James Stroudley

 

Leonard James Stroudley, “The Oarsmen”, Date Unknown, Oil on Canvas, 224 x 178 cm, Private Collection

Born in London in June of 1906, Leonard James Stroudley was a painter, printmaker, and educator. He studied at the Clapham School of Art from 1923 to 1927, and continued his studies at the Royal College of Art from 1927 to 1930, where he studied under painters William Rothenstein and Alan Gwynne-Jones. As a recipient of the first Abbey Scholarship in 1930, Stroudley was able to study for three years in Italy, where he was influenced by the paintings of Giotto and Piero della Francesca, and produced one of the last decorative cycles by a Rome Scholar prior to World War II.

On his return to London in 1933, Leonard Stroudley became a visiting lecturer at the Royal Academy School and exhibited at the Royal Academy and the Royal Society of British Artists, of which he was elected a member in 1934. Working through a series of influences, including cubism in the late 1930s, he achieved the incisive draftsmanship that is the core of his work. Stroudley’s drawings, both figurative and landscapes, from this period are technically brilliant and bear comparison with illustrative work of British sculptor Eric Kennington.

After the Second World War, in which he worked with the Camouflage Unit, Stroudley taught at St. Martin’s School of Art and continued his lectures at the Royal Academy Schools. Though he continued to live in London, Stroudley’s later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to the coastal areas of Kent and Sussex. Initially a figurative artist, his later works, starting in the 1950s, moved increasingly towards abstraction. 

Leonard James Stroudley, in addition to exhibitions at the Royal Schools, had numerous gallery shows, among which were the Walker Art Gallery in 1956-1957, the Apollinaire Gallery, the Arthur Tooth and Son Gallery, and London’s Reid Gallery in 1960. His former student, realist painter Peter Coker, paid homage to his teacher by including Stroudley’s work in the 1971 exhibition “Pupil & Masters” which was held at Westgate House in Long Melford, Suffolk.

Leonard James Stroudley died in May of 1985 at Wandsworth, London. His works are in the public collections of Bradford, Brighton, Coventry, and Rochdale, as well as many private collections. 

Top Insert Image: Leonard James Stroudley, “Undercliff Walk, Looking West from Rottingdean”, Watercolor and Penccil, Private Collection

Bottom Insert Image: Leonard James Stroudley, “First Floor Front”, 1959, Oil on Canvas, The Esplanade, Rochdale, Greater Manchester, England

 

James Mortimer

James Mortimer: Paintings, Oil on Linen

James Mortimer, a painter and a sculptor, was born in Swindon, Wiltshire in 1989. He was educated at a Catholic School and studied sculpture at the Bath School of Art, receiving the Kenneth Armitage Prize for Sculpture. Mortimer now devotes himself to painting imagined scenes of immoral excess, mythical creatures and larger than life characters. He is represented by the Catto Gallery on Heath Street in London.

James Mortimer’s fey boys inhabit a world of uncomplicated decadence, a surreal Renaissance landscape where man and beast exist together on increasingly equal terms. Inhibitions go out the window; each is a slave to their own nature. The ensuing relationships provide fertile ground for myriad little dramas as the companions look to get along. Animals become mischievous, even vicious at times. Their masters try to rise above it, retaining an almost Imperial sense of composure, but in the process find themselves somehow detached, lost even, gazing wistfully into the opium haze of their peculiar adopted land.

Whilst seemingly simple, there is wealth of drama playing out behind the scenes. Visual puns and innuendoes pepper his paintings like Freudian slips of the brush. Every fruit and every plant is pregnant with suggestion. Exoticism and the thrill of travel also permeate every scene, like Victorian Boy’s Own adventures that have turned slightly spicy and risqué. And underneath it all, there is a simmering sexuality. These characters are vain, vice-loving and beautiful.

Note: an Extensive collection of James Mortimer’s work can be found at: http://www.jamesmortimerart.com/paintings

art@cattogallery.co.uk

Christo

Christo, Floating Mastaba in London, Project Design, 2018, Pencil, Charcoal, Wax Crayon, Enamel Paint, Hand-Drawn Map on Vellum

Artist Christo’s Mastaba project for London’s Hyde Park’s serpentine lake will float on the lake from June 18 to September 23, 2018.

Built by a team of experienced engineers, the London Mastaba comprises 7,506 horizontally stacked barrels on a floating platform. It will be 20 meters (65.5 ft) high x 30 meters (90 ft) wide (at the 60° slanted walls) x 40 meters (130 ft) long. Standard 55 gallon barrels will be specifically fabricated and painted for this sculpture. The sides of the barrels, visible on the top and on the two slanted walls of the sculpture, will be red and white; the ends of the barrels, visible on the two vertical walls, will be different hues of red, blue, and mauve.

Reblogged with thanks to http://contemporary-art-blog.com

Queen and Adam Lambert, “We Will Rock You”

Queen and Adam Lambert, “We Will Rock You” and “We Are the Champions” at the New Year’s Eve Concert in London 2014

Queen + Adam Lambert (sometimes referred to as Q+AL or QAL) is a collaboration between the active members of the British band Queen (Brian May and Roger Taylor) and American vocalist Adam Lambert. As with all other Queen performances since 1997, original bassist John Deacon has declined to participate in the project due to his retirement. This is the first long-term collaboration of Queen since the Queen + Paul Rodgers project ended in 2009.

The collaboration originated when May and Taylor appeared on American Idol in 2009 when Lambert was a contestant. They began performing occasionally in 2011, conducted a short European tour in 2012, and in 2014 announced a world tour, the Queen + Adam Lambert Tour 2014–2015 with dates in North America, Australia, New Zealand, Asia and Europe.

The band performed a special concert, Queen + Adam Lambert Rock Big Ben Live, which was broadcast live on BBC One on New Year’s Eve 2014 and New Years Day 2015. The concert was performed in the shadow of Big Ben in Central Hall Westminster, and the show paused for the chimes of the Big Ben in the New Year countdown and the firework display in London.