Photographer Unknown, (The Edge of the Pier)
Tag: nudes
Poised on His Toes
Photographer Unknown, (Poised on His Toes)
Calendar: December 8
A Year: Day to Day Men: 8th of December
Saturday Morning After Shower
On the eighth of December in 1881, Vienna’s Ring Theater was destroyed by a gaslight fire that killed three hundred and eighty-four people.
The popular Ring Theater in Vienna, Austria was built between 1872 and 1874 by architect Heinrich von Förster from plans drawn by Emil Ritter. Opening in January of 1874 under the direction of operatic tenor and actor Albin Swoboda Sr, it was originally the Opéra Comique. In September of 1878, it changed its name to the Ring Theater and its focus to spoken plays and variety presentations as well as German and Italian operas.
As the footprint of the theater was small and it was intended for an audience of seventeen hundred, the architect designed the theater with four levels. On the eight of December in 1881, a fire began shortly before a performance of “Les Contes Fantastiques d’Hoffmann”, a French libretto written by composer Jacques Offenbach. The theater’s entire interior was engulfed in flames and collapsed; three hundred and eight-four people perished. In 1882, new regulations for theaters were passed regarding public safety provisions, including outward-opening doors, safety curtains and the fireproofing of the theater sets.
The Emperor of Austria and King of Hungary Franz Joseph used his private funds to build an apartment building on the site of the demolished Ring Theater. Although a private residence, it supported worthy public causes. This building also suffered a fire in 1945 with heavy damages and eventually collapsed in 1951.
Between the years 1969 and 1974, an office building occupied the site and served as the federal headquarters for the Vienna police and federal security guards: a plaque commemorating the fire is installed on the police headquarters. The original Attic-styled statues from the Ring Theater are now in Vienna’s Pötzleinsdorfer Schlosspark, a sprawling natural preserve with statues, wildlife areas and a small farm.
Tim O’Brien: “The Implacable Otherness of Others”

Photographer Unknown, Title Unknown, (The Red Wall)
“We are fascinated, all of us, by the implacable otherness of others. And we wish to penetrate by hypothesis, by daydream, by scientific investigation those leaden walls that encase the human spirit, that define it and guard it and hold it forever inaccessible.”
―
John Steinbeck: “Our Species is the Only Creative Species”
Photographers Unknown, Our Species is the Only Creative Species
“Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.”
—John Steinbeck, East of Eden
Miguel
“Miguel B.”; Photography Series by Garotosproject, November 2016, Brazil
Images reblogged with many thanks to the artist’s site: http://garotosproject.tumblr.com
A great photographer and a beautifully done site. Many kudos to the artist.
Turning Over

Artist Unknown, (Pillows), Computer Graphics, Gay Film gifs
Minor White
Minor White, “Tom Murphy (San Francisco)”, 1948, Gelatin Silver Print from the Series “The temptation of Saint Anthony is Mirrors”
Minor Martin White was an photographer, theoretician, critic and educator. He combined an intense interest in how people viewed and understood photographs with a personal vision that was guided by a variety of spiritual and intellectual philosophies.
Starting in Oregon in 1937 and continuing until he died in 1976, Minor White made thousands of black-and-white and color photographs of landscapes, people and abstract subject matter, created with both technical mastery and a strong visual sense of light and shadow.
Minor White taught many classes, workshops and retreats on photography at the Rochester Institute of Technology, California School of Fine Arts, the Massachusetts Institute of Technology, and in his own home. He lived much of his life as a closeted gay man, afraid to express himself publicly for fear of loss of his teaching jobs. Some of White’s most compelling images are figure studies of men whom he taught or with whom he had relationships.
Nice Socks
Blue Stripes on White Socks
“Roland glares at Connor and Connor glares back. Then he says what he always says at moments like this.
“Nice socks.”
―
Reblogged with thanks to https://crofs.tumblr.com
Magic Carpet
Charles Dickens: “A Beautiful World We Live In”
Photographers Unknown, Parva Scaena (Brief Scenes): Set Ten
“And a beautiful world we live in, when it is possible, and when many other such things are possible, and not only possible, but done– done, see you!– under that sky there, every day.”
― Charles Dickens, A Tale of Two Cities
The Snooker Table

The Playing Field; The Snooker Table
Snooker gained its own identiry in 1884 when army officer Sir Neville Chamberlain, while stationed at Ooty, devised a set of rules that combined the games of pyramid and black pool. The word ‘snooker’ was a long used military term for inexperienced or first-year personnel. The game grew in popularity in the United Kingdom, with the Billards Association and Control Club was formed in 1919.
James Gleick: “Somewhere in the Middle”
Photographers Unknown, A Random Selection from the Archives
“Everything we care about lies somewhere in the middle, where pattern and randomness interlace.”
― James Gleick, The Information: A History, A Theory, A Flood
William Shakespeare: “Lo! The Wonders Upon Earth!”
“Lo! The Wonders Upon Earth!”
“Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen’s beauty in a brow of Egypt:
The poet’s eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet’s pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.”
―William Shakespeare, A Midsummer’s Night Dream
The Center is at the Center of the Totality

“The Cental Point About Which the World Spins”
“This is why classical thought concerning structure could say that the center is, paradoxically, within the structure and outside it. The center is at the center of the totality, and yet, since the center does not belong to the totality (is not part of the totality), the totality has its center elsewhere. The center is not the center.”
―
Reblogged with many thanks to http://puppybra.tumblr.com































































