Jalaluddin Rumi: “Infinite Mercy Flows Continually”

Black and White Photos: Here and There

“Infinite mercy flows continually
But you’re asleep and can’t see it.
The sleeper’s robe goes on drinking river water
While he frantically hunts mirages in dreams
And runs continually here and there shouting,
“There’ll be water further on, I know!”
It’s this false thinking that blocks him
From the path that leads to himself,
By always saying, “Further on!”
He’s become estranged from “here”:
Because of a false fantasy
He’s driven from reality.”

― Jalaluddin Rumi

Water in the Sky

Photographer Unknown, (Water in the Sky)

“Madness is a special form of the spirit and clings to all teachings and philosophies, but even more to daily life, since life itself is full of craziness and at bottom utterly illogical. Man strives toward reason only so that he can make rules for himself. Life itself has no rules. That is its mystery and its unknown law. What you call knowledge is an attempt to impose something comprehensible on life.”

—C.G. Jung, The Red Book

Ursula K. Le Guin: “The Left Hand of Darkness”

Photographer Unknown, (Left Hand Behind His Back)

“Light is the left hand of darkness
and darkness the right hand of light.
Two are one, life and death, lying
together like lovers in kemmer,
like hands joined together,
like the end and the way.”
― Ursula K. Le Guin, The Left Hand of Darkness

Reblogged with thanks to https://gr8lad.tumblr.com

Ruth Benedict: “An Unique Arrangement”

Photographers Unknown, The Parts and Pieces Making a Whole: Set Two

The whole, as modern science is insisting in many fields, is not merely the sum of all its parts, but the result of an unique arrangement and interrelation of the parts that has brought about a new entity.”.

― Ruth Benedict, Patterns and Culture

Adolf von Hildebrand

Adolf von Hildebrand, “Stehender Junger Mann ( Standing Young Man ), 1881-1884. Marble, National Gallery, Berlin

Adolf von Hildebrand was a German sculptor, working in the Neo-classical tradition. He studied at the Academy of Fine Arts in Nuremberg and at the Murnich Academy. Hildebrand designed the architectual setting for Hans von Marees’ murals in the library of the German marine Zoological Institute at Naples, Italy. He also executed a monumental fountain, the Witelisbacher Brunnen, In Berlin.

Karl Ove Knausgaard: “Even Though the Suitcase Was Heavy”

Two Trunks and a Suitcase

“Even though the suitcase was heavy I carried it by the handle as I walked into the departure hall. I detested the tiny wheels, first of all because they were feminine, thus not worthy of a man, a man should carry, not roll, secondly because they suggested easy options, shortcuts, savings, rationality, which I despised and opposed wherever I could, even where it was of the most trivial significance. Why should you live in a world without feeling its weight? Were we just images? And what were we actually saving energy for with these energy-saving devices?”

― Karl Ove Knausgaard

Ten Black and White Photos: Men and Buildings

Ten Black and White Photos: Men and Buildings

“We depend on our surroundings obliquely to embody the moods and ideas we respect and then to remind us of them. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves.”
― Alain de Botton, The Architecture of Happiness

Charles Williams: “The Forest Itself Has Different Names”

The Forest Path

“The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter’s rout.

The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.”

― Charles Williams

Rebloggend with thanks to https://gaymenofnature.tumblr.com

Tonic of Wildness

The Tonic of Wildness

“It had to do with how it felt to be in the wild. With what it was like to walk for miles with no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets. The experience was powerful and fundamental. It seemed to me that it had always felt like this to be a human in the wild, and as long as the wild existed it would always feel this way.”
― Wild: From Lost to Found on the Pacific Crest Trail