Tag: magic

Elijah Burgher

The Artwork of Elijah Burgher

Born in Kingston, New York in 1978, Elijah Burgher is an American artist who produces both figurative and abstract colored pencil drawings, paintings and prints of sigils. He received his Bachelor of Arts from Sarah Lawrence College in Bronxville, New York, and his Master of Fine Arts at Chicago’s Art Institute. Burgher currently lives and works in Berlin, Germany. His work is represented by the Horton Gallery in Dallas, New York’s contemporary PPOW Gallery, and Western Exhibitions in Chicago. 

In his work, Elijah Burgher uses ideas from occult and magic traditions to address queer sexuality, sub-cultural formations, and the history of abstraction. He also creates sigils, symbols of magical power, inspired by different esoteric systems, including the works of English illustrator and occultist Austin Osman Spare, who trained as a draughtsman at the Royal College of Art in South Kensington. Burgher’s sigils encode symbols of wishes and desires through their shape, and the compositions of their elements and color.

Burghers colored pencil drawings of nude male figures, often featuring images of friends,  illustrate scenes from his daily life and environment. Acting as ritual relics, they have an erotic quality that anchors their abstract components into reality. 

Elijah Burgher had solo exhibitions of his work in several galleries including the 2018 “Nudes in  the Forest” at the Ivan Gallery in Bucharest, Romania; “Bachelors” at New York’s Zieher Smith and Horton Gallery in 2016; and “Elijah Burgher, Topple the Table of Correspondences’ in 2011 at 2nd Floor Projects in San Francisco, among others. As a resident artist at Western Exhibitions in Chicago, Burgher has had several solo exhibitions in its gallery from 2012 to 2020. 

Burgher has also shown his work in multiple group exhibitions from 2000 to 2021, including the 2014 Gwangin Biennial, Asia’s most important contemporary art exhibition which was held in the Republic of Korea; New York City’s 2014 Whitney Biennial; “The Temptation of AA Bronson” exhibition held in 2013 at the Witte de With Center for Contemporary Art in Rotterdam, Netherlands; the 2020 “intimacy: New Queer Art from Berlin and Beyond” held at the Centre d’Art Contemporain in Geneva, Switzerland; and “Secret Language” held in 2021 at the Ivan Gallery in Bucharest, among others.

In 2011, Elijah Burgher held a Residency at the Skowhegan School of Painting and Sculpture in New York City and a Fire Island Artist Residency in Long Island, New York.

Note: an interview with Elijah Burgher can be found at the Inside/Within web art archive located at: http://insidewithin.com/elijah-burgher/

Elijah Burgher’s works can be found at the P.P.O.W. Gallery site located at https://www.ppowgallery.com/artists/elijah-burgher#tab:thumbnails

Bottom Insert Image: Elijah Burgher,, “Bachelor with Demons (Sleezy)”, 2015, Colored Pencil on Paper

Denis Forkas

The Paintings of Denis Forkas

Born in 1977 in Kamyshin, a town on the Volga river, Denis Forkas Kostromitin is a Russian painter whose work explores religious and mythological symbolism in the tradition of ancient Mediterranean art. The son of a military officer, his childhood years were spent in various remote regions of the Soviet states. Forkas’s early nomadic existence with its isolation and lack of comforts led to self-education in artistic training and numerous sensory deprivation experiences, which later had a major impact on his artwork.

With little stimulus from the austere Soviet environment, Forkas eagerly consumed literature on the esoteric worlds of Egyptian and Greek mysticism and mythology. After the iron curtain’s collapse in 1991, new translations of literary works, including the esoteric writings of English occultist Aleister Crowley and French author Eliphas Levi, entered the Soviet states. Forkas studied these new volumes and the literature written by Western philosophers, which became available in the mid-1990s.

After the economic boom in the new century, Denis Forkas frequently visited China as a journalist, interpreter, and commercial representative. After meeting several painting masters in China, he was able to receive formal training for three years in traditional Eastern painting techniques, including those of the Xieyl and Gongbi art forms. 

Xieyl is a genre of Chinese traditional painting worked on xuan paper that uses either ink or layers of watercolor. This genre includes works of calligraphy, poem, painting and seal, of which freehand painting is the most influential and popular. Gongbi is a careful, realistic technique of Chinese painting, often highly-colored, that is worked  on xuan paper. This method uses highly-detailed brushstrokes that delineate details very precisely without interpretation or free expression on the part of the artist.

After leaving China, Forkas settled in Moscow to concentrate on his career path as a professional artist. His early work was inspired by German Expressionism and the late nineteenth-century Symbolist movement, which emphasized the reality of the created paint surface itself. These paintings by Forkas were influenced by the early abstract, experimental works of Wassily Kandinsky that, in an immediate way, were an expression of Kandinsky’s inner feelings.

Denis Forkas’s new work, still in the artistic traditions of ancient Near East civilizations, draw their inspiration from early Renaissance and  seventeenth-century Dutch paintings. Drifting away from the earlier predominant symbolist style, Forkas’s paintings became influenced by the works of Belgian painter Fernand Khnopff, who carried symbolism’s recurring themes into his portraits, and Russian painter Mikhail Vrubel, whose paintings in the latter portion of his life displayed a glowing, otherworldly mosaic effect that fit within the Byzantine tradition.

Since 2007, Forkas has privately taught the techniques of painting and drawing to students and has participated in various local and international exhibitions, including the October 2014 Image Show in London. Forkas has produced many drawings and paintings that have been featured as album covers for international music releases. Currently living and working in Moscow, he has contributed both work and an interview for the esoteric publisher Fulgur Press.

Contact information and a small gallery of work by Forkas can be found at his website located at: www.denisforkas.com

For those interested, a list of album cover art by Denis Forkas can be found at the Encyclopaedia Mettalum site located at: https://www.metal-archives.com/artists/Denis_Forkas_Kostromitin/436114

Second Insert Image: Denis Forkas, “The Hanged Man / Gift of Prometheus”, 2017, Acrylics and Gilding on Paper, 41.5 x 29.5 cm

Third Insert Image: Denis Forkas, “Saglokratlok II”, 2017, Ink and Gouache on Paper, 24.1 x 18.5 cm

Bottom Insert Image: Denis Forkas, “Between Two Worlds (Study for a Recurring Dream of Ichor Baptism Fashioned as a Portico Fresco Cartoon)”, 2016, Acrylics on Paper on Hardboard, 23.7 x 22.5 cm

Calendar: September 27

A Year: Day to Day Men: 27th of September

Flesh and Silver Claws

September 27, 1885 was the birthdate of magician Harry Blackstone, Sr.

Born Harry Bouton in Chicago, Illinois, Harry Blackstone was a famed magician and illusionist. He was in the model of courtly, elegant predecessors such as Howard Thurston and Harry Keller, and the last of that group in America. Blackstone customarily wore white tie and tails while performing, and traveled with a sizable cast of assistants and large-scale illusions. His stage show was presented to the accompaniment of a pit orchestra.

One of Blackstone Senior’s especially effective illusions was called the Kellar Levitation billed as “The Dream of Princess Karnac”. A woman would lay on a couch, uncovered unlike other magicians’ versions, and rise up in the air. In another illusion,  a woman stepped into a cabinet in front of many tubular incandescent bulbs. Blackstone would suddenly push the perforated front of the cabinet backwood so the bulbs protruded through the holes in the front of the box. The cabinet was then revolved, revealing the woman impaled by the blinding filaments.

His “Sawing a Woman in Half” illusion involved an electric circular saw some three to four feet in diameter mounted in an open frame. Blackstone demonstrated the efficacy of the device by sawing noisily through a piece of lumber. Then a female assistant was placed on the saw table in full view, as wide metal restraints were clamped upon her midsection. The saw table was pulled by a motor through the saw blade.The blade whirred and appeared to pass through her body. As ripping sounds were heard, the woman shrieked, and particles were scattered by the whirring blade. When the blade stopped she, of course, rose unharmed.

“The Floating Light Bulb”, was perhaps Blackstone’s signature piece. In a darkened theatre, Blackstone would take a lighted bulb from a lamp and float it, still glowing, through a small hoop. He would then come down from the stage and the lamp would float out over the heads of the audience. This illusion was passed to Blackstone’s son, also Harry Blackstone, and then after his son’s death to the Dutch illusionist Hans Klok.

Harry Blackstone Sr. spent the last years of his life performing at the Magic Castle, a magical attraction in Hollywood, California. He died at the age of 80 in Hollywood on November 16, 1965. Blackstone was interred In Colon, Michigan where the main street was renamed Blackstone Avenue in his honor.

In 1985, on the 100th anniversary of his father’s birth, Harry Blackstone Jr. donated to the Smithsonian Institution in Washington D.C. the original floating light bulb, which Thomas Edison designed and built, and the original Casadega Cabinet, used in the “Dancing Handkerchief” illusion. This was the first ever donation accepted by the Smithsonian in the field of magic.

Kellar the Magician

Keller the Magician Poster, “Levitation”, 1900-1909

Harry Kellar was an American magician, a predecessor of Harry Houdini and a successor of Robert Heller and Isaiah Hughes, under whom he apprenticed. Referred to as the “Dean of American Magicians”, he is shown here performing one his most memorable stage illusions, the “Levitation of Princess Karnac”.

The Book of Soyga

Illustration from the Book of Soyga

The “Book of Soyga”, also titled “Aldaraia”, is a 16th-century Latin treatise on magic, Elizabethan scholar John Dee is known to have possessed one copy of this work. After John Dee’s death, the book was thought to be lost. However in 1994, two manuscripts were located in the British Library (Sloane MS. 8) and the Bodleian Library (Bodley MS. 908), written under the title “Aldaraia sive Soyga Vocor”, by Deborah Harkness, a scholar on the life of John Dee.

The Sloane 8 version from the British Library is also described as “Tractatus Astrologico Magicus”.  Both versions of “Aldaraia sive Soyga Vocor” differ only slightly.

Magical Staves

Magical Staves from Iceland

Icelandic magical staves (sigils) are symbols credited with magical effect preserved in various grimoires dating from the 17th century and later. According to the Museum of Icelandic Sorcery and Witchcraft, the effects credited to most of the staves were very relevant to the average Icelanders of the time, who were mostly substitence farmers and had to deal with harsh climatic conditions.

Reblogged with thanks to http://chaosophia218.tumblr.com

Deer Antler Ritual Mjolnir

Troll Blood, Deer Antler Ritual Mjolnir

Troll Blood is a craftsman for Bear Claw Handcraft, who works with antler, bone, leather, hides, wood and metal. Mjolnir is the name for the god Thor’s hammer. Though most famous for as a weapon, Mjolnir played a role in Norse religious practices and rituals, used in formal ceremonies to bless marriages, births and funerals, as described in the Old Norse 13th century work of literature “Snorra Edda”. This work is ascribed to the Icelandic scholar and historian Snorri Sturluson.

The Fak Hongs

Artist Unknown,  Circa-1930 Stone lLthograph for the Magician Troupe  “The Fak Hongs”

In the first decades of the twentieth-century, a type of magic show known as the “Oriental Magician” was very popular. The early exploration of China at the turn of the century by Europeans provided material for practicing magicians to incorporate into their performances. A type of magic show known as the “Oriental Magician”, in which Western magicians donned stereotypical oriental attire, became very popular throughout Europe. 

One of these was the magician Fak Hong, a European who performed in Japanese robes and haircut similar to those of samurai warriors. Renowned throughout Europe during the 1920s and 1930s, his troupe, the Fak-Hongs”, dressed as Asian mystics and performed such magic as levitation and cutting women in half. 

Due to his show’s popularity, Fak Hong formed a second troupe which was led by the illusionist Chang, the stage name of Juan José Pablo Jesorum, a native of Panama. The two groups, now known collectively as “Chang and Fak-Hong’s United Magicians” successfully toured Europe, America, and South America. Several of their performances highlighted illusions such as “Invisible Man”, “Hari-Kari”, “Noah’s Ark”, and “Night in Tokyo”.

Djinn

Artists Unknown, Djinn

According to pre-Islamic lore, the djinn are born of smokeless fire (which in modern terms could be plasma). They live very long lives but they are not immortal.  According to some accounts, they live with other supernatural beings in the Kaf, a mythical range of emerald mountains that encircles the Earth.  In modern terms, they live in a parallel dimension.

The djinn like to roam the deserts and wilderness and inhabit caves. They are usually invisible, but have the power to shape-shift to any form, be it insect, animal, human, or entity. They have long been regarded as malicious and dangerous, capable of bringing bad luck, illness, disaster and death. Even when granting favors, they have a trickster nature and can twist events for the worse.

Though the djinn can be conjured in magical rites, they are difficult to control. One individual said to have complete power over the djinn was the legendary Biblical King Solomon. God gave Solomon a copper and iron magic ring that enabled him to subdue djinn, and which protected him from their powers. In some accounts, the ring was inscribed with a pentacle, and in other accounts it was set with a gem, probably a diamond, that had a living force of its own. With the ring, Solomon branded the necks of the djinn as his slaves and set them to working building the first Temple of Jerusalem and even the entire city of Jerusalem.

Major General JFC Fuller

The Portal Paintings by

Top Image: “The Portal of the First Order- Building of the Pyramid”, 1909

Bottom Image: “The Portal of the Second Order- Knowledge and Conversation”

Major-General John Frederick Charles Fuller was a British Army officer, military historian, and strategist, notable as an early theorist of modern armoured warfare, including categorizing principles of warfare. With 45 books and many articles,, he was a highly prolific author whose ideas reached army officers and the interested public. He explored the business of fighting, in terms of the relationship between warfare and social, political, and economic factors in the civilian sector.

Fuller had an occultist side that oddly mixed with his military side. He was an early disciple of English poet and magician Aleister Crowley, and was very familiar with his and other forms of magick and mysticism. During this period of his life, he wrote “The Treasure House of Images”, edited early sections of Crowley’s magical autobiography “The Temple of Solomon the King” and produced highly regarded paintings dealing with A∴A∴ teachings: these paintings have been used in recent years as the covers of the journal’s revival, “The Equinox, Volume IV”.