A Second Glance: Revisited

Photographers Unknown, A Second Glance: Revisited

“Everything goes forward like oiled clocks; for each minute of the dial there are a million noiseless clocks which tick off the rinds of time. We are traveling faster than the lightning calculator, faster than starlight, faster than the magician can think. Each second is a universe of time. And each universe of time is but a wink of sleep in the cosmogony of speed. When speed comes to its end we shall be there, punctual as always and blissfully un-denominated. We shall shed our wings, our clocks and our mantelpieces to lean on. We will rise up feathery and jubilant, like a column of blood, and there will be no memory to drag us down again.”

—Henry Miller, Tropic of Capricorn

Henry Miller: “We All Derive from the Same Source”

His Butt: Beguiling the Senses and Enchanting the Mind: Photo Set Eleven

“Every day we slaughter our finest impulses. That is why we get a heartache when we read those lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled because we lacked the faith to believe in our own powers, our own criterion of truth and beauty. Every man, when he gets quiet, when he becomes desperately honest with himself, is capable of uttering profound truths. We all derive from the same source. There is no mystery about the origin of things. We are all part of creation, all kings, all poets, all musicians; we have only to open up, only to discover what is already there.”

—Henry Miller

Henry Miller” “Our Finest Impulses”

Parva Scaena (Brief Scenes): Set Seventeen

“Everyday we slaughter our finest impulses. That is why we get a heartache when we read the lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled because we lacked the faith to believe in our own powers, our own criterion of truth and beauty. Everyman, when he gets quiet, when he becomes desperately honest with himself, is capable of uttering profound truths.”

–Henry Miller

Henry Miller: “The Clothes He Wore, , ,”

Photographer Unknown, (Man in His Hoodie)

“What sticks in my crop about this period, when he [Conrad Moricand] was so desperately poor and miserable, is the air of elegance and fastidiousness which clung to him. He always seemed more like a stockbroker weathering a bad period than a man utterly without resources. The clothes he wore, all of excellent cut as well as of the best material, would obviously last another ten years, considering the care and attention he gave them. Even had they been patched, he would still have looked the well-dressed gentleman. Unlike myself, it never occurred to him to pawn or sell his clothes in order to eat. He had need of his good clothes.”

― Henry Miller, Big Sur and the Oranges of Hieronymus Bosch