Tag: photo shoot

Manuel Scrima and Paolo Rutigliano, “Ariel Ben-Attar”

Manuel Scrima and Paolo Rutigliano, “Ariel Ben-Attar”, 2020 Exclusive Photo Shoot for Homotography Magazine

Manuel Scrima is an Italian-Belgium photographer, artist and director who is based in Milan. His works, inspired by both classical and neoclassical art, draw upon the techniques of light and shadow used by the Dutch master painters to create the warm intimacies typical of their work. 

As a youth, Scrima’s earliest exposure to art was the mysterious paintings of Belgian symbolist painter Fernand Khnopff, whose works would form a major influence on the collective work of Gustav Klimt. Later influences on Scrima’s photography included the work of Keith Haring, the pop art works of Andy Warhol, and the marble figurative sculptures of the Italian Renaissance.

Manuel Scrima spent years living among the tribal peoples of Africa’s Rift Valley in the countries of Kenya, Uganda, Ethiopia, and South Sudan. His interaction with these cultures resulted in photographic series that deeply examined their cultural identity, the basic foundations of their lives, and their exposure and interaction with the expanding modern globalization. 

A pivotal point in Scrima’s career was his 2006 photographic exhibition “Africa Awakens”, a well-received and successful show by critics and the public. The exhibition was in support of two international non-government organizations in Kenya, The International Community for the Relief of Starvation and The New World International, which combats child poverty, provides clean water, malaria prevention, and intervention in HIV and AIDS. The show toured museums and galleries in England, Ireland, France, Finland, Italy and Kenya. Due to his work in Africa, Scrima was appointed by UNESCO as the artist to exhibit and celebrate the culture of Kenya.

Paolo Rutigliano is an art director and photographer known for his work in the fashion world. He has done multiple shoots for Homotography, Kaltblut Magazine, and Desnudo Magazine, among others. Rutigliano’s fashion shoot with model Anilton Cabral was featured in the October 2020 issue of Desnudo Magazine.

Born in September of 1995, Ariel Ben-Attar is an Israeli international model who lives and works from Tel Aviv. As a competitive fitness model, he received the name Mr. Israel.

Manuel Scrima’s website can be found at: https://www.manuelscrima.com, Images and contact information for Paolo Rutigliano can be found at his Instagram site: https://www.instagram.com/paolorutigliano/?hl=en

Hervé Lassïnce

The Photography of Hervé Lassïnce

Hervé Lassïnce is a French theatrical actor, screen writer, and self-taught photographer who grew up in Créteil, a culturally diverse suburb of Paris. Before he pursued his passion for photography, he had begun a career as a theatrical actor, a talent which he still continues. Lassïnce has performed with actors Jérôme Deschamps and Macha Makeîff and, in 2016, appeared in a Jean-Michel Ribes play at Paris’s Théâtre du Rond-Point.

Lassïnce began his career in photography with images of those closest to him, his family, friends and lovers. The strong emotional connection he had with these subjects, displayed in his initial work, is still evident in his most recent photographs. Generally, Lassïnce prefers to photograph subjects he knows as the sense of familiarity is stronger; however, he often photographs people he meets who catch his attention. As he considers his photography a story of friendship, Lassïnce still makes an effort to know his subject better before attempting the composition of the shoot.

Hervé Lassïnce photographs natural landscapes, an example of which is his large format photograph of water rushing over the cliffs of Niagara Falls. For many of his photographs, however, natural scenes serve as settings for his nude male subjects. In these shoots, Lassïnce presents natural and joyful images that show men as ordinary people comfortable in their skin. There exists in most of his nude compositions an unexpected, often curious, element that catches the eye and draws the viewer’s interest, such as tinted lighting, vased flowers, lit cell phones, or a cat sitting quietly nearby. 

Lassïnce first began showing his work through Facebook and Instagram. After seeing images of his work printed on fine art paper, he began to exhibit in galleries and sell editions to collectors. In 2015, Lassïnce’s first photography collection was published by Florian Gaité, entitled “Mes Fréres (My Friends)”. At this time, he also expanded his work as a freelance photographer by shooting personality portraits and illustrating articles for magazines. 

Among the influences on his work, Hervé Lassïnce has listed the work of American photographer Nam Goldin who became known for her exploration of the lives and intimacies within the LGBT subcultures. He was also influenced by the compositions and homo-eroticism in works by such painters as José de Ribera, Caravaggio, and Théodore Géricault, one of the pioneers of France’s Romantic movement.

Lassïnce’s photography has been the subject of several exhibitions including those at Paris’s Galerie P38 and Galerie Agathe Gaillard; the November 2020 exhibition at Villa Noailles in Hyères, France; the International Festival of Fashion and Photography in Los Angeles; the Offarch Gallery in Milan; the Philharmonie de Paris; and the 2021 “Gallery of Instant Love” exhibition at the Design Museum of London. 

Hervé Lassïnce’s website, which includes contact information and purchasable prints, can be found at https://h-photography.format.com

Andrea Vanía: “Paolo”

Andrea Vanía, “Paolo”, Photo Shoot for Pineapple

Andrea Vanía is a photographer, dancer and choreographer who used his skill at visualizing concepts through imagery for a career in fashion and advertising. In that career, he set up art scenes for shooting both video clips and for music and fashion sets. Seeking to work without restraints from client requests, Vanía started freelance work to explore his own personal esthetic view.

Trained as a dancer to use the human form and the surrounding space as a way to interpret music, Vanía also used drawing to describe and understand the tensions and harmonies of a human body in motion. Now as a photographer, he attempts to produce intense and honest work that explores both the power and the fragility of the male nude. The figures in his work are presented through a wide range of lighting techniques and are set in environments ranging from interiors and urban settings to lush forests. 

Vanía’s photo session of Paolo, shown above, was produced for Pineapple, an online site for explicit artworks and photo sessions. It serves as an exhibition space for the wide spectrum of emerging artists and photographers in the gay scene. The site also presents interviews with the various contributing artists. 

Pineapple’s site, with contact and submission information and purchasable artwork, can be found at: http://pnpplzine.com

Eliot Elisofon

Eliot Elisofon,“Marcel Duchamp Descending a Staircase”, 1952, Gelatin Silver Print, Image Size 33.5 x 26.8 cm, Mead Art Museum, Amherst College

Born in New York City in April of 1911 to immigrant parents, Eliot Elisofon, born Meyer Eliot Elicofon, was a photojournalist and a documentary photographer. His humble upbringing and childhood struggles inspired his career as a photographer; the human condition with all its struggles became the central focus of his work. 

Elisofon graduated from Fordham University in 1933 and first produced advertising photographs for Vogue and Mademoiselle magazines. By 1937, he was regularly contributing work to Life magazine on a variety of subjects, including theater, military exercises, coal miners, and elite society events. In 1936, Elisofon became a founding member of the Photo League, a cooperative of New York photographers who covered creative and social causes. One of its more active members, he gave lectures, collaborated with sociologist and photographer Lewis Hine on the “Men at Work” project, and taught courses on flash photography and photojournalism. 

In 1937, Eliot Elisofon became associated with filmmaker Willard Van Dyke, Harper’s Bazaar art director Alexey Brodovitch, Beaumont Newhall, the photography curator at the Museum of Modern Art, and Tom Maloney, the editior of U.S. Camera magazine. His first exhibition of his New York street photography was shown at the Pennsylvania Museum of Art and New York’s avant-garde Julien Levy Gallery, In 1938, Elisofon’s “Playgrounds of Manhattan” was shown at the New School, a progressive arts college in New York City. 

Elisofon was hired in 1939 as a photographer in the Federal Writers’ Project, a WPA New Deal Program, for its series “These Are Our Lives”, which contained thirty-seven life histories of both black and white farm laborers, factory and mill workers, and workers in service occupations or on relief. Beginning in 1942, Elisofon was a war correspondent and a photographer for Life magazine; he was the only photographer to accompany General Patton throughout the North African Campaign. These photographs taken during the campaign became part of the exhibition “The Tunisian Triumph”, which opened in June of 1943 at MOMA and later traveled to twenty cities. Elisofon continued to be associated with Life and other magazines until 1972. 

Over the years, Eliot Elisofon traveled to six continents and nineteen books of his work were published during his lifetime. During his photographic journeys around the African continent, Elisofon assembled a collection of African art and took over eighty thousand images; the art and photographs are now part of the collection of the National Museum of African Art in Washington, DC. 

Eliot Elisofon’s photograph “Marcel Duchamp Descending a Staircase” was shot for a ten-page article written by Winthrop Sargeant on Marcel Duchamp, a key member of the Dada movement, for the April 28, 1952, issue of Life magazine. One of Duchamp’s most significant works was his early 1912 painting “Nude Descending a Staircase”, a cubist image in the manner of the chronophotography work of Eadweard Muybridge, who was a pioneer in the study of movement and measurement through multiple image photography. Elison’s 1952 time-lapse photograph of Duchamp descending a flight of stairs was done as a tribute to Duchamp’s famous painting; the image above is one of the two staged shots that Elisofon produced in the photo shoot.

Top Insert Image: Eliot Elisofon, “Self Portrait with Speed Graphic Camera, New York City”, 1936, Gelatin Silver Print

Bottom Insert Image: Marcel Duchamp, “Nude Descending a Staircase (No. 2)”, 1912, Oil on Canvas, 151.8 x 93.3 cm, Philadelphia Museum of Art

Enrique Toribio

Enrique Toribio, Red Series, Limited Edition Series, Model Unknown

Enrique Toribio is a Spanish photographer who currently lives and works in Madrid. He studied Design at Madrid’s School of Arts and Crafts and later earned a degree in Industrial Pattern Design. Since the mid-1980s, Toribio has been involved in couture costume design for theatrical productions of work by Chekhov, Ibsen, and Tennessee Williams. He has also designed costumes for cabaret and dance productions, both Spanish and classical. 

Beginning in 2003, Toribio has concentrated on his photography with an emphasis in figurative and portraiture work. Particularly interested in the aesthetic treatment of body and facial expressions and textures, he endeavors to recreate the appearance of mid-twentieth century photography with the use of digital technology.

Enrique Toribio has participated in several international photography exhibitions, including the Second Great LGBT Photo Show at Leslie & Lohman in New York City, and multiple exhibitions in Spain, including “ABRAZOS” at the Museum of Contemporary Art Conde Duque in Madrid. He has received recognition for his work at Argentina’s FotoRevista competitions in both 2017 and 2018, and received Third Prize at FotoRevista in February of 2018. Toribio’s work has also appeared in several digital photographic magazines and has been included in Joris Buiks’ 2011 phtotographic anthology “Turnon: Tattos”, published by Bruno Gmunder.

Enrique Toribio’s photographic work is available through Saatchi Art: https://www.saatchiart.com/etoribio

The artist’s website is located at:  https://etoribio.com

 

Andreas Fux

Photography by Andreas Fux

Born in East Berlin of the German Democratic Republic in 1964, Andreas Fux is a photographer whose body of work focuses on how the human individual evolves into his own artistic creation. He belongs to the Prenzlauerberg photo artist scene, which documented the last decade of the German Democratic Republic. 

Andreas Fux initially trained from 1980 to 1982 as an electrician. In 1983, he began his own sstudy of  the process and techniques of photographic work. During the years between 1983 and 1988, Fux exhibited his photographs in private gallery spaces. His first published works appeared in a 1988 issue of Das Magazin, a monthly East Berlin magazine that focused on culture and lifestyle. Working as a freelancer, Fux provided the publication with black and white photographs covering Berlin’s punk and youth culture.

 In 1989, Fux worked on photo productions for Deutsche Film-Aldiengesellschaff, the state-owned film studio of East Germany. Since 1990, he has been working as a freelance photographer for various newspapers and magazines, as well as executing his own photographic projects. In 1992, Fux’s first solo photographic book was published entitled “The Russians”; it was a supplement to his solo exhibition, of the same name, at the Janssen Gallery in Berlin, a show which later traveled to Hamburg and Munich. 

Andreas Fux gained a wider audience for his work with the 2005 series “The Sweet Skin”, which covered a decade of works between 1995 and 2005. For this series of portraits which focused on tattoos and skin scarification; he followed the lives of his models, with daily documentation and night shoots in his studio. Against a mostly white background and in the silence of the photo studio, nude photographs of his models were taken, in which the contrast between intimacy of the body and clinical sterility of the room was exaggerated. In another series entitled “At the End of the Night”, whose topic was body culture, the nude, and sexuality, Fux posed his subjects against a black background with a selective light source that modeled and fragmented the models sculpturally. 

Fux’s 2001 series “The Horizonte” is reminiscent in its formality of the 1980s “Seascapes” series done by Japanese photographer and architect Hiroshi Sugimoto, in which Sugimoto bifurcated the landscape images exactly in half by the horizon line. At the beginning of September 2001, Fux travelled across the North Sea on board a Ukrainian training sailboat. For this series, he celebrated the beauty of the horizon as an interaction between sea, clouds and light. The images of “The Horizonte” series were seen by the critics as an expression of calm and innocence. For his 2010 series “Kerberos and Chimaira”, Fux staged his motifs in a wind tunnel at Berlin-Adlershot. Using the strict compositions of expressionism and the aesthetic codes of the latex and fetish scene, his series examined  a dangerous and often not considered proximity between the erotic picture codes of fetishism and the aesthetics of National Socialism.

For his 2016 exhibition “Shame and Beauty”,  Andreas Fux opposed new portraits with a selection of older works, a combination which showed the development of his oeuvre over the years. His new work preserved the almost tender and respectful handling of his subjects found in his early works. The photographic sessions in which he bathed his models in soft light took an entire night, were meticulously planned, and took place in a highly sensitized atmosphere. This Berlin show contextualized the discussion on governmental and social repression and persecution; the works in this show had previously been exhibited by Fux in Moscow in September of 2015 under rather adverse conditions.

Andreas Fux has had solo exhibitions in Germany and abroad, including the Widmer and Theodoris Gallery in Zurich, the Photo Festival in New York, the Esther Woerdehoff Gallery in Paris and the Pasinger Fabrik Gallery in Munich.

A collection of Fux’s photo work from Berlin can be found at: https://andreas-fux.berlin

Franz Szony

Photographic Work by Franz Szony

Raised in Reno, Nevada, Franz Szony is a writer and photographic artist whose main body of work, both in its fine art and commercial forms, embraces conceptual portraiture. 

After finishing his primary education in 2014, which included art classes at an early age, Szony relocated to San Francisco where he attended the Academy of Art. At the academy, he initially studied fashion and illustration, and, later. focused on photography. After learning the technical aspects of photography, Szony returned to his hometown of Reno where, as a freelance artist, he photographed different advertisement campaigns for newspapers, theaters, and several casinos. He exhibited his own work in a small gallery he created and hosted monthly nude drawing workshops in that space. 

Szony moved to Los Angeles in 2012 and settled in the Brewery Artist Loft complex, an industrially zoned area where artists rent living and working space. Inspired by the area’s creative energy, he photographed campaigns for perfume and fashion brands, created album covers, and did creative photographic work for companies, including Disney and Warner Brothers. 

Influenced by illustrators such as Marc Davis and Erte, and, at an early age, by the extravagant stage shows of Reno’s casinos, Franz Szony’s conceptual portraiture work is lush both in its color and settings. His images are presented ambiguously in time and place, and androgynously in character. Szony’s photographs often contain symbolic or mythological elements and convey psychological, political, and sexual identity messages to the viewers.  

Franz Szony is also a songwriter who has produced several music videos in which he has incorporated his poetry and visual art. Shot over a period of three days, his music video, “Petunia”, based on several of his photographic pieces, was released in 2018. Other music videos by Szony include “La Petite Mort”, “Antibeige”, and “Pansy”, also released in 2018; and “What You Seek” and “Surrender Dorothy”, both released in 2020. 

Szony had solo exhibitions at Reno’s Sierra Arts Foundation in 2015 and at Hollywood’s World of Wonder Gallery in 2019. His work is included in many private collections. Franz Szony’s website is located at http://www.franzszony.com

Leonardo Corredor

The Black and White Photography of Leonardo Corredor

Born in Mérida, Venezuela, and based in New York City, Leonardo Corredor is a photographer and art film director. Before his photography career, he was professional model, named Best Venezuelan Model in 2007. Since his first appearance as an actor in 2010, Corredor has appearred in several acting roles on television series, including “Control Remoto”, “Dum Dum”, and “La Merienda”. He has also hosted Telemundo’s show “Invasion Casera”.

In 2012 Corredor became a creative director and fashion photographer for webzines, print magazines and fashion advertisers, including Essential Homme, Man About Town, Rollercoaster Magazine, Portrait, Fashionably Male, and Solar Magazine, among others. He is represented by The Industry MGMT, a artist and model management agency, focused on still and motion photography,  with offices in New York and Los Angeles.

Examples of Leonardo Corredor’s photographic and video work can be found at his site located at: https://www.leonardocorredor.com

Leonardo Corredor, “João Knorr”

Leonardo Corredor, “João Knorr”, Los Angeles Photo Shoot for Man About Town, January 2019

Born in Mérida, Venezuela, and based in New York City, Leonardo Corredor is a photographer and art film director. Before his photography career, he was professional model, named Best Venezuelan Model in 2007. Since his first appearance as an actor in 2010, Corredor has appearred in several acting roles on television series, including “Control Remoto”, “Dum Dum”, and “La Merienda”. He has also hosted Telemundo’s show “Invasion Casera”.

In 2012 Corredor became a creative director and fashion photographer for webzines, print magazines and fashion advertisers, including Essential Homme, Man About Town, Rollercoaster Magazine, Portrait, Fashionably Male, and Solar Magazine, among others. He is represented by The Industry MGMT, a artist and model management agency, focused on still and motion photography,  with offices in New York and Los Angeles.

Examples of Leonardo Corredor’s photographic and video work can be found at his site located at: https://www.leonardocorredor.com

Eden Yerushalmy, “Yuval Sliper”

Eden Yerushalmy, “Yuval Sliper”, 2020, Eroticco Magazine

Eden Yerushalmy is a professional hair stylist and photographer of portraits and fashion; he is living and working in Tel Aviv, Israel. Yerushalmy has done work for:  the clothing company Urban Outfitters and the online magazines Graveravens, Maxculine Dosage, Kaltblut Magazine, Yup Magazine, and The Male Fashion..

Yeurshalmy”s exclusive photo shoot of Yuval Sliper, an Israeli model with the BOLD talent agency, was posted in the November 2020  issue of the online Eroticco Magazine, located at:  https://eroticcomagazine.com..

For information on Eden Yerushalmy’s work, a link to the artist’s sites is located at:  https://www.instagram.com/edenyeru/

Haruki Murakami: “. . .From the Distant Past”

 

Photographer Unknown, From the Distant Past, Photo Shoot

“Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through is now like something from the distant past. We’re so caught up in our everyday lives that events of the past are no longer in orbit around our minds. There are just too many things we have to think about everyday, too many new things we have to learn. But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone.” 

—Haruki Murakami, Kafka on the Shore

Gus Green Van Sant, Jr: “My Own Private Idaho”

Bruce Weber, Promotional Photo Shoot for “My Own Private Idaho”

These two images, showing River Phoenix with Michael Parker and with Rodney Harvey, were taken by Bruce Weber during a promotional photo shoot in 1991 for director Gus Van Sant’s early 1991 masterpiece “My Own Private Idaho”.

Born in July of 1952, Gus Green Van Sant, Jr. is an American screenwriter, film director, photographer, painter and author who has produced acclaimed independent and mainstream films. His films typically contain themes of marginalized subcultures, particularly homosexuality. Van Sant is one of the prominent film artists of the New Queer Cinema movement. 

Van Sant made his feature-length directorial debut with his 1985 film “Mala Noche (Bad Night)”, a drama film based on poet Walt Curtis’s autobiographical novel of the same name.  His second feature, released in 1989, was the highly acclaimed “Drugstore Cowboy”, which earned him Best Director from the National Society of Film Critics. Van Sant followed this success with the a series of similarly praised films: the 1991 “My Private Idaho” and the black comedy “To Die For” in 1995. His next two films,  the 1997 drama “Good Will Hunting”, and the biographical film “Milk” in 2008, were nominated by the Academy Awards for Best Picture and Best Director. 

Note: You will find more information on Van Sant’s film “Malo Noche” at: https://ultrawolvesunderthefullmoon.blog/2015/07/09/mala-noche-directed-by-gus-van-sant-mala-noche/

Elys Berroteràn, “Nicolas Quevedo”

Elys Berroteràn, “Nicolas Quevedo”, Photo Shoot for “Kaltblut.” Magazine, September, 2020

Born in Caracas, Venezuela, in 1991, Elys Berroteràn is a photographer, fashion designer, model and actor. He started his career in fashion modeling and television commercial appearances. Deciding to make the fashion industry his career, Berroteràn formed Caracas Fashion in 2009, which, under his direction, is now one of the largest fashion showcases in Venezuela. One of his latest photography projects is “Moda Caracas Moda”, running the current fashion campaign “Born to be Wild”. 

Nicolas Quevedo is a model signed with the fashion and talent company Grupo 4 Colombia. 

Images reblogged with many thanks to the fashion magazine“Kaltblut.”, located online at https://www.kaltblut-magazine.com

Many thanks for inspiring this post to https://doctordee.tumblr.com

Ray Bradbury: “Something Wicked This Way Comes”

Photographer Unknown, (Leather, Beetle, and Snake), Photo Shoot, Model Unknown

“The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people’s salt and other people’s cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.”

—Ray Bradbury, Something Wicked This Way Comes

Konstantin Sorokin

Konstantin Sorokin, “Aboulfeit Djibrine Musa”, Photo Shoot

Konstantin Sorokin is a Moscow based photographer specializing on fashion and portraits. Besides his creative activities, he is actively sharing the experience of photography by teaching students and organizing seminars and lectures in different cities worldwide. 

Images reblogged with thanks to: https://celebswhogetslepton.tumblr.com

Ram Shergill, “Aaran Sly”

Ram Shergill, “Aaran Sly”, Photo Shoot Entitled ‘The Proust Ball’

British-born Indian fashion photographer Ram Shergill was severely visually impaired as a child. After having his eyesight corrected, he discovered the work of artists such as Richard Avedon, Cecil Beaton, and Irving, whom he credits as important inspirations and whose influence can be seen in his works. Shergill often uses the iconic images of previous fashion photographers and Old Master painters as inspirational starting points for his images, transforming them to create new effects for his contemporary models and settings. 

During his studies, Shergill initially worked with Philip Treacy on a project and, as a result, starting to work with Isabella Blow and Alexander McQueen, becoming a force within the fashion and art world himself. Shergill has became one of the key imagists of the avant-garde ‘Cool Britannia’ fashion scene and one of Britain’s leading fashion photographers and has since progressed into fine art photography.

Ram Shergill often designs his fashion and art photography toward the Indian Subcontinent, a region. often overlooked, with which he maintains a strong relationship. His works often show models exploring the culture and landscape of India’s culturally diverse provinces. A selection of his work of singer songwriter Amy Winehouse has been acquired by the National Portrait Gallery and are now part of the permanent Collection alongside artists such as David Hockney and Cecil Beaton.

Ram Sergill’s image above shows English model Aaran Sky in a setting with an atmospheric reminiscence of the Proust Ball. This gala occasion was considered socialite Marie-Helene de Rothschild’s greatest triumph, a 1971 ball thrown in honor of the 100th anniversary of Marcel Proust’s birth. Around 350 guests attended the extremely rich dinner at Château de Ferrières, her home outside of Paris, with 350 more guests arriving in time for a second, later dinner. Among the guests were Princess Grace of Monaco, Audrey Hepburn, Elizabeth Taylor and Richard Burton, and French model and actress Marisa Berenson. The photographer for the event was the renowned Cecil Beaton.

Ram Sergill’s website is located at: https://www.ramshergill.com

Italo Calvino: “Invisible Cities”

Photographer Unknown, (A View of the City), Photo Shoot

“What he sought was always something lying ahead, and even if it was a matter of the past it was a past that changed gradually as he advanced on his journey, because the traveller’s past changes according to the route he has followed: not the immediate past, that is, to which each day that goes by adds a day, but the more remote past. Arriving at each new city, the traveller finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.”
― Italo Calvino, Invisible Cities