Erik de Jong

 

Erik de Jong, “Owl (Eule)”, Date Unknown, Oil on Panel

Born in 1958, Erik de Jong finished his studies at the Minerva Academie in Groningen, Netherlands. In 1984 he decided to move to Amsterdam. De Jong had his first solo exhibition in Galerie Mokum. which has been a critical site for the exhibition of Dutch Realist painting.

De Jong has a preference for the theme of the human set in a landscape or in an interior. The people that he depicts are mostly men that are lost in thought or that are stilled in motion. In de Jong’s paintings, a distance is created between the spectator and the imaged figures in his paintings. This provides a moment of rest; but still there is a feeling of tension. The question arises as to whether there has already been an action performed or does that action still have to come.

Reality has always been the starting point of Erik de Jong’s paintings; but the border between reality and what is suggested is very thin. This is something that can be clearly seen in most of his recent paintings. Usually there are several hidden layers in the work of De Jong, requiring that the viewer look beyond the archetype images he has learned.

The Owl and the Man

Photographer Unknown, (The Owl and the Man)

ā€œOh, what a lovely owl!ā€œ Cried the Wart.Ā But when he went up to it and held out his hand, the owl grew half as tall again, stood up as stiff as a poker, closed its eyes so that there was only the smallest slit to peep through – as you are in the habit of doing when told to shut your eyes at hide-and-seek – and said in a doubtful voice, “There is no owl.ā€ Ā Then it shut its eyes entirely and looked the other way.

-T.H. White, The Once and Future King