Gus Green Van Sant, Jr: “My Own Private Idaho”

Bruce Weber, Promotional Photo Shoot for “My Own Private Idaho”

These two images, showing River Phoenix with Michael Parker and with Rodney Harvey, were taken by Bruce Weber during a promotional photo shoot in 1991 for director Gus Van Sant’s early 1991 masterpiece “My Own Private Idaho”.

Born in July of 1952, Gus Green Van Sant, Jr. is an American screenwriter, film director, photographer, painter and author who has produced acclaimed independent and mainstream films. His films typically contain themes of marginalized subcultures, particularly homosexuality. Van Sant is one of the prominent film artists of the New Queer Cinema movement. 

Van Sant made his feature-length directorial debut with his 1985 film “Mala Noche (Bad Night)”, a drama film based on poet Walt Curtis’s autobiographical novel of the same name.  His second feature, released in 1989, was the highly acclaimed “Drugstore Cowboy”, which earned him Best Director from the National Society of Film Critics. Van Sant followed this success with the a series of similarly praised films: the 1991 “My Private Idaho” and the black comedy “To Die For” in 1995. His next two films,  the 1997 drama “Good Will Hunting”, and the biographical film “Milk” in 2008, were nominated by the Academy Awards for Best Picture and Best Director. 

Note: You will find more information on Van Sant’s film “Malo Noche” at: https://ultrawolvesunderthefullmoon.blog/2015/07/09/mala-noche-directed-by-gus-van-sant-mala-noche/

Gus Van Sant, “Mala Noche”

“Mala Noche”: Directed by Gus Van Sant

“Mala Noche (Bad Night)” is a 1985 American drama film written and directed by Gus Van Sant (Drugstore Cowboy, Last Days), based on an autobiographical novel by the Oregon poet Walt Curtis. The film was shot in 16 mm, mostly black-and-white.

With its low budget and lush black-and-white imagery, Gus Van Sant’s debut feature “Mala Noche” heralded an idiosyncratic, provocative new voice in American independent film. Set in Van Sant’s hometown of Portland, Oregon, the film evokes a world of transient workers, dead-end day-shifters, and bars and seedy apartments bathed in a profound nighttime, as it follows a romantic deadbeat with a wayward crush on a handsome Mexican immigrant. “Mala Noche” was an important prelude to the New Queer Cinema of the nineties and is a fascinating capsule from a time and place that continues to haunt its director’s work.

Gus Van Sant’s “Male Noche” is available on Netflix disc and through Hulu and Prime subscription services.