their weariness
barely free themselves from the worn-out threshold,
you lift very slowly one black tree
and place it against the sky: slender, alone.
And you have made the world. And it is huge
and like a word which grows ripe in silence.
And as your will seizes on its meaning,
tenderly your eyes let it go…”

Rainer Maria Rilke, The Book of Images

 

Autumn in the Northeast

Autumn is Now Here on the East Coast

“Early this morning I read about your autumn, and all the colors you brought into your letter were changed back in my feelings and filled my mind to the brim with strength and radiance.
Yesterday, while I was admiring the dissolving brightness of autumn here, you were walking through that other autumn back home, which is painted on red wood, as this one’s painted on silk.”

–Rainer Maria Rilke, Letters on Cézanne

Rainer Maria Rilke: “A Broad Melody Always Wakes Behind You”

Photographers Unknown, Interactions Between Men

“Whether it be the singing of a lamp or the voice of a storm, whether it be the breath of an evening or the groan of the ocean — whatever surrounds you, a broad melody always wakes behind you, woven out of a thousand voices, where there is room for your own solo only here and there. To know when you need to join in: that is the secret of your solitude: just as the art of true interactions with others is to let yourself fall away from high words into a single common melody.”

Rainer Maria Rilke, The Collected Works of Rainer Maria Rilke: The Complete Works PergamonMedis