Two Towels and a Man

Photographer Unknown, (Two Towels and a Man), Selfie

“When spring came, even the false spring, there were no problems except where to be happiest. The only thing that could spoil a day was people and if you could keep from making engagements, each day had no limits. People were always the limiters of happiness except for the very few that were as good as spring itself.”
Ernest Hemingway, A Moveable Feast

 

Guy Denning

Guy Denning, “Halabja”, Oil on Canvas Panel, 2009

Denning’s early work included an interest in the work of Franz Kline and was characterised by powerful, expressive brushstrokes in mainly abstract paintings. Since the early 90s he has combined earlier influences with an increasingly figurative style of painting. The human figure features strongly in his latest work and he uses this subject matter to convey powerful emotions, often with political overtones.

Structurally his work is very dynamic showing a concern for strong draughtsmanship with a spontaneous application of colour. He does not always work to set motifs, but sometimes makes paintings and drawings from observation and photographic reference

The Fisherman with the Red Hat

Photographer Unknown, (The Fisherman with the Red Hat)

“The dreamer is a distinguished operatic artist, and, like all who have elected to follow, not the safely marked general highways of the day, but the adventure of the special, dimly audible
call that comes to those whose ears are open within as well as without.”

–Joseph Campbell, The Hero With a Thousand Faces