The Mask
“No man, for any considerable period, can wear one face to himself and another to the multitude, without finally getting bewildered as to which may be the true.”
―
Reblogged with many thanks to : http://smallpercentage.tumblr.com
A fine art, film, history and literature site oriented to, but not exclusively for, the gay community. Please be aware that there is mature content on this blog. Information on images and links to sources will be provided if known. Enjoy your visit and please subscribe.
The Mask
“No man, for any considerable period, can wear one face to himself and another to the multitude, without finally getting bewildered as to which may be the true.”
―
Reblogged with many thanks to : http://smallpercentage.tumblr.com
Noriyuki Saito, Bamboo Insects
Capturing anatomical essences with uncanny skill, Japanese artist Noriyuki Saito constructs life-sized insects using bamboo. The natural material’s versatility lends a surprisingly wide range of colors and textures to each creature. And although the first impression is of insects that are ready to crawl or fly off the page, Saitoh engages a thoughtful process of paring down each bug to its essential forms that give the impression of life.
As the artist writes on his website, “Since we are not preparing specimens and replicas, we strictly measure the [overall] dimensions and prioritize the appearance, impressions, features, and senses rather than proportions being created exactly…reality as a work is born if you thin out the elements and leave room to imagine.”
Rose Sanderson: Painted Book Covers
Inspired by the natural world, especially that which is generally unnoticed or disregarded by others, most recent work focuses predominantly on the fragility of life and representations of freedom.
Seeing beauty in the seemingly ugly, Rose Sanderson’s delicate, yet expressive paintings of insects, birds and anatomy, aim to provoke in an understated way; producing pieces that are empathetic, fresh and intriguing.
With backgrounds that give a feeling of decay (peeling layers of wallpaper, cracked surfaces; aged and ‘distressed’), combined with fine attention to detail in the subject matter, a vibrant mixture of traditional and experimental techniques are produced. Her use of old book covers relate to the cycles within nature, the subject upon them being part of a narrative; exploring life, death and existence.
Originally based in Bristol, Rose Sanderson has exhibited in a number of Cities within the UK, and others further afield including Amsterdam, Brussels, Munich, New York, Los Angeles, Melbourne, Hong Kong and Singapore. Originally an illustrator, completing her BA(hons) in 2003, she is now a recognised artist within the fine art world.
Geoffrey Habeman, Brass Insects