Tag: metro-goldwyn-mayer

Tod Browning, “The Mystic”: Film History Series

Ira H. Morgan, “Actress Aileen Pringle as Zara”, Todd Browning’s 1925 silent “The Mystic”, Costume by Roman Petrovich Tyrtov (aka Erté)

“The Mystic” was a 1925 silent drama film directed by Tod Browning for Metro-Goldwyn-Mayer. The script was co-written by Browning and Waldemar Young, who over the course of his career wrote screenplays for over eighty films. The film was produced by Louis B. Mayer and Irving Thalberg who, two years before, had finished production on a drama film starring Lon Chaney, “The Hunchback of Notre Dame”. Although Chaney was Browning’s immediate choice for the role of Michael Nash, he was unable to hire Chaney for “The Mystic” due to scheduling issues. 

“The Mystic” starred Aileen Pringle, a stage and film actress who had worked previously with Rudolph Valentino in the 1920 “Stolen Moments” and with Conrad Nagel in the 1924 adaptation of Elinor Glyn’s romance novel “Three Weeks”. Her co-star was Conway Tearle, who began his career as a stage actor in London and later on Broadway. Over his thirty-six year career, he appeared in over ninety films and, at one point, was thought to be the highest-paid actor in America.  

The cinematography was done by Ira H. Morgan who later successfully transitioned from silent to sound films. He worked extensively over his long career with major studios including Paramount Pictures, Warner Brothers, and Metro-Goldwyn-Mayer. Morgan’s credits included Charlie Chaplin’s “Modern Times”, George W. Hill’s “Tell It to the Marines”, Sam Katzman’s East Side Kids “Bowery Champs” and the Screen Gems television series “The Adventures of Rin-Tin-Tin”, among others. 

The gowns in “The Mystic”, worn by Aileen Pringle in her role of the gypsy Zara, were created by the well-known Russian-born French artist and designer Roman de Tirtoff, known to the world as Erté. Brought to the United States by Louis B. Mayer, Erté first designed the sets and costumes for the 1925 silent film “Paris”. He later did designs for such MGM silent films as “Ben-Hur”, “The Comedian” and “Dance Madness”, as well as William Randolph Hearst’s 1920 silent drama “The Restless Sex”. 

Released in September of 1925, one print of “The Mystic” has survived. It has a running time of seventy minutes and has English inter-titles. It is available as a web file at: https://en.wikipedia.org/wiki/File:The_Mystic_(1925)_by_Tod_Browning.webm

Bottom Insert Image: Ira H. Morgan, “Aileen Pringle and Conway Tearle”, 1925, Film Still from “The Mystic”, Director Tod Browning, MGM

Calendar: June 29

A Year: Day to Day Men: 29th of June

The Amazing Technicolor Man

June 29, 1995 marks the passing of one of MGM’s biggest stars: Lana Turner.

Born to working-class parents in northern Idaho, Lana Turner spent her early life there before her family relocated to San Francisco. In 1936, while still in high school, she was discovered while purchasing a soda at the Top Hat Malt Shop in Hollywood. At the age of 16, she was signed to a personal contract by Warner Brothers director Mervyn Le Roy who took her with him when he transferred to MGM in 1938.

Turner attracted attention playing a murder victim in her first film in 1937, LeRoy’s crime drama “They Won’t Forget”. During the early 1940s, Turner established herself as a leading actress and one of MGM’s top performers, appearing in such films as the film noir “Johnny Eager”, the musical “Ziegfeld Girl”, and the horror film Dr. Jekyll and Mr. Hyde”, all in 1941. She starred in the 1942 romantic war drama “Somewhere I’ll Find You”, one of several films opposite Clark Gable.

At the advent of World War II, Turner’s increasing prominence in Hollywood led to her becoming a popular pin-up girl and her image appeared painted on the noses of U.S. fighter planes, bearing the nickname “Tempest Turner.” In June 1942, she embarked on a ten-week war bond tour throughout the western United States with her co-star Gable. Throughout the war, Turner continued to make regular appearances at U.S. troop events and area bases.

Turner’s reputation as a glamorous femme fatale was enhanced by her critically acclaimed performance in the 1946 film “The Postman Always Rings Twice”, a role which established her as a serious dramatic actress. Her popularity continued through the 1950s in dramas such as “The Bad and the Beautiful” and “Peyton Place”, the latter of which she was nominated for an Academy Award for Best Actress.

Turner’s 1959 film, “Imitation of Life”, proved to be one of the greatest financial successes of her career. Her last starring role in the 1966 “Madame X” earned her a David di Donatello Award for Best Actress. Turner spent most of the 1970s and early 1980s in semi-retirement, making her final feature film appearance in “Witches’ Brew”, released in 1980. She accepted in 1982 a much publicized and lucrative recurring guest role in the television series “Falcon Crest”, which afforded the series notably high ratings.

Turner maintained her glamorous image into her late career; a 1966 film review characterized her as “the glitter and glamour of Hollywood.” While she consistently embraced her glamorous persona, she was also vocal about her dedication to acting and attained a reputation as a versatile, hard-working actress. One of Metro-Goldwyn-Mayer’s biggest stars, Lana Turner earned the studio over $50 million during her eighteen-year contract with them.