August Sander

August Sander: Portraits from “People of the Twentieth Century”

Born in 1876 in Herdorf, a small village east of Cologne in Rhineland-Palatinate, Germany, August Sander was a photographer, now viewed as a forefather of conceptual art and a pioneering documentarian of human diversity.

Sander spent his time, between 1897 and 1899, as a photographer’s assistant during his military service. In 1901, Sander started working for a photo studio in Linz, Austria, became a partner in 1902, and then the proprietor in 1904. By this time, he already had several exhibitions and purchases of his work by museums. After many successful exhibitions of his work, Sander relocated his studio to Cologne.

In 1911, August Sander began the first series of portraits for what would be his monumental project, “People of the Twentieth Century”, an archived and sustained photographic enterprise of twentieth-century man, These emphatically objective photographs from the years of the Kaisers, the Weimar Republic, the Nazi regime, and the early Federal Republic make up an unprecedented document of both the individual and the collective recent history of the German people.

In 1927, August Sander traveled through Sardinia for three months, where he took hundreds of photographs. A exhibition of his portraits at the Kölnische Kunstverein in 1927 received positive reviews from both critics and the public. This exhibition led to the 1929 publishing of Sander’s “Antlitz der Zeit (Faces of Our Time)”, which included the first sixty portraits from his twentieth-century series and an introduction by German novelist and essayist Alfred Döblin.

Under the rise of the Nazi regime in Germany, Sander’s work and personal life were greatly restrained. In 1934, Sander’s son Erich, a member of the Socialist Workers’ Party, was arrested and sentenced to ten years in prison, where he died shortly before the end of his sentence. The printing blocks for Sander’s “Antlitz der Zeit” were destroyed and unsold copies impounded in 1936 by the authorities, most likely due to the publication’s image of a heterogeneous German society of which the Nazi Party disapproved.

Despite the political situation in Germany between 1933 and 1945, August Sander continued working in his Cologne studio, portraying intellectuals, Jewish citizens, National Socialists, as well as regular people from the street. Many of these commercial portraits were included in his opus ”People of the Twentieth Century” where they became a political statement. Beginning in 1942, Sander started to relocate the most important parts of his negative archive to Kuchhausen, a small village in Westerwald, where he continued both his commercial photographic work and his project wor

Although August Sander’s main studio in Cologne was destroyed in a 1944 bombing raid, tens of thousands of his negatives, which he had left behind in the basement of a former apartment in Cologne, survived the war. In a later 1946 fire, approximately twenty-five thousand negatives were destroyed in the same apartment basement. In 1946, Sander continued his historical archive with a post-war photographic documentation of the bombed city of Cologne in 1946.

Sander sold a portfolio of four-hundred and eight photographs of Cologne, taken between 1920 and 1939, to the Kölnisches State Museum in 1953. These photos would form the 1988 book “Koõin wie es War (Cologne As It Was)””. In 1962 an edition of eighty photographs from the “People of the Twentieth Century” was published as a book entitled “German Mirror: People of the Twentieth Century”. Still working on his project at the age of eighty-eight, August Sander died of a stroke on April 20th in 1964. His body was buried next to his son Erich in Cologne’s Melaten Cemetery.

One of the most ambitious undertakings in the history of photography, the “People of the Twentieth Century” project occupied Sander for some 40 years, from the early 1920s until his death, during which he took portraits of hundreds of German citizens and then categorized them by social type and occupation — from farm laborers to circus performers to prosperous businessmen and aristocrats. Remarkable for their unflinching realism and deft analysis of character and lifestyle, Sander’s individual images stand out as high points of photographic portraiture and collectively propose the idea of the archive as art.

Although the Nazis confiscated the first publication of Sander’s work, and the majority of his negatives were later destroyed by fire, approximately eighteen hundred portrait negatives for “People of the Twentieth Century” survived, as well as Sander’s notes and plans. Together with the existing vintage prints, they have provided the basis for current reconstruction of Sander’s ambitious project in both book and exhibition form.

Middle Insert Image: August Sander, “Workmen in the Ruhr Region”, 1928, Silver Gelatin Print, August Sander Archive, VG, Bild-Kunst

Leonardo Corredor, “João Knorr”

Leonardo Corredor, “João Knorr”, Los Angeles Photo Shoot for Man About Town, January 2019

Born in Mérida, Venezuela, and based in New York City, Leonardo Corredor is a photographer and art film director. Before his photography career, he was professional model, named Best Venezuelan Model in 2007. Since his first appearance as an actor in 2010, Corredor has appearred in several acting roles on television series, including “Control Remoto”, “Dum Dum”, and “La Merienda”. He has also hosted Telemundo’s show “Invasion Casera”.

In 2012 Corredor became a creative director and fashion photographer for webzines, print magazines and fashion advertisers, including Essential Homme, Man About Town, Rollercoaster Magazine, Portrait, Fashionably Male, and Solar Magazine, among others. He is represented by The Industry MGMT, a artist and model management agency, focused on still and motion photography, with offices in New York and Los Angeles.

Examples of Leonardo Corredor’s photographic and video work can be found at his site located at: https://www.leonardocorredor.com

Eden Yerushalmy, “Yuval Sliper”

Eden Yerushalmy, “Yuval Sliper”, 2020, Eroticco Magazine

Eden Yerushalmy is a professional hair stylist and photographer of portraits and fashion; he is living and working in Tel Aviv, Israel. Yerushalmy has done work for: the clothing company Urban Outfitters and the online magazines Graveravens, Maxculine Dosage, Kaltblut Magazine, Yup Magazine, and The Male Fashion..

Yeurshalmy”s exclusive photo shoot of Yuval Sliper, an Israeli model with the BOLD talent agency, was posted in the November 2020 issue of the online Eroticco Magazine, located at: https://eroticcomagazine.com..

For information on Eden Yerushalmy’s work, a link to the artist’s sites is located at: https://www.instagram.com/edenyeru/

Richard Laeton

Digital Photographic Art by Richard Laeton

Born and raised in Long Beach, New York, Richard Laeton is a graphic designer and illustrator. He attended the Carnegie Mellon University from 1973 to 1975, receiving his BA in Communication Design, and the Parsons School of Design from 1974 to 1975, earning his MFA in Illustration and Design. Laeton currently lives and works in Marin County, California.

A versatile graphic designer with expertise in all phases of art direction, Laeton was graphic designer and illustrator for the SYDA Foundation from 1995 to 2003. He was art director for the global world music label Real Music from 2005 to 2012. During that period, Laeton founded Laeton Designs, a provider of designs and illustrations for private clients, as well as a source for commissioned portraitures, fine art drawings, and other digital work.

Richard Laeton creates works of art that blend conventional photography and painting with digital technology. Inspired by the naturally occurring forms, contours, and colors in the environment, his figurative work uses natural colors with a layered and textural approach to the image. Laeton’s works include figurative works, celebrity portraits, floral images, abstracts, and meditative works.

For more information and available images for purchase, Richard Laeton’s website is located at: https://richard-laeton.pixels.com

Insert Image: Richard Leaton, “Andrea P”, Date Unknown, Digital Art Photography

Travis Chantar

Photography by Travis Chantar

Born in California and raised in the mountains of Idaho by two moms, Travis Chantar studied music in Minnesota and settled in Brooklyn, New York, as an artist and freelance photographer. He first developed a passion for decorating and portrait photography in high school, after which he progressed to creating poster imagery for shows in college. Upon graduation, Chantar combined his enthusiasm for painting and portraiture to produce a solo exhibition entitled “Tribe”, a body painting series which resulted in a published art monograph of the same name. A subsequent series entitled “Flowers” consisted of images of nude sitters adorned with flower and petal arrangements.

In 2014, Chantar began assisting Ryan Pfluger, a New York and Los Angeles based freelance photographer, in his high-profile shoots for publications such as Vogue, New York Times, Billboard, Elle, Netflix, and other image oriented companies. Chantar’s work has included both book and album covers, product campaigns, and portfolio work for creative agencies. Most recently, Chantar published editorials in Risk Magazine, Out Magazine, FGUK Magazine, Natural Pursuits Magazine, Kaltblut Magazine, and VMAN Magazine.

For more information and images, the artist’s website is located at: http://www.chantarphotography.com

Hans Mauli

Black and White Photography of Hans Mauli

Born in Switzerland in 1937, Hans Mauli studied graphic design at university for a career. In the late 1960s, he worked in New York for the celebrated American graphic designer Herb Lubain and was the designer of the art-deco typeface ITC Avant Garde, the font used for the World Trade Center signage. Mauli also worked for Young & Rubicam, a global full-service advertising agency in Paris, and in other world-wide cities including Copenhagen, London, New York, and Paris between the years 1971 and 1991.

Though graphic design was his profession, Mauli always had a passion to be a professional photographer. He moved to the United States in 1991 to focus on his career in photography. Mauli has produced a number of photographic series including: Chinese New Year, Portraits, Italy, Paris, Still Lifes, and two series on life in San Francisco. Recently he has done a series of shoots covering Napa Valley and Saint Helena, including the 2020 Glass and lightning fires in California.

For more information and images of Hans Mauli’s work visit the artist’s site located at: http://www.hansmauli.com

George Daniell

The Photography of George Daniell

Born in May of 1911 in Yonkers, New York, George Daniell was an American photographer and a painter. His experience in the dramatic landscape of his childhood was the genesis that led to his passion for black and white photography’s cinematic effects. Taking a keen interest in a variety of subjects throughout his life, Danielle shot photos of dock workers in New Brunswick, crabbers on the Hudson, swimmers at Glen Island Beach and ballet dancers on Fire Island, all of which to him presented a fierce and tender celebration of the angular male figure.

George Daniell began his artistic career with a folding Kodak camera and a drawing class at the Grand Central Art School in New York City. He trained as a painter at Yale University, where he graduated in 1934 earning a Bachelor of Arts Degree in Painting and Photography. After returning to Yonkers, Daniell began photographing fishermen and bathers along the banks of the Hudson River, traveling further to Glen Island, Jones Beach, and Fire Island on subsequent excursions. Moving to New York City and attending courses at the Art Students League, he supported himself as a freelance photographer for publications such as “Time” and “Life” magazines.

In the summer of 1937, Daniell traveled north to Maine, first visiting the art colony at Ogunquit and then continuing up the coast to Monhegan Island. Developing his eye for composition and tonal values, he shot many images of Monhegan’s distinctive houses, rugged terrain, and working fishermen. The publication of many of these Monhegan images in both “Time” and “Life” earned Daniell a reputation as an artist with a keen sense for recognizing the human moments within everyday life. He followed this project in the following year with an internationally acclaimed photo essay about the lives of herring fishermen living on Grand Manan Island, off the coast of New Brunswick.

In 1940 in New York, George Daniell continued his studies of painting at Bronx’s American People’s School, after which he served from 1942 to 1944 in the US Army during World War II. After his discharge he returned to New York City, purchased a house on Fire Island, and continued his freelance photography career. Soon after resuming his work, Daniell met and fell in love with realist-expressionist painter and gallery owner Stephen Dorland. The couple moved in 1960 to Trenton, Maine, near Acadia National Park, to paint and to start a country life together; over the next forty years, they would travel and paint together.

George Daniell’s association with renowned photographer and owner of the famous “291” Gallery, Alfred Stieglitz, would lead to his most known series of work, the celebrity portraits. Meeting Georgia O’Keeffe at the gallery would result in two famous intimate photo shoots, one in 1948 at Daniell’s Fire Island house and one in 1952 at O’Keeffe’s Ghost Ranch in New Mexico, which formed a lasting friendship between the two. Some of the famous subjects included in this celebrity series were landscape painter and friend John Marin, photographer Berenice Abbott, writer Tennessee Williams, and actors Robert De Niro and Greta Garbo.

Over the course of his career, George Daniell spent a considerable amount of time traveling abroad, completing two around the world excursions. Between 1950 and 1954, he photographed many street scenes and images of the local people in Rome and Florence. Returning to Italy for two months in 1955, Daniell shot a series of images depicting the streets and countryside of devastated postwar Italy; he also shot a series of portraits on the movie sets of Rome’s Cinecittà Studios. Marked by a distinct sense of sensuality and interest in his subjects, these two series, which Daniell considered his favorite work, combined his democratic vision and his recognition of the celebrity.

Affected by Stephen Dorland’s death in October of 1983 and suffering from depression, George Daniell was hospitalized and shortly after suffered a stroke which limited his mobility. Drawn to the dark and deep tones of the North Atlantic Coast, which coalesce in his early paintings, Daniell moved to Bar Harbor, Maine where he returned to painting. He continued working as a photographer and painter until his death on September 14, 2002 at the age of ninety-one.

The George Daniell Museum located in South Beach, Florida, houses a full collection of George Daniell’s work which covers the years from 1920 to 1991, and includes paintings, aquarelles, and his more personal photographs. The collection was recently unearthed by his estate and was presented through the cooperation of the German organization Zentraldepot, a security facility with conservators and restorers.

Top and Bottom Insert Images: Self Portraits of George Daniell, George Daniell Estate

Middle Insert Image: George Daniell, “Steve Dorland in Acapulco”, 1944, Silver Gelatin Print, 34.5 x 23.1 cm, George Daniell Estate

Naur Calvalcante

Photography by Naur Calvalcante

Naur Cavalcante is a designer and photographer, specializing in portraiture and commercial advertising, working in both Três Lagoas and São Paulo, Brazil. His work has been presented in the magazines: “Revista Planter”, “Revista Ella”, “Em Focco”, and the online magazines “Image Amplified” and “Morphosis”.

More information on the artist’s work can be located at: https://naurcavalcante.46graus.com

Arlene Gottfried

Photography by Arlene Gottfried

Born in August of 1959 in Coney Island, New York, Arlene Gottfried was a photographer who recorded scenes of ordinary life in some of New York City’s more impoverished neighborhoods. At the age of nine, Arlene Gottfired’s family moved to the Crown Heights area where its Puerto Rican culture caught her attention and expanded her world view. Later in the 1970s, her family moved to the Alphabet City neighborhoods of the East Village and the Lower East Side of Manhattan.

Arlene Gottfried studied photography at the Fashion Institute of Technology where she was the only woman in her class. She later moved to Manhattan as a photographer for an advertising agency, where she did commercial work which at that time was a male-dominated profession. Switching to freelance work, Gottfried began shooting images for publications such as LIFE, the Village Voice, The New York Times Magazine, TIME, CBS News, and London’s The Independent. Her freelance work gave her the time and opportunity to wander the streets, always carrying a camera, and shoot her images spontaneously.

Gottfried’s subjects are consistently depicted with a sense of intimacy and curiosity, in which strangers are indistinguishable from friends. In every frame, no matter how tough the subject matter, there is never a sense of detached irony or coolness. She approached all her subjects with careful empathy and directness.

Gottfried produced several series of importance including the 1991 “The Eternal Light” series on the Eternal Light Community Singers, a choral group on the Lower East Side which she later joined, and her 2016 series “Mommie”, her last collection and an epic compilation containing forty years of work documenting the women in her family. Gottfried, a frequent visitor of the Nuyorican Poets Cafe, was accepted into the Nuyorican downtown culture and documented her close friend Midnight’s years-long struggle with mental health problems in her 2003 series “Midnight”.

In 2008, a retrospective of Gottfried’s earlier black and white work was published as “Sometimes Overwhelming” by PowerHouse Books. Her “Barcalaitos and Fireworks”, a collection of images of New York’s Puerto Rican community in the 1970s, inspired by its poetry and music, was published in 2011.

Through her life, Arlene Gottfried continued to capture the excitement of everyday life in New York City. She died from complications of breast cancer, surrounded by friends and family. in August of 2017 at her home. Gottfried’s photographs are held in the collections of The Brooklyn Museum; The Jewish Museum; The Tang Teaching Museum, The North Carolina Museum of Art; and the New York Public Library.

Andrea Pezzatti

Photography by Andrea Pezzatti

Andrea Pezzatti is a freelance photographer working in the fields of portraiture, commercial, and landscape photography. Based in both Montevideo and Paysandú, Uruguay, she has traveled worldwide, producing portfolios of her work in Italy, France, Spain, Argentina, and Sicily. Pezzetti is currently shooting her work with both the Canon Powershot GFX Mark iii and the Canon Eos 6D.

More examples of Andrea Pezzatti’s work can be found at her 500px site located at: https://500px.com/p/andreapezzatti?view=photos

James Baldwin: “The Child is Filled with Darkness”

Photographer Unknown, The Child is Filled with Darkness

“In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won’t talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he’s moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It’s what they’ve come from. It’s what they endure. The child knows that they won’t talk any more because if he knows too much about what’s happened to them, he’ll know too much too soon, about what’s going to happen to him.”

—-James Baldwin, Sonny’s Blues

“Sonny’s Blues” is a short story written by James Baldwin, originally published in 1957 in the Partisan Review, a small circulation quarterly New York City magazine dealing with politics, literature, and culture. Written in the first-person singular narrative style, the story presents the memories of a 1950s black teacher in Harlem as he reacts to his brother Sonny’s drug addiction, arrest, and recovery.

Baldwin’s story is set in New York City of the post–World War Two era, when an important political and cultural change was occurring. A diverse array of artists from all over the world, learning and borrowing ideas and techniques from each other, converged in the city and made New York a new cultural capital. Despite differences in style and subject matter, these artists were responding, through their work, to what they believed was America’s unique cultural and political crisis.

While the art scene in New York was rapidly expanding, thousands of African American soldiers were returning home from the war and heading north toward communities like Harlem. Instead of finding new job opportunities and equal rights, the returning men found newly constructed housing projects and vast urban slums. Hundreds of homes in Harlem had been leveled to build these housing projects, which would eventually become symbols of urban blight and poverty,. This experience would be faced by thousands of other African-Americans in the years after the war’s conclusion.

Although America in the 1950s was generally more conservative, the groundwork for the 1960s radical political movements was being laid. The civil rights movement, which had begun in the South earluer in the decade, had started to rapidly spread across the country as millions of African Americans began to seek equal rights. Written at this critical juncture in history, James Baldwin’s “Sonny’s Blues” is a testament to the frustration of life in the cities of America and this frustration’s eventual transformation into a political and artistic movement.

Baldwin’s “Sonny’s Blues” was adapted for a short film of the same name by Gregory Scott Williams Jr for his second year project at New York University’s Graduate Film Program. Written and directed by Williams, the short, seventeen-minute film was produced by Seith Mann and starred actor Charles Parnell as the narrator-brother David, and New York-based poet and verbal stylist Saul Williams in the role of Sonny. The cinematography was by Cybel Martin, featuring the music of Gil Scott-Heron and Ray Charles with an original score by composer and pianist John Bickerton. The film can be found in its entirely at YouTube: https://www.youtube.com/watch?v=5Y9CDEfnKvQ

Harald Kreutzberg

Hans Robertson, “Portrait of Harald Kreutzberg”, 1931

Born in Liberec, Czech Republic in December of 1902, Harald Kreutzberg was a modern dancer and choreographer, known for his roles in both traditional ballets and expressive dance dramas. He played a major role in the development of the expressionist modern dance in Germany.

Trained at the Dresden Ballet School, Kreutzberg studied under two of the most important figures in modern dance, Mary Wigman and Rudolf Laban, and was a critical link in the aesthetic lineage that gave rise to American choreographer and composer Alwin Nikolais, choreographer and dance educator Hanya Holm, and many other U.S. choreographers.

In 1926, Harald Kreutzberg was in Swiss theater choreographer Max Terpis’s “Don Morte”, a version of Edgar Allen Poe’s novel “The Masque of the Red Death”. A year later, he appeared in the plays “Turnadot and Jedermann” and as Puck for “A Midsummer Night’s Dream”, both directed by Max Reinhardt. Kreutzberg accompanied Reinhardt to New York City where he began a tour of the United States, Canada, and Europe with the dancer Yvonne Georgi.

While his impact on expressionist modern dance was sweeping Europe, in the United States, Kreutzberg was considered by many as a major force in the development of the male modern dancer. He was not afraid to challenge the gender norms in his time. Kreutzberg tended to incorporate feminine movements and costuming in his performances, especially alongside his dance partner Yvonne Georgi. He specifically inspired male dancers by breaking the stereotypical roles of princes, birds, and mythical gods.

With their international tours from 1928-1931, Kreutzberg and Yvonne Georgi exposed the public to the style of expressionist dance. Many gay male dancers in Germany also pursued their careers during the years of the National Socialist government. He was the most notable among them as his long-term partnership with his accompanist and composer Friedrich Wilckens was an open secret. While other gay men were imprisoned and forced to wear a pink triangle, Kreutzberg was allowed to tour throughout Germany and abroad.

In 1943, Harald Kreutzberg appeared as a jester in Georg Willhelm’s film “Paracelsus”, in which he performed a modern hypnotic dance. Choreographer George Balanchine and writer Lincoln Kirstein invited him to share a program with the New York City Ballet in the late 1940s. Kreutzberg established his own dance school in 1955 in Bern, Switzerland, and retired from the stage in 1959. He continued to choreograph for others and teach at his school until his death in Bern on April 25, 1968.

Insert Image: German photographer Hans Robertson, who specialized in the genre of dance, took this photo, on December 11, 1902, showing Harald Kreutzberg wearing a headdress for a performance at the Volksbühne in Berlin.

Stephen Busken, “Jesse Metcalfe”

Stephen Busken, “Jesse Metcalfe”, 2014, Photo Shoot, Styled by Monty Jackson

Stephen Busken, the son of a bakery owner in Cincinnati, Ohio, is a portrait, fashion, and architecture photographer living and working in East Los Angeles. Known for injecting his energetic personality into his work, he combines his technical knowledge with his artistic sense to create both soulful and elegant images.

Busken has done a long series of portrait work, shooting images of interior designer Jeremiah Brent, multi-media artist Petra Cortright, floral designer Eric Butterbaugh, and painter Zachary Crane, among others. He has also done corporate work for such clients as Lexus, Bravo, Vogue, Interview, Traditional Home, Esquire, Interiors Magazine, and MM Magazine.

This series of photographs is the second photo shoot by Stephen Busken of actor Jesse Metcalfe. The first shoot was a black and white image series for the June 20th, 2015 issue of Flaunt, a digital American satirical fashion and cultural magazine which engages art with technology.

Mikolaj Kaczmarek

Photographer Unknown, “Combattants de la Grande Polgne (Fighters of Greater Poland)”, 1918-19, Colorization by Mikolaj Kaczmarek

Mikolaj Kaczmarek is a Polish graphic artist and photographer. Recognized for the quality of his colorization work on historical photos, he now works in conjunction with Poland’s Institute of National Remembrance and the Polish National Fund.

Examples of Kaczmarek’s work, including photos and histories of Polish freedom-fighters during World War II, can be found at: https://www.facebook.com/KolorHistorii/?ref=page_internal

Sunil Gupta

The Photographic Work by Sunil Gupta

Born in New Delhi, India in 1953, Sunil Gupta is an artist, educator, photographer, and curator. He studied at the London’s Royal College of Art and completed his doctoral program at the University of Westminster in 2018. He has been involved with independent photography as a critical practice since the 1970s focusing on race, migration and queer issues. Gupta’s work has been instrumental in raising awareness around the political realities for international gay rights and the visible tensions between tradition and modernity, both public and private.

In the mid-1970s, Gupta studied under Lisette Model at the New School for Social Research and became interested in the idea of gay public space. It was during this period that he shot his early street series “Christopher Street, New York”, documenting the daily lives of gay men in lower New York City.

In the 1980s, Gupta constructed his “Exiles” series, consisting of documentary images of Indian gay men in the architectural spaces of Delhi, which with images and texts described the conditions for gay men in India at that time. His series with the fictional name, “Mr. Malhotra’s Party”, was shot twenty years later and updates this theme during a time in which queer identities are more open and also reside in virtual space on the internet and in private parties.

Gay nights at local clubs in Delhi are always sign-posted as private parties in a fictitious person’s name to get around Section 377, a British colonial law, which still criminalizes homosexuality in India. Mr Malhotra is is the ubiquitous Punjabi refugee who arrived post partition and contributed to the development of the city.

Among Sunil Gupta’s published works are the monographs: “Wish You Were Here: Memories of a Gay Life” published by Yoda Press, New Delhi in 2008; and “Pictures From Here”, published by Chris Boot Ltd., New York, in 2003. Along with photographer Charan Singh, whose work is informed by HIV/AIDS work in India, Sunil Gupta exhibited in 2008 “Dissent and Desire” at Houston’s Contemporary Arts Museum, which was accompanied by the book, “Delhi: Communities of Belonging”.

Sunil Gupta is a Professorial Fellow at UCA, Farnham, and Visiting Tutor at the Royal College of Art, London, and was the Lead Curator for the Houston Foto-Fest in 2018. Gupta’s work is in many private and public collections including, George Eastman House; Tokyo Metropolitan Museum of Photography; Philadelphia Museum of Art, Royal Ontario Museum; Tate Museum in London; and the Museum of Modern Art in New York.

Note: For those interested in Sunil Gupta’s work, a lecture at the International Center of Photography by Sunil Gupta on his life and work: https://www.youtube.com/watch?v=7aPdzwCKvP4

Bottom Insert Image: Sunil Gupta, “The New Pre-Raphaelites 3%”, 2007, Color Print. jpg