Friedrich Nietzsche: “I Sail with All Winds Straight Ahead”

Finding Ten and Two

“Understanding what makes you ‘tick’ isn’t half as much fun as finding out what makes you ‘tock’!”
― Anthony T. Hincks

“Since I grew weary of the search
I taught myself to find instead
Since cross winds caused my ship to lurch
I sail with all winds straight ahead.”
― Friedrich Nietzsche, The Gay Science

Mike Fudge

Mike Fudge, “Kuba Dunny”, Dark Version, New Release by KidRobot

“I think of Kuba as a sculpted figure created by a member of this imaginary tribe”, says Fudge of his totemically styled Dunnydecoration. Noting that the piece’s title “comes from the human-like bear characters I often name Kub”, Fudge explains that the “story of Kuba relays that the figure has been uncovered in ancient sites all over the world, suggesting there is a connection and contact [between these cultures] that we knew nothing of previously”. And if “all these cultures had previous contact amongst each other”, the artist ponders of his piece’s fictional backstory, “then maybe there is something we have yet to find out about their ability to communicate or travel”.

As a potential answer to his own hypothetical question, Fudge muses that maybe “it was Kuba who allowed these ancients to transcend the laws of the universe and spread what seemed like impossible knowledge to every corner of the earth”. But the powers accredited to Kuba don’t end there, according to its creator. The “dark version of Kuba“, which is limited to 1300 pieces worldwide, “can bring upon its owner the ability to see into the future and peer into the past”, says the artist.

https://www.kidrobot.com/collections

Beth Cavener Stichter

Beth Cavener Stichter, “A Rush of Blood to the Head”, Clay

Clay sculptor, Beth Cavener Stichter has a unique approach to the artistic expression of the emotional human experience, through animals. Titled “A Rush of Blood to the Head,” the title of a Coldplay song, her sculpture depicts two male goats standing on their hind legs, their mouths locked in a passionate embrace.

“I select animal subjects since the animal body is removed just enough from my own to establish a distance, yet the personal relationship is irresistible. Here, I become far enough away from myself to unravel questions previously tangled in a self-conscious quagmire.”

Her creatures seem to embody the same consequences as humans, yet they are cloaked in animal skin. “Beneath they are experiencing the impacts of aggression, territorial desires, isolation, pack mentality … I want to pry at those uncomfortable, awkward edges between animal and human.”